La Trahison Des Images - 20th Century, Surrealist, Lithograph, Figurative Print
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 8
(after) René MagritteLa Trahison Des Images - 20th Century, Surrealist, Lithograph, Figurative Print2010
2010
About the Item
- Creator:(after) René Magritte (1898 - 1967, Belgian)
- Creation Year:2010
- Dimensions:Height: 17.72 in (45 cm)Width: 11.82 in (30 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Sint-Truiden, BE
- Reference Number:1stDibs: LU114815014542
(after) René Magritte
Rene Magritte was born in Lessines, in 1898. Magritte's earliest oil paintings, which date from about 1915, were Impressionistic in style. From 1916 to 1918 he studied at the Academie Royale des Beaux-Arts in Brussels, under Constant Montald, but found the instruction uninspiring. The oil paintings he produced during the years 1918-1924 were influenced by Futurism and by the offshoot of Cubism practiced by Metzinger. Most of his works of this period are female nudes. In 1922 Magritte married Georgette Berger, whom he had met as a child in 1913. From December 1920 until September 1921, Magritte served in the Belgian infantry in the Flemish town of Beverlo near Leopoldsburg. In 1922-1923, he worked as a draughtsman in a wallpaper factory, and was a poster and advertisement designer until 1926, when a contract with Galerie la Centaure in Brussels made it possible for him to paint full-time. In 1926, Magritte produced his first surreal oil painting, The Lost Jockey (Le jockey perdu), and held his first exhibition in Brussels in 1927. Critics heaped abuse on the exhibition. Depressed by the failure, he moved to Paris where he became friends with Andre Breton, and became involved in the surrealist group. During the German occupation of Belgium in World War II he remained in Brussels, which led to a break with Breton. He briefly adopted a colorful, painterly style in 1943-44, an interlude known as his "Renoir Period", as a reaction to his feelings of alienation and abandonment that came with living in German occupied Belgium. In 1946, renouncing the violence and pessimism of his earlier work, he joined several other Belgian artists in signing the manifesto Surrealism in Full Sunlight. During 1947-48-Magritte's "Vache Period"-he painted in a provocative and crude Fauve style. During this time, Magritte supported himself through the production of fake painting of Picasso, van Gogh, Manet and Paul Cezanne - a fraudulent repertoire he was later to expand into the printing of forged banknotes during the lean postwar period. This venture was undertaken alongside his brother Paul Magritte and fellow Surrealist and 'surrogate son' Marcel Marien, to whom had fallen the task of selling the forgeries. At the end of 1948, he returned to the style and themes of his prewar surrealistic art. Magritte wished to cultivate an approach that avoided the stylistic distractions of most modern painting. While French Surrealists experimented with new techniques, Magritte settled on a deadpan, illustrative technique that clearly articulated the content of his pictures. Repetition was an important strategy for Magritte, informing not only his handling of motifs within individual pictures, but also encouraging him to produce multiple copies of some of his greatest works. His interest in the idea may have come in part from Freudian psychoanalysis, for which repetition is a sign of trauma. But his work in commercial art may have also played a role in prompting him to question the conventional modernist belief in the unique, original work of art.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2019
1stDibs seller since 2019
127 sales on 1stDibs
Typical response time: 4 hours
More From This SellerView All
- La Grande Guerre - 20th Century, Surrealist, Lithograph, Figurative PrintBy René MagritteLocated in Sint-Truiden, BEColor lithograph after the 1954 oil on canvas by René Magritte, plate-signed by Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Magritte...Category
20th Century Surrealist Figurative Prints
MaterialsLithograph
- Souvenir de Voyage - 20th Century, Surrealist, Lithograph, Figurative PrintBy (after) René MagritteLocated in Sint-Truiden, BEColor lithograph after the 1952 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 275. The lithograph features the dry stamps of the Mag...Category
20th Century Surrealist Figurative Prints
MaterialsLithograph
- L'Art de la Conversation - 20th Century, Surrealist, Lithograph, Figurative PrinBy (after) René MagritteLocated in Sint-Truiden, BEColor lithograph after the 1950 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 275. The lithograph features the dry stamps of the Mag...Category
20th Century Surrealist Figurative Prints
MaterialsLithograph
- Souvenir de Voyage - 20th Century, Surrealist, Lithograph, Figurative PrintBy (after) René MagritteLocated in Sint-Truiden, BEColor lithograph after the 1961 gouache on paper by René Magritte, printed signature of Magritte and numbered from the edition of 275. The lithograph features the dry stamps of the ...Category
20th Century Surrealist Figurative Prints
MaterialsLithograph
- Le Domaine d'Arnheim - 20th Century, Surrealist, Lithograph, Figurative PrintBy (after) René MagritteLocated in Sint-Truiden, BEColor lithograph after the 1962 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 275. The lithograph features the dry stamps of the Mag...Category
20th Century Surrealist Figurative Prints
MaterialsLithograph
- Magritte Portfolio V 20 lithographs- 20th Century, Surrealist, Figurative PrintBy (after) René MagritteLocated in Sint-Truiden, BEComplete set of 20 color lithographs in a beautiful burgundy board with ties, plate-signed by Magritte and numbered from the edition of 275. The lithograph features the dry stamps of the Magritte Foundation & ADAGP and is countersigned in pencil by Mr. Charly Herscovici, President of the Magritte Foundation, Chairman of the Magritte Museum and unique representative of the Magritte Succession. A proof of edition is printed on the back of the lithograph, guaranteeing its authenticity. Magritte was a Belgian surrealist artist whose witty and thought-provoking images challenged observers? preconditioned perceptions of reality. Magritte's work frequently displays a juxtaposition of ordinary objects in an unusual context, giving new meanings to familiar things.Magritte grew up in a simple and somewhat tragic household. His father was a modest tailor. His mother, who was mentally unsound, committed suicide in the year 1912. Magritte started drawing at a young age, and his first paintings, produced c. 1915, were Impressionistic in style.Magritte first worked as a draughtsman in a wallpaper factory and, in the year 1922, fell in love with and married Georgette Berger. In 1926, Magritte signed...Category
20th Century Surrealist Figurative Prints
MaterialsLithograph
You May Also Like
- Salome, Surrealist Lithograph by Rufino TamayoBy Rufino TamayoLocated in Long Island City, NYArtist: Rufino Tamayo (Mexican, 1899-1991) Title: Salome Year: 1983 Medium: Color Lithograph, signed and numbered in pencil Edition: 250, 10 AP, 5 HC Size: 30 x 22 in. (76.2 x...Category
1980s Surrealist Figurative Prints
MaterialsLithograph
- Marc Chagall - Original LithographBy Marc ChagallLocated in Collonge Bellerive, Geneve, CHMarc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...Category
1960s Surrealist Figurative Prints
MaterialsLithograph
- Salvador Dali - The Vision - Original LithographBy Salvador DalíLocated in Collonge Bellerive, Geneve, CHSalvador Dali - The Vision - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Detruit. SIGNATURE : plate signed by Dali. LIMITED : 233 copies. SIZE : 41 x 33 cm REFERENCES ...Category
1950s Surrealist Figurative Prints
MaterialsLithograph
- Salvador Dali - Dawn - Original LithographBy Salvador DalíLocated in Collonge Bellerive, Geneve, CHSalvador Dali - Dawn - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Guillard SIGNATURE : plate signed by Dali. LIMITED : 233 copies. SIZE : 41 x 33 cm REFERENCES : Fiel...Category
1950s Surrealist Figurative Prints
MaterialsLithograph
- Pablo Picasso, "Carnet de la Californie", original lithographBy Pablo PicassoLocated in Chatsworth, CAThis piece is an original crayon lithograph on transfer paper created by Pablo Picasso in 1959. The zinc in this piece has been re-worked with crayon marks and this composition was u...Category
1950s Surrealist Figurative Prints
MaterialsLithograph
- Autobus, Lithograph by Alejandro ColungaBy Alejandro ColungaLocated in Long Island City, NYArtist: Alejandro Colunga, Mexican (1948 - ) Title: Autobus Year: 1979 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 110 Size: 25 x 36 in. (63.5 x 91.44 cm)Category
1980s Surrealist Figurative Prints
MaterialsLithograph
$1,120 Sale Price20% Off
Recently Viewed
View AllMore Ways To Browse
Chanel 95a
Lion Paintings And Prints
Statue Engraving
Woman With Green Hair
Framed Retro Bird Prints
Reclining Nude Female
Retro Future Glasses
Female Reclining Nudes
Mid Century Painting Cats
Etchings Set Of 2
Jazz Collage
Hanging African Art
Reclined Female Nude
Exotic Bird Prints
Vintage Bird Pictures
Original Erte
Greece Village
1930s Parties