The Joy of the Blessed - Original Woodcut by Salvador Dalì - 1963

Marc Chagall Marc Chagall Vintage Original Lithograph Poster created for an exhibition at Galerie Berggruen, Paris. Edition Printed by Mourlot, Paris, 1967. The Circus with the Yell...

Original Lithographe EA (Epreuve d'Artiste ) Alain Bonnefoit’s trademark female nudes reflect both Western and Eastern art historical influences. A painter, engraver, and sculptor, B...

Lithograph " Still life with Plums "numbered 195/275 and signed by Agostini Tony Agostini was a French painter who was born in 1916. Tony Agostini's work has been offered at aucti...

Beautiful Pair of 6 Original Lithographs Portraits from Derriere Le Miroir is a lithograph realized after Alberto Giacometti in 1964. The artwork is from the art Magazine Derriere Le Miroir. Printed and Edited by Ateliers de Maeght, Paris, 1964. ALBERTO GIACOMETTI (1901 –1966) Original Lithograph from 1960-1961 by Alberto Giacometti White and illustrated folio with black lettering, containing seperate booklet. 25 pp. BW illustrations. Text in French. Verve Volume VII. ALBERTO GIACOMETTI (1901 –1966) was a Swiss sculptor, painter, draftsman and printmaker and a pillar of 20th century modernity. Giacometti was one of the most important sculptors of the 20th century. His work was particularly influenced by artistic styles such as Cubism and Surrealism. Philosophical questions about the human condition, as well as existential and phenomenological debates played a significant role in his work. Around 1935 he gave up on his Surrealistic influences in order to pursue a more deepened analysis of figurative compositions. Giacometti wrote texts for periodicals and exhibition catalogues and recorded his thoughts and memories...

Rare Set of Four Original Color WDCT Skira 1943 after RABELAIS (François). The Horrible and Terrible Deeds and Prowess of the Renowned Pantagruel, King of the Dipsodes, Son of the ...

Melanie Taylor Kent "Boardwalk of Atlantic City" Signed Numbered Lithograph Art. Wow this is an amazing signed and numbered print 166/500 of the At...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and plate size ( 9 x 6 in. / 23 x 15 cm.) are the same. This drypoint comes from the archive of the publisher Petersburg Press. Signed by the artist, numbered 7/10, and dated 1972 lower center in pencil. Edition 10: this impression 7/10. Here, the blade of a hand saw...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

Richard Hamilton began studying James Joyce's novel Ulysses (1922) during his national service in 1947. Hamilton was inspired by the idea of illustrating Joyce’s complex, experimental novel in and began making sketches the following year, only to put the project to one side in 1950, with no publisher willing to front the exorbitant cost of resetting the novel for illustrations. It was not until 1981 that he made the decision to create one illustration for each of the novel’s eighteen chapters, and a nineteenth image – a portrait of one of the novel’s main protagonists, Leopold Bloom – destined as a frontispiece. He conceived these images as large intaglio...