Elizabeth Verner

Looking Up Meeting Street - Charleston

Court House Square by Elizabeth O'Neill Verner. This impression numbered 8 from an edition of probably 50 -100. Slight light darkening of the image. A dark richly inked impression.

St. Michael's Alley Looking East by Elizabeth o'Neill Verner. This impression #25 from an edition of probably 50. Slight light staining as shown in the photos

An excellent impression of one of the rarest and most desireable Verner images- Road to Folly (Beach) showing the basket people selling roadside fruits and...

A wonderful depiction of Charleston, S.C. showing the ironwork gates and the flower ladies the city is known for. The image is in excellent condition with a strong platemark. Some ...

RGRFineArts is pleased to present a fresh never framed etching of the Duke University Medical Center facade from the Duke Centennial Series. Other images from the series are availab...

RGRFineArts is pleased to offer this early relief etching by Calvin Burnett of Marlborough, Massachusetts. Another copy of this print is in the Metropolitan Museum of Art in the collection of rare African American prints.

By John Sloan American Realist From the early 20th century Ashcan School which focused on capturing day to day life in New York City during that period. Image size: 5.75" x 4.25" Et...

Signed and numbered by the artist Edition: 25 Printed on Hahnemuhle paper Published by Neptune Fine Arts Condition: excellent Plate/Image size: Sheet size: "Stone Roberts’ luminous still lifes, private interiors, and large-scale panoramas of figures in motion invite us to look—and then look some more—and relish in the sensuality of the three-dimensional world. While Roberts’ varied influences include Greek Mythology and Roman Classicism, Dutch and Spanish Old Masters, Fantin-Latour, Ingres, and Balthus, his subjects are decidedly of today. From Grand Central Terminal to his wife gardening in Stonington, Connecticut, Roberts paints people and places from his personal surroundings into formal compositions that often appear to have mythical, literary, or psychological elements. Roberts received his B.A. from Yale University, New Haven, CT, where he studied painting with William Bailey, and his M.F.A. from the Tyler School of Art, Philadelphia, and Rome. Roberts' work can be found in numerous public and private collections throughout the United States and Europe, including the collection of The Metropolitan Museum of Art and the Louis-Dreyfus Family Collection, New York. A solo exhibition of Stone Roberts’ work was held at the Museum of the City of New York in 2012 entitled Stone Roberts: New York City Paintings." Courtesy of Hirschl & Adler Modern PUBLIC COLLECTIONS Asheville Art Museum, Asheville, NC Sydney and Walda Besthoff Biltmore Estate, Asheville, NC Mrs. Robert Carroll Mr. and Mrs. Willam Cecil Chase Manhattan Bank, New York, NY Evansville Museum of Arts and Sciences, Evansville, IN Jerald Dillon Fessenden Flint Institute of Arts, Flint, MI Ms. Barbara Goldsmith Mrs. Paul Gottlieb Mr. and Mrs. Graham Gund Mr. and Mrs. Arie L. Kopelman Alex S. Jones William Louis-Dreyfus Mr. and Mrs. James C. Marlas J.D. McClatchy and Chip Kidd Mr. and Mrs. Richard L. Menschel The Metropolitan Museum of Art, New York, NY Mrs. Stephen Paine Mr. and Mrs. W.J.W.J. van Roijen Mrs. Julius Rosenwald II Mark Singer Carl Spielvogel and Barbaralee Diamonstein-Spielvogel Bruce Springsteen and Patti Scialfa Stephens Inc., Little Rock, Arkansas Woodberry Forest...

Basilica of Madeleine, Vezelay Etching, 1929 Signed and dated lower right (see photo) Annotated: "Third State" lower left Printed on a sheet of old book paper From: French Church Ser...

Blue Wing Etching, c. 1940 Signed in the lower right (see photo) Created while the artist was a commercial artist working in Minneapolis, after his tenure o...

Signed Limited Edition Art Etching by Charles Bragg. Women in Golf Suite : #18 1988 Etching 13" x 14.5" inches Signed in pencil, titled and marked 95 /300 Unframed Step into the ...

Signed Limited Edition Etching by Charles Bragg. Women in Golf Suite : FORE! 1988 Etching 13" x 14.5" inches Signed in pencil, titled and marked 94/300 Unframed Charles Bragg (1...