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Balthus (Balthasar Klossowski de Rola) Balthus (1908–2001) - Jeune Femme Debout - lithograph on Arches paper1994
1994
About the Item
lithograph on Arches paper , edited in 1994
Limited edition of 198 copies , numbered 3/198 in lower left
Hand signed by artist in pencil in the lower right margin
paper size: : 87 x 60.5 cm
Framed size: 102 x 76 cm
excellent conditions
A regular certificate of Authenticity and legitimate provenience is provided , and also a copy of publication of the reference catalogue
Framed to museum standards in a handmade frame ,
the background is made ph neutral for proper preservation of the work over the years , to avoid oxidation.
Fast and Tracked shipping with express currier DHL
( shipping time: 24 hours for European countries and 4 to 6 days for America and other non-eu countries )
Shipping costs are included
- Creator:Balthus (Balthasar Klossowski de Rola) (1908 - 2001, French)
- Creation Year:1994
- Dimensions:Height: 40.16 in (102 cm)Width: 29.93 in (76 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:very good conditions.
- Gallery Location:Varese, IT
- Reference Number:1stDibs: LU1938216064632
Balthus (Balthasar Klossowski de Rola)
Balthus was born on 29 February 1908 into a cosmopolitan family; his father was of Prussian and Polish origin and his mother, Elsa Dorothea Spiro, nicknamed Baladine, was of Ashkenazi and Russian descent. At the beginning of the war, his family took refuge in Switzerland, where he stayed with his mother while his parents separated. In 1919, his mother met the poet Rainer Maria Rilke (1875 - 1926) who became her lover; Balthus (the nickname of the painter from which he chose his artist's name) was brought up in the artistic milieu of his mother's friends. Balthus moved to Paris with his mother in 1924. He enrolled at the Grande Chaumière academy and frequented Pierre Bonnard's studio. In 1926, he travelled to Italy where he discovered the frescoes of Piero della Francesca and Masaccio, which had a lasting influence on his art. Influenced by the surrealists, he held his first solo exhibition in 1934. Alongside his paintings, which were increasingly successful, he created several theatre, ballet and opera sets, an activity he continued after the war. In 1938, he held his first exhibition in New York.
He married Antoinette de Watteville (1912-1997) in 1937 and the couple settled during the war first in Champrovent in Savoie, then in Fribourg in Switzerland where two of their sons were born and finally in Cologny near Geneva from 1942 onwards. In 1945 the couple separated and Balthus returned to Paris. In 1953, Balthus, then aged 45, decided to move to the Château de Chassy in the Morvan region. He was soon joined there by his niece by marriage (the daughter of his brother Pierre Klossowski's wife from her first marriage), Frédérique Tison, who became his muse and mistress. At Chassy, facing the landscapes of the Morvan, in the immense space of the house, Balthus worked and created a huge number of works. His painting evolved to become closer to the fresco, in the manner of the Italian Renaissance masters. Frédérique Tison accompanied Balthus to Rome when he was appointed Director of the Villa Medici by André Malraux in 1961. When they finally broke up in 1966, Balthus gave her Chassy where she settled. In 1962, during a trip to Japan, Balthus met Setsuko Ideta. She became his wife in 1967. In 1977, at the end of their time in Rome, they settled in a large chalet in Rossinière (Switzerland) where the painter lived until his death on 18 February 2001.
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