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Berthe Morisot
Jeune Fille Avec Le Chat

1888

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  • Orthodox Boy in the Starlight
    Located in Raleigh, NC
    A wonderful judicial painting by a well-known Polish artist.
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  • Court House Square
    By Elizabeth Verner
    Located in Raleigh, NC
    Court House Square by Elizabeth O'Neill Verner. This impression numbered 8 from an edition of probably 50 -100. Slight light darkening of the image. A dark richly inked impression.
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    1930s American Realist Prints and Multiples

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  • St. Michael's Alley (Looking East)
    By Elizabeth Verner
    Located in Raleigh, NC
    St. Michael's Alley Looking East by Elizabeth o'Neill Verner. This impression #25 from an edition of probably 50. Slight light staining as shown in the photos
    Category

    1930s American Realist Prints and Multiples

    Materials

    Etching

  • A Jew
    By Hermann Struck
    Located in Raleigh, NC
    Etching by Hermann Struck in good condition with slight light staining
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    1930s Realist Prints and Multiples

    Materials

    Etching

  • On the Road to Folly
    Located in Raleigh, NC
    An excellent impression of one of the rarest and most desireable Verner images- Road to Folly (Beach) showing the basket people selling roadside fruits and...
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    1930s American Realist Prints and Multiples

    Materials

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  • Charleston Gates, S.C.
    Located in Raleigh, NC
    A wonderful depiction of Charleston, S.C. showing the ironwork gates and the flower ladies the city is known for. The image is in excellent condition with a strong platemark. Some ...
    Category

    1940s American Realist Prints and Multiples

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  • Venus
    By James Abbott McNeill Whistler
    Located in New York, NY
    James Whistler (1834-1903), Venus, 1859. Etching and drypoint, printed in black ink on laid paper, an impression in the second (final) state: there was no published edition. 6 x 9 inches (15 x 22.6 cm) sheet 73/8 x 117/8 inches (18.8 x 30.3 cm) Reference: Kennedy 59; Glasgow 60 A very fine impression. A study of Héloïse, ‘Fumette’, asleep in bed, her head pressed into the pillow and the bedclothes covering her lower legs. This is one of three portraits Whistler made of Fumette in 1859: one of the others shows her standing and in the third only her head and shoulders are depicted. Venus is a work in the Realist tradition, and may be compared with Courbet’s nudes of the same period. The artist may also have had in mind Rembrandt’s study of Antiope in his etching Jupiter and Antiope. Venus was never published and there is no record of it being shown until 1898 when it was included in an Exhibition of Etchings, Drypoints and Lithographs by Whistler at H. Wunderlich & Co., New York. To have been overlooked for exhibition until so late in Whistler’s life might suggest that the subject was considered improper. Frederick Wedmore, whose catalogue of Whistler’s etchings...
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  • The Mill, Amsterdam, 1889
    By James Abbott McNeill Whistler
    Located in New York, NY
    James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...
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    1880s Impressionist Landscape Prints

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  • Bridge, Amsterdam
    By James Abbott McNeill Whistler
    Located in New York, NY
    James McNeill Whistler (1834-1903), Bridge, Amsterdam, etching, 1889, printed in brown ink on thin laid paper, signed with the butterfly on the tab and annotated “imp”, also signed with the butterfly on the verso and numbered 11. References: Kennedy 409, Glasgow 447, fifth state (of 5). In very good condition (slight nicks at edges), trimmed by the artist on the plate mark apart from the tab, 6 1/2 x 9 1/2 inches. Provenance: Vivian and Meyer P. Potamkin, Philadelphia; sale, Sotheby’s, New York, May 11, 1989, lot 302 Samuel Josefowitz, Pully, Switzerland A very fine, shimmering impression of this great rarity. This impression is included in the Glasgow inventory, ID number K4090301; only about 11 lifetime impressions in all states are known (three were also printed posthumously by Nathaniel Sparks...
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  • Tête penchée et Bocal de Poissons
    By Henri Matisse
    Located in London, GB
    Etching on Chine appliqué on Arches Velin paper, Edition of 25 Paper size: 28.5 x 38 cms (11 1/4 x 15 ins) Plate size: 14.9 x 19.6 cms (5 7/8 x 7 5/8 ins)
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  • Mending the Tears
    By Winslow Homer
    Located in New York, NY
    Winslow Homer created this etching entitled “MENDING THE TEARS” in 1888. This is a lifetime impression signed by Homer and printed by the famous New York etcher George W. H. Ritchie...
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  • J.H. Woods’ Fruit Shop, Chelsea
    By James Abbott McNeill Whistler
    Located in New York, NY
    James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches. A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions. watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.) This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate. According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
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    1880s Impressionist Landscape Prints

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