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Chiyu UemaeUntitled, 1994, Limited Edition of 20, Screenprint by Chiyu Uemae1994
1994
$1,600
£1,213.20
€1,400.92
CA$2,244.90
A$2,501.15
CHF 1,319.11
MX$30,322.40
NOK 16,781.04
SEK 15,632.60
DKK 10,463.57
About the Item
Untitled (1994)
Screenprint on wove paper
Date: March 1994
Ed. 19/20
25.2 x 16.4 cm (Image)
39.4 x 28 cm (Sheet)
This 1994 screenprint by Gutai artist Chiyu Uemae presents a dense, energetic field of pure abstract pattern. The composition is a dynamic interplay between a vibrant scarlet red and a cool, pale lavender-grey. This intricate, all-over network of irregular speckles creates a vibrating surface that can evoke everything from microscopic life to cosmic nebulae, pulling the viewer's eye across its entire complex surface without a single focal point.
The work is a powerful example of Uemae's mature style and the core principles of the Gutai art movement. Instead of a single gesture, the image is built from the meticulous and repetitive accumulation of countless small marks, making the artist's labor-intensive process a form of artistic action itself. Through this disciplined method, Uemae transforms the physical materials of ink and paper into an expression of pure energy and infinite space, channeling the radical Gutai spirit into a deeply focused and visually mesmerizing composition.
- Creator:Chiyu Uemae (1920 - 2018, Japanese)
- Creation Year:1994
- Dimensions:Height: 15.52 in (39.4 cm)Width: 11.03 in (28 cm)
- Medium:
- Period:
- Condition:Overall in very good condition, light soft creases and minor stains, visible under close inspection.
- Gallery Location:Hong Kong, HK
- Reference Number:Seller: CU-0041stDibs: LU1545216330762
Chiyu Uemae (1920 – 2018) was a Japanese abstract artist born in Kyoto. He is particularly noted for his involvement as a founding member of the influential Gutai Art Association, a radical avant-garde art collective formed in 1954 under the leadership of Jiro Yoshihara. Uemae participated in every Gutai exhibition until the group's dissolution in 1972. Uemae's artistic journey was unique; he was a self-taught artist who held various jobs, including an apprentice at a traditional dyeing factory in Kyoto, which profoundly influenced his artistic approach. His early experiences, particularly in dyeing, led to a mature style characterized by meticulous compositions often featuring fine dots, patterns, and textile elements. Unlike some of his Gutai peers known for performance-based works, Uemae focused on the materiality of art, often creating compellingly rough surface textures by combining unconventional materials like sawdust, wood chips, and debris with paint. His two-dimensional works are recognized for their pattern accumulation, achieved through painting knives or delicate stitching, and he also produced sculptures from wood or sawdust. In later years, he continued to create etchings and silkscreens. Uemae's work often combined traditional Japanese colors and sensibilities with an original abstract style. He remained active and continued producing art well into his 80s and 90s.
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