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Chiyu UemaeUntitled, 1994 Offset print on paper Limited dition by Chiyu Uemae signed1994
1994
$920
£702.79
€807.43
CA$1,315.40
A$1,449.27
CHF 750.23
MX$17,449.55
NOK 9,499.70
SEK 8,924.37
DKK 6,029.03
About the Item
Untitled (1994)
Offset print on paper
Signed, dated and numbered by the artist.
Date: 1994 5
Ed. 4/140
30.5 x 33.3 cm (Image)
39.5 x 54.3 cm (Sheet)
This offset print presents a dynamic interplay of saturated red and blue hues, with flashes of yellow and purple hinting at a broader spectrum. The colors aggressively collide and fragment across the surface, creating sharp, angular white spaces that cut through the composition. This energetic and almost visceral interaction of color and form is characteristic of Chiyu Uemae's abstract expression and his exploration of raw, elemental forces within his work.
- Creator:Chiyu Uemae (1920 - 2018, Japanese)
- Creation Year:1994
- Dimensions:Height: 15.56 in (39.5 cm)Width: 21.38 in (54.3 cm)
- Medium:
- Period:
- Condition:Overall in good condition; minor creases, stains in the back.
- Gallery Location:Hong Kong, HK
- Reference Number:Seller: CU-0131stDibs: LU1545216330712
Chiyu Uemae (1920 – 2018) was a Japanese abstract artist born in Kyoto. He is particularly noted for his involvement as a founding member of the influential Gutai Art Association, a radical avant-garde art collective formed in 1954 under the leadership of Jiro Yoshihara. Uemae participated in every Gutai exhibition until the group's dissolution in 1972. Uemae's artistic journey was unique; he was a self-taught artist who held various jobs, including an apprentice at a traditional dyeing factory in Kyoto, which profoundly influenced his artistic approach. His early experiences, particularly in dyeing, led to a mature style characterized by meticulous compositions often featuring fine dots, patterns, and textile elements. Unlike some of his Gutai peers known for performance-based works, Uemae focused on the materiality of art, often creating compellingly rough surface textures by combining unconventional materials like sawdust, wood chips, and debris with paint. His two-dimensional works are recognized for their pattern accumulation, achieved through painting knives or delicate stitching, and he also produced sculptures from wood or sawdust. In later years, he continued to create etchings and silkscreens. Uemae's work often combined traditional Japanese colors and sensibilities with an original abstract style. He remained active and continued producing art well into his 80s and 90s.
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