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Chiyu UemaeUntitled, 2004, abstract screenprint by Chiyu Uemae, signed, edition of 152004
2004
$2,100
£1,589.37
€1,824.14
CA$2,991.62
A$3,244.49
CHF 1,704.13
MX$39,409.80
NOK 21,324.47
SEK 20,078.18
DKK 13,624.29
About the Item
Untitled (2004)
Screenprint on wove paper
Signed, dated and numbered by the artist.
Date: 2004 11 19
Ed. 4/15
27.5 x 39.2 cm (Image)
37.4 x 53 cm (Sheet)
This screenprint by Chiyu Uemae presents a dense field of vivid red dots scattered across a muted brown ground. The artist’s characteristic approach transforms a simple motif into a hypnotic visual rhythm, where each dot—varying slightly in shape and texture—contributes to a pulsating, all-over composition. The contrast between the earthy ground and the luminous red surface creates both tension and vibrancy, drawing the eye across the print in continuous motion. Executed in 2004 in a very limited edition of only fifteen impressions, the work captures the artist’s enduring fascination with repetition and pattern as a means of evoking infinity and immersion.
- Creator:Chiyu Uemae (1920 - 2018, Japanese)
- Creation Year:2004
- Dimensions:Height: 15.44 in (39.2 cm)Width: 20.87 in (53 cm)
- Medium:
- Period:
- Condition:Overall in fair condition; visible paper browning, and minor soft creases.
- Gallery Location:Hong Kong, HK
- Reference Number:Seller: CU-0101stDibs: LU1545216330702
Chiyu Uemae (1920 – 2018) was a Japanese abstract artist born in Kyoto. He is particularly noted for his involvement as a founding member of the influential Gutai Art Association, a radical avant-garde art collective formed in 1954 under the leadership of Jiro Yoshihara. Uemae participated in every Gutai exhibition until the group's dissolution in 1972. Uemae's artistic journey was unique; he was a self-taught artist who held various jobs, including an apprentice at a traditional dyeing factory in Kyoto, which profoundly influenced his artistic approach. His early experiences, particularly in dyeing, led to a mature style characterized by meticulous compositions often featuring fine dots, patterns, and textile elements. Unlike some of his Gutai peers known for performance-based works, Uemae focused on the materiality of art, often creating compellingly rough surface textures by combining unconventional materials like sawdust, wood chips, and debris with paint. His two-dimensional works are recognized for their pattern accumulation, achieved through painting knives or delicate stitching, and he also produced sculptures from wood or sawdust. In later years, he continued to create etchings and silkscreens. Uemae's work often combined traditional Japanese colors and sensibilities with an original abstract style. He remained active and continued producing art well into his 80s and 90s.
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