David Shrigley

David Shrigley -- Complexity of the Foot, limited edition

2023

David Shrigley -- Occupy the Space You Are Given, 2022 70 x 50 cm It is created from the unique work: Untitled (Occupy the Space You Are Given) (2021) Printed on 200g Munken Lynx pap...

David Shrigley -- I like existing, 2022 70 x 50 cm It is created from the unique work: Untitled ( I like existing) (2021) Printed on 200g Munken Lynx paper Printed by Narayana Press...

David Shrigley -- If You Need Me, 2022 70 x 50 cm It is created from the unique work: Untitled (If You Need Me) (2021) Printed on 200g Munken Lynx paper Printed by Narayana Press in ...

David Shrigley -- Gap in the clouds, 2022 70 x 50 cm It is created from the unique work: Untitled (Gap in the Clouds) (2018) Printed on 200g Munken Lynx paper Printed by Narayana Pre...

Rare collectors' item: Anish Kapoor Venice Biennale: XLIV Esposizione Internazionale D'arte Biennale Di Venezia (Hand signed and inscribed by Anish Kapoor), 1990 HISTORIC signed poster published on the occasion of Kapoor representing Great Britain at the Venice Biennale Offset lithograph poster (Hand signed, inscribed to Nadine and dated 2016) Boldly signed, inscribed and dated by Anish Kapoor on the lower right front 33 × 23 inches Unframed Boldly signed and inscribed by Anish Kapoor on the lower right front for the present owner, Nadine, so provenance is direct. Accompanied by gallery issued Certificate of Guarantee This offset lithograph poster was published on the occasion of Anish Kapoor's exhibition "XLIV Esposizione Internazionale D'Arte" at the Biennale Di Venezia from May 27 to September 30, 1990. Hand signed posters by Kapoor are quite elusive. The poster is two sided as it was published on the occasion of the artist's participation in the 1990 Venice Biennale (the verso has his lengthy biography), and it bears the original folds as issued. British-Indian sculptor Anish Kapoor was chosen to represent Britain at the first Biennale of the 1990s. He had been exhibiting since 1980 but it was this show that brought him widespread recognition on the international stage. Sixteen huge sandstone blocks dominated the Pavilion’s main room; they were so heavy that the floor had to be reinforced with supports. Kapoor had started working in stone in the late 1980s and each block in Void Field (1989) has a hole filled with another motif in his work, the powdered blue pigment used in Indian religious ceremonies. The same vibrant tones, which was also inspired also by Yves Klein’s statement bold blue colour, were used in his low-lying slate sculpture, A Wing at the Heart of Things (1990), in the back gallery of the Pavilion; this work is now part of Tate’s collection. “Venice is an interchange of East and West, reflecting the way Kapoor borrows from both cultures” said Henry Meyric Hughes, British Council. Kapoor’s exhibition also wove together references to spiritualism and eroticism, with the red slit in the Pavilion's wall, entitled The Healing of St. Thomas (1989), alluding to the saint that doubted Jesus’ resurrection...

"Tulips in a Vase" by Tom Wesselmann is a vibrant and striking serigraph that showcases the artist's ability to blend elements of fine art and popular culture. Published in 1985 by G...

Richard Serra Drawings Zeichnungen 1969-1990 (Hand signed by Richard Serra), 1990 Softback monograph Book (Hand signed by Richard Serra) Hand signed by Richard Serra on the half titl...

This reproduction of the painting titled Yellow, Blue and Orange, created by Mark Rothko in 1955, is part of a rare exhibition poster from the series "Collection of European Masters....