Daniella Dooling

Untitled

1996

Josh Smith Untitled 2018 Xerox print (Edition of 50 + 10 APs) 11 x 8.5 inches

Judy Pfaff Untitled 1997 Signed and numbered Etching with wax and watercolor (Edition of 50) 9 x 12 inches

Wet photogram with ferric ammonium citrate, potassium ferricyanide, and suspended watercolor pigment (Unique) This piece is offered by ClampArt, located in New York City. Brian Buc...

Mixed media on paper Signed and dated, l.r. $1250.00, including framing This work is offered by ClampArt, located in New York City.

Phelan, Ellen. UNTITLED. Aquatint, c. 1994. Edition of 75, from the Portfolio "Six Couples - Twelve Prints" published by Parasol Press, Portland, Oregon, 1996. Numbered 27/75, and s...

HAP Grieshaber Untitled Wood block print in two colors Year: 1977 Size: 21 x 14 in Edition: 1,500 Signed in the plate Publisher: HMK Fine Arts, New Yor...

Recently graduated from Pasadena’s legendary Art Center College of Design, Tom Baldwin created the series of inkjet prints Japanese Gardens in 1996 on his computer, using then-nascent graphics technology to "paint" his images on the computer screen. Baldwin embraced this technology and its accompanying printing process not just for the speed and ease of their use, but because the artist could achieve the absolute flatness that the principles of modernism preached but ultimately--because of the limitations of their tools--never reached. These colorful, semi-abstracted views of Japanese temple landscapes subtly, but radically redefine picture space. Baldwin shifts fore and backgrounds, giving equal weight to skies and hillsides. Endowing a lowly bush with a vibrant purple or orange might cause it to pop out of proportion, but ultimately lends balance and stability to the work itself, in short, returning the composition to its original, harmonious whole in keeping with the subject matter. these original prints employ a color scheme that seems more reminiscent of 1980s Japanese pop art beer advertisements...

untitled lithograph drawn in 2019 and published in 2020 in an edition of 44. Measuring 25 by 36 inches, the work is designated number 29 of 44 lower left and signed in pencil "R Hunt...