Erte - Romain de Tirtoff

Letter L from the Alphabet Suite

1976

Original Serigraphy Jean Dubuffet, a French painter and sculptor renowned for his bold and unconventional approach to art, played a crucial role in shaping modernism and contemporar...

Original poster of Chu Ling printed in 1991 entitled Gatto Seduto ( Crouching Cat ). This poster printed in serigraphy is edited by Silvio Zamorani in ...

Screen printed poster designed by Stanley Mouse, depicting a classic car under a text bubble in a psychedelic font. The text gives the details of the ev...

Nelson Dominguez (Cuba, 1947) 'Untitled', 2002 lithograph on paper Guarro Super Alpha 250g. 13.5 x 11.5 in. (34.2 x 29.2 cm.) Edition of 48 ID: DOM-30...

Mirror #7 (C.112) is a screenprint and lithograph on paper, 29.75 x 17.37 inches, signed and dated 'rf Lichtenstein '72' lower right and numbered 62/80 lower left. From the edition of 96 (there were also 10 AP, and 6 other various proofs). Framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.125, #112. About Lichtenstein’s Mirror...

Mirror #9 (C.114) from the Mirror Series is a screenprint and lithograph on paper, 30 x 21.18 inches, signed and dated 'rf Lichtenstein '72' lower center margin and framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.126, #114. About Lichtenstein’s Mirror Series (taken from Corlett): Mirrors were an important subject in Lichtenstein’s paintings and prints of the early 1970s. From late 1969 to 1972 he painted over forty canvases depicting this subject. The first print was in 1970, with Twin Mirrors (cat. no.102) for the Guggenheim Museum. In 1972 he also produced Mirror (cat. No. 115) at Styria Studio, in addition to this Gemini G.E.L. series of nine prints. In the mid-seventies he took up the subject in sculpture, and he returned to it in prints as recently 1990, with Mirror (cat. No 246). In addition, he has often explored the related theme of reflections, incorporating them in various paintings and in several print series: Reflections (1990; cat. Nos. 239 – 245), Interiors (1990, published 1991; cat. nos. 247 – 54), and Water Lilies (1992; cat. nos. 261 – 66). This Gemini group (catalog nos. 1-6 - 114) utilizes lithography, screenprint, line-cut, and embossing... In an interview with Lawrence Alloway, Lichtenstein noted: “You know, I am always impressed by how artificial things look – like descriptions of office furniture in newspapers. It is the most dry kind of drawing, as in the Mirrors. They really only look like mirrors if someone tells you they do. Only once you know that, they may be moved as far as possible from realism, but you want it to be taken for realism. It becomes as stylized as you can get away with, in an ordinary sense, not stylish.” As Jack Cowart has commented: “One would not actually stand in front of a Lichtenstein Mirror...

A portrait of a Canadian Mountie and his horse are the subject of this unique 1970 print (edition 1 of 1) by Charles Pachter. The French titling of the work Noblesse Oblige...

Leigh Behnke was born in Hartford, Connecticut in 1946. She studied at both the Southern Connecticut State College and at the Pratt Institute of Brooklyn New York. She also received...

Jennifer Bartlett Graceland Mansions, 1978-79 Drypoint, aquatint, silkscreen, woodcut, and lithograph on J. Green Cold Press paper and Rives BFK paper 24 x 120 inches, unframed Ed...

Gaston Petit Sharaku Color Lithograph and Silkscreen Year: 1980 Size: 27.6X17.6in Edition: 85 Signed and dated by hand COA provided Ref.: 924802-1200 Fat...