Edward Bawden

Marine Parade - Etching of Seaside Town with Cars and Figures, 1927-29

Black Day, from The Flatford Chart by William Tillyer, 2010 Additional information: Medium: etching 44 x 55.5 cm 17 3/8 x 21 7/8 in

Kew Gardens, from London Parks by Julian Trevelyan, 1969-70 Additional information: Medium: etching and aquatint (unframed) 58.5 x 77 cm 23 1/8 x 30 1/4 in signed, titled and number...

Heathrow by Julian Trevelyan, 1973 Additional information: Medium: etching and aquatint 58.4 x 78.1 cm 23 x 30 3/4 in signed in pencil Julian Trevelyan was an important British art...

Liknon by Joe Tilson, 1994 Additional information: Medium: screenprint, woodblock and etching on BFK Rives paper 57.1 x 76.2 cm 22 1/2 x 30 in signed, dated, numbered II/XXV and ins...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...

This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...

This original etching and aquatint is hand signed in pencil by the artist "David Hockney" at the lower right margin. It is also hand numbered in pencil from the edition of 200, at t...