Antoni Tàpies

Spanish Artist signed limited edition original art print numbered etching

1982

Joan Miro (Spain, 1893-1983) 'La révolte des caractéres (The revolt of the letters)', 1982 etching, aquatint on paper Velin Arches 250 g. 12.8 x 9.9 in. (32.5 x 24.9 cm.). The open p...

Eduardo Chillida (Spain, 1924-2002) 'Estampa VI', 1998 It belongs to the folder "La indetenible quietud" that includes 6 etchings by Eduardo Chillida and 32 poems by Clara Janés. aqu...

Eduardo Chillida (Spain, 1924-2002) 'Estampa V', 1998 It belongs to the folder "La indetenible quietud" that includes 6 etchings by Eduardo Chillida and 32 poems by Clara Janés. aqua...

Eduardo Chillida (Spain, 1924-2002) 'Estampa VI', 1998 It belongs to the folder "La indetenible quietud" that includes 6 etchings by Eduardo Chillida and 32 poems by Clara Janés. aqu...

Eduardo Chillida (Spain, 1924-2002) 'Munich', 1994 etching, aquatint on paper gray Eskulan 31.5 x 23.9 in. (80 x 60.5 cm.) Edition of 119 (of which 98 correspond to the Arabic numbered edition). P/A: XX (20) Unframed ID: CHI1038-009 Hand-signed by author It appears reviewed in the catalog raisonné “Eduardo Chillida – Opus P.III. 1986-1996”, Chorus – Verlag. Page 278, cat. 94015. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

"Carlos Garcia de la Nuez (Cuba, 1959) 'Amor III', 2004 engraving on paper Guarro Biblos 250g. 12.6 x 30 in. (32 x 76 cm.) Edition of 50 ID: GAC-110"

Robert Motherwell Pull Out All Flags (Engberg, Banach 263), 1980 Aquatint and etching in colors, on German Etching paper, with full margins Hand-signed by artist, Pencil signed and n...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24...

Stanley WIlliam (Bill) Hayter Meduse, 1958 High Viscosity Etching & Engraving Pencil signed, titled and numbered from the edition of 50 (10/50) on the front Catalogue Raisonne Black/...

1987 Etching, aquatint and drypoint in colors, on wove paper Sheet: 15 3/4 x 18 3/4 in. Edition of 71 Signed, dated and numbered in pencil, lower margin

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

Steve Sorman has had over 80 solo artist exhibitions throughout the United States . I have included, just for reference, some images of his museum show so that you can see the body...