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Eduardo RocaEduardo Roca Cuban signed limited edition original art print collagraph n12005
2005
About the Item
Eduardo Roca (Cuba, 1949)
'La ventana', 2005
collagraph on paper
22.5 x 29.6 in. (57 x 75 cm.)
Edition of 50
ID: ROC1539-001-050
Unframed
____________________________________
"Eduardo CHOCO ROCA SALAZAR. Born: 1949 Santiago de Cuba, Cuba.
Studies: He studied at the School of Instructors of Arts and the National School of Art. He graduated with a degree in Art History from the University of Havana.
Experience: 1970 Postgraduate course at the José Joaquín Tejada School, Santiago de Cuba, Cuba; 1973 Integrates the Chair of Painting in the Academy ""San Alejandro"", Havana, Cuba; 1978 Integrates the Chair of Painting at the National School of Art, Havana, Cuba; 1989 He teaches an engraving course at the Popular University of Villanueva de Arosa, Galicia, Spain; 1994 Takes courses on Collagraphy at the Miró Foundation, Palma de Mallorca, Spain; 1999 Works at the Brandy Wine Workshop, Philadelphia Engraving Workshop, USA; 2000 Works at the URDLA Workshop, engraving workshop, Lyon, France. Member of the National Union of Writers and Artists of Cuba (UNEAC), of the Graphic Experimental Workshop of Havana (TEGH) and of the International Association of Plastic Artists (AIAP).
Collections: His works are treasured in Cuba by the National Museum of Fine Arts, the National Council of Plastic Arts, the Pablo de la Torriente Brau Cultural Center and the institutions of the Office of the Historian of the city of Havana. They are also exhibited abroad: Chicago, USA; Museum of the Estampa, Mexico City; Kochi Museum, Japan; Miró Foundation, Palma de Mallorca, Spain; César Gaviria private collection in Colombia and institutions in Sweden.
Exhibitions: 1977 Habana Gallery, Havana, Cuba; 1978 Orinete Gallery, Santiago de Cuba, Cuba; 1980 Old Quarter Gallery, Stockholm, Sweden; 1981 Mission Gallery, San Francisco, California, USA; 1984 Pirámide Gallery, Mexico; 1987 Plaza Vieja Gallery, Havana, Cuba; 1989 Provincial Hall of the Palace of Málaga, Spain / Castillo Chinchón, Madrid, Spain; 1990 Remo Croce Gallery, Rome, Italy; 1992 International Press Center, Havana, Cuba; 1993 Alonso Gallery, Bogotá, Colombia and Coyoacanense Cultural Forum, Mexico; 1994 Joan Miró Foundation, Palma de Mallorca, Spain; 1995 Atlantic Gallery, La Coruña, Spain; 1996 Castillo Sotomayor, Galicia, Spain and Museum of Fine Arts, Tokyo, Japan; 1997 Yokohama Museum, Japan; 1998 Museum of Prints, Buenos Aires, Argentina and Cultural Center Pablo de la Torriente Brau, Havana, Cuba; 1999 Promo-Arte Gallery, Tokyo, Japan and La Acacia Gallery, Havana, Cuba; 2000 Ron Museum, Havana, Promo-Arte Gallery, Tokyo, Japan and Paris Gallery, France; 2001 Somarts Gallery, San Francisco, USA, 1st Pinto Gallery, Washington DC. USA, Museum of the Americas, San Francisco, Puerto Rico and Casal de S'hereu, Fires Llucmajor, Palma de Mallorca, Spain; 2002 Erasto Cortés Museum, Puebla, Mexico; 2003 Casa Lam, Mexico.
Awards: 1977 Prize, Engraving, National Youth Salon of Plastic Arts, Havana, Cuba; 1981 Medal of Honor Hall of Graphics, Bulgaria; 1984 Contest of Orense, Galicia, Spain; 1985 and 1986 1st. Drawing Award UNEAC, Havana, Cuba; 1995 Order for the National Culture; 1999 Grand Prix IV Triennial Institute of Engraving, Japan; 2000 First Prize at the Engraving Biennial of Kochi, Japan; 2017: National Prize of Plastic Arts."
- Creator:Eduardo Roca (1973, Spanish)
- Creation Year:2005
- Dimensions:Height: 22.4 in (56.9 cm)Width: 29.5 in (74.93 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU1854212223372
Eduardo Roca
Eduardo Roca was born October 8, 1973 in Almería. He studied at the University of Fine Arts in Granada and lives and works in Vienna since 2009. Since the beginning of his career, Roca has moved with a high level of technical skill, a feel for light and color in the – at first glance – classic genres of landscape, still life and portrait, with landscapes representing the majority of his oeuvre. One quickly realizes that the technical skills of the artist are a motor for constant further development: Roca perfects the selection of the cut-out, selection and reduction of the color palette, light as a design factor and always gets involved in the immediate experience of urban situations. Roca questions the genre landscape as such by choosing subjects and charging them artistically, which at first glance have nothing to do with a landscape, such as factory premises or construction sites. A high point of this development and, at the same time, the turning point to the imaginary landscapes are variations that he paints from a motif and combines into an overall work, like the “Variaciones” in this exhibition. 25 views of an inconspicuous – real – house result in an impressive ensemble and show in a concentrated form the possibilities of expression and artistic enhancement that a motif that at first glance can experience banal. This has nothing to do with a landscape in the conventional sense. This multiplication can no longer be increased and Roca, in all its radicalism, starts to design and thus reduce its landscapes as a whole. The result is usually vast, deserted landscapes with a mystical light, the attempt to locate them in a forced manner must fail. Since the landscapes are constructed, nothing about them is accidental: there are no people. They are only remembered by buildings, but much more by their remains, which create a morbid feeling and force the viewer into the role of a late survivor. The emptiness is deceiving, however, because it is the viewer who is supposed to enliven and experience the scenes, and the works are clearly called upon to do so. Roca uses the almost god-like freedom to create landscapes for mostly unusual breadth and depth. Deep horizons increase the effect, as does an often glistening light that reveals the origin of the artist. The stage is created, he leaves the conquest to others.
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