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Arnold Blanchoriginal lithograph1950
1950
$50
£38.67
€44.03
CA$71.79
A$78.43
CHF 41.11
MX$936.54
NOK 520.23
SEK 485.10
DKK 328.81
About the Item
Medium: original lithograph. This lithograph is from the rare 1950 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 3/4 inches (305 x 223 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
- Creator:Arnold Blanch (1896-1968, American)
- Creation Year:1950
- Dimensions:Height: 12.01 in (30.5 cm)Width: 8.67 in (22 cm)
- Medium:
- Period:
- Condition:Condition: the left edge of the sheet has been trimmed.
- Gallery Location:Henderson, NV
- Reference Number:1stDibs: LU2365217279962
Arnold Blanch
Born in Mantorville, Minnesota, Arnold Blanch was a painter of scenes of social-realist American life with mystical overtones and a child-like seeming style. He was also a highly respected teacher, lecturer and visiting critic and was a spokesman for the art colony in Woodstock, New York. He was married to Lucile Blanch. Unlike many of his generation, he seemed disinterested in avant-garde styles and held to his own approach with canvases that were happy and somewhat romantic in subject matter. In the 1930s, he was a muralist for the Federal Art Project and did work in post offices in Fredonia, New York and Norwalk, Connecticut. He first studied at the Minneapolis School of Arts, and from 1921 to 1922 was at the Art Students League in New York City, studying with Kenneth Hayes Miller, John Sloan, and Robert Henri. He also studied with Boardman Robinson, whose invitation he accepted to teach in Colorado Springs at the Colorado Fine Arts Center school. He took seriously their assertions that an artist should paint from his own experiences and environment. He was a member of the American Artists Congress, the Association of American Artists, the American Watercolor Society, and the Painters, Sculptors, Gravers Society of America, which he also served as president.
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