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Fernando de Szyszlo
Fernando de Szyszlo, 'Untitled', Silkscreen, 19.7x27.6 in

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"Chair", 2008 Spanish signed original screenprint abstract primitivism 23x15in
Located in Miami, FL
Esteve Casanoves (Spain, 1954) 'La silla' (Chair), 2008 silkscreen on paper Velin Arches 300 g. 23.1 x 15.4 in. (58.5 x 39 cm.) Edition of 50 ID: CAE-301 Unframed
Category

Early 2000s Contemporary Abstract Prints

Materials

Paper, Ink, Screen

"Another sitting on the wall" 2024 signed original unique monoprint 26x38 in
By Luis Miguel Valdes
Located in Miami, FL
Luis Miguel Valdes (Cuba, 1949) "Another sitting on the wall", 2024 monotype (monoprint) on paper 22.5 x 28.75 in. (57x73 cm.) Hand-signed by author ________________________________...
Category

2010s Contemporary Abstract Prints

Materials

Paper, Ink, Color, Monoprint, Monotype

"Beam of Wind" 2004 signed original engraving limited edition 15x15in Mexican
Located in Miami, FL
Francisco Castro Leñero (Mexico, 1954) "Haz del Viento / Bco / Azul/" from serie "El exilio de los sentidos", 2004 Engraving, aquatint on paper...
Category

Early 2000s Contemporary Figurative Prints

Materials

Paper, Ink, Engraving, Etching, Aquatint

"Open Wide" 1972 original signed engraving lithograph limited edition American
Located in Miami, FL
Robert Smith (United States, 1944) 'Open wide', 1972 lithograph in color on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-001-075 Hand-signed by author
Category

1970s Contemporary Abstract Prints

Materials

Paper, Ink, Lithograph, Engraving, Etching, Aquatint

"Last Spring" 1972 original signed engraving lithograph American artist lithogra
Located in Miami, FL
Robert Smith (United States, 1944) 'Last spring', 1972 engraving and etching on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-002-075 Hand-signed by author
Category

1970s Contemporary Figurative Prints

Materials

Silver

"Mobile Little Red Riding Hood" Mexican woman artist signed original engraving
By Gabriela Arevalo
Located in Miami, FL
Gabriela Arevalo (Mexico, 1964) 'El Caperucita movil', 2005 engraving on paper 22.1 x 30 in. (56 x 76 cm.) Edition of 50 Unframed ID: ARE-101 Hand-signed by author, COA (Certificate ...
Category

Early 2000s Contemporary Abstract Prints

Materials

Paper, Ink, Engraving, Etching

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Coral Coulee, Vertical Red, Blue, Brown, and Beige Abstract Monotype
By David Collins
Located in Kent, CT
This vertical abstract monotype layers asymmetrical shapes against a soft, gradient background. Shades of dark brown and bright red complement lighter coral and a sky blue hue that t...
Category

2010s Contemporary Abstract Prints

Materials

Archival Ink, Archival Paper, Monotype

"PROPOSITION", hand-tooled aluminum intaglio print, abstract, monotype, framed
By Harold Wortsman
Located in Toronto, Ontario
PROPOSITION is a hand-tooled aluminum intaglio print on Rives BFK 250g paper with deckle edge. It is a framed monotype in white matte wood with spacers under glass to maintain the de...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

Glass, Wood, Printer's Ink, Archival Paper, Etching, Intaglio

"OWL ROCK", print, hand-tooled aluminum intaglio, abstract contemporary, etching
By Harold Wortsman
Located in Toronto, Ontario
OWL ROCK is a hand-tooled aluminum intaglio print on Rives BFK 250g paper with deckle edge. It is currently unframed. Like Wortsman's own sculptures, the abstract components here mix the organic with roughly-hewn geometric forms. Note the dialogue between the colors umber, green and white, with the 3 perforations tying it all in – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the indigenous art of Africa, the Middle East, India and Asia, his forms are organic and geometric abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. OWL ROCK was exhibited at Tabla Rasa Gallery, Brooklyn, New York in 2013. And at Made In Brooklyn, Hanson Gallery, Honesdale, Pennsylvania, 2015. From Harold Wortsman – "I was introduced to printmaking in the 1990s by legendary printmaker, the late Sheila Marbain. Printer to the masters of Pop Art, like Oldenberg, Lichtenstein and Warhol, she tired of conventional silkscreen and developed her own silkscreen monotype technique. Several years of work with Marbain led to etching and hand-tooled aluminum intaglio with the great printer Sheila Goloborotko. I currently work with master printer Kathy Caraccio. While working together on a difficult project, Caraccio exclaimed: “This is not a print; it’s a painting.” Printmaking is now an integral part of the work I do." From Jonathan Goodman, Art Critic – "There are certain kinds of art that endure beyond the novel effect, demonstrating an awareness of time-honored methods and even historically potent imagistic biases, and Wortsman's work belongs to this ongoing vision." – Fronterra D, October 2016. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

Printer's Ink, Archival Paper, Intaglio, Etching

Magic Carpet - vibrant color observations of mid century Mediterranean interior
By Frank Schott
Located in San Francisco, CA
Magic Carpet by Frank Schott (red, pink, blush, crimson + wine) from a series of photographic observances on a mid century era Mediterranean island ferry boat 27 x 40 inches / 68cm...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

Magic Carpet - vibrant color observations of mid century Mediterranean interior
By Frank Schott
Located in San Francisco, CA
Magic Carpet by Frank Schott (red, pink, blush, crimson and wine) from a series of photographic observances of a first class cabin in a mid century era Mediterranean island ferry boat 48 x 72 inches / 122cm x 183cm signed edition of 7 27 x 40 inches / 68cm x 102cm signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic piers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Steven Shore...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Do Not Enter
By Rick Garcia
Located in Chicago, IL
Archival Ink on Museum Quality Rag Paper Available in the following sizes: 16 x 20 inches 24 x 30 inches 30 x 40 inches Edition size: 25 Please inquire regarding framing Rick Garcia's RAG13 Collection is inspired by the observation that there has been a significant and permanent change in our public and private lives. These artworks use symbolism to illustrate how the ubiquitous presence of suspicion and the act of being a suspect have both become a way of life. Adults and children are shown as generic solid shapes with parts missing to indicate loss of identity and the relinquishing of certain rights. The watchful eye of authority is always present as a figure dressed in black with three white stripes. All of the figures have a red dot to symbolize the human heart; how we are all connected. This red dot also represents being a target or a person of interest. Overall, this latest series creates a surreal flow of images, colors, and shapes blending into a beautiful and poignant work of art. About the Artist: "Photography has been part of my creativity throughout my life and more recently has become influential in my abstract work on canvas. The magical shapes of water gracefully floating or scattering in mid-air reveals the true god-like essence of nature. I am fascinated studying these images of bright tiny mercury-like globes, silky trails, dancing droplets and crystal clear languid sheets. " Rick Garcia was born in Havana, Cuba, and very soon after, his parents relocated to Miami, Florida. He was always encouraged to follow his dream of pursuing and developing his talent in art. In later years he found a deep-rooted connection to surrealism, especially the work of Salvador Dali. Garcia had become obsessed with the unique images and amazing technique of the Spanish painter and he eventually traveled to Port Lligat, Spain to visit the home and surroundings of his mentor. After years of attending the Art Institute of Miami, where he refined his artistic vision in drawing and painting, he was soon earning an income from published illustrations. Garcia has enjoyed a rich and diverse career starting with the hit TV show "Miami Vice" commissioning him to create a mural on the side of a three story building, and used his paintings for interior shots. Apart from a growing number of private commissions, his distinctive images were commissioned by The United Nations Postal Administration in 1998 and 2003. His stamps brought awareness to the growing extinction of the rainforest and its inhabitants, and followed with the 50th Anniversary of the World Health Organization, bringing awareness to the vanishing supply of freshwater, where it earned him the prestige of the most beautiful stamp series of 2003. Garcia was chosen as an "Absolut Artist of the 90s" in the popular vodka ad campaign and with his second piece Absolut Electric, this further drew worldwide attention. 1998, 1999, and 2001 garnered him the distinction of official artist to The Grammy Awards where his creations influenced the look of the live broadcast and graced the covers of the official program book, CDs, posters, apparel, and other various items. His work included portraits of stars such as Destiny's Child, Ricky Martin, Coldplay, Santana, Celia Cruz...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

Archival Ink, Rag Paper, Digital

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