André Lanskoy

André Lanskoy - Lovers Interior Scene - Original Oil on Canvas

Circa 1940

FERJO Intérieur surréaliste Signed Oil on Canvas 51 x 61 cm Ferjo, Brazilian (1946 - ) Ferjo Technical achievements in art not only in painting...

Antonio Segui 38 x 46 cm Distraido Oil on Canvas Signed and Dated on the back Antonio Segui Biography Born in Córdoba, Argentina in 1934, Antonio Seguí currently lives and works in Paris. He studied at the San Fernando Academy in Madrid, Spain as well as the Ecole des Beaux-Arts in Paris, France. His first solo exhibition was in Argentina at age 23. Antonio Seguí is one of the most internationally renowned Argentinian artists. He began his artistic endeavors at a young age after leaving Argentina to travel the world and study art. His journeys through Latin America, Europe and Africa exposed him to new ideas and encouraged his culturally diverse approach to art. Influenced by artists like Fernand Leger and Diego Rivera, Seguí’s work is generally satirical, critiquing society and human nature. In a pre-computer age, the artist created a vocabulary that is now being explored by a new generation of artists through comics and Manga, yet his visual language and social commentaries remain poignant, both symbolically and literally. Throughout his career, Seguí has developed a fascination for urban life, creating in his work the idea of the “everyman.” The city movement, the fast pace at which life happens and the people who live in these urban spaces are some of the elements that constitute the world depicted in his paintings. It is a prototypical realm inhabited by speedy automatons that take immutable routes leading nowhere. Up close, each figure is an individual, walking down dark alleys, pointing, waving and emerging from potholes. But from a distance, the individuals morph into complex patterns swallowed up in a labyrinth of buildings and cookie-cutter trees. Utilizing cubist techniques, Seguí’s repeated elements give shape to the cities causing planes to vibrate between line and color. Numerous perspectives unfold with each vibration and reflect the many angles of life of the urban man. Always in action, the little figures trample, tip-toe, dodge and advance through Seguí’s imaginary metropolis of life. His work is representated on a series of narratives and criticisms reflected on paintings that show many little men, dressed in 20's style clothes. He uses his own recourse based on comic strip characters, texts, arrows and various signs, juxtaposed onto the figures that resemble comic strip style language. Seguí’s work is collected and exhibited worldwide in places such as the MoMA, New York; Art Museum of the Americas, Washington, D.C.; Frissiras Museum, Athens, Greece; Museo de Arte Moderno de Buenos Aires, Argentina; Museum der Moderne Salzburg, Austria; Museum of Modern Art Dubrovnik, Croatia; and Museo Tamayo, Mexico City, Mexico. The Musée National d´Art Moderne, Paris organized a retrospective of his works on paper in 2005. A monograph on the artist by Daniel Abadie was published in 2010 by Hazan. Antonio Segui Resumé 1995 Art Miami '95, USA. S. Zannettacci, Geneva, Switzerland Marwan Hoss, Paris, France Gallerie du Cirque Divers, Belgium Le Moulin du Roc, France Fundacao C. Gulbenkaian, Portugal Gallerie J. Rubeiz, Beirut, Liban 1994 F. Santos, Portugal E. Franck Gallery, Belgium 1993 Galleria San Carlo, Milan, Italy Galería I. Vega, Puerto Rico Winance-Sabbe, Belgium FIAC, Paris, France 1992 Casa Rosada, Buenos Aires, Argentina Espace Julio Gonzales...

William Rosewood - Stigmata Medium: Oil on panel Casted in Gold 24 Karat Dimension: Diameter: 120 cm (Framed 130cm) William Rosewood is a talented artist who has discovered th...

Camille Hilaire (1916-2004) Green Trees Original Signed Watercolor 43 x 36 cm Framed Camille Hilaire (1916-2004) Camille Hilaire began painting from a...

Horacio Garcia Rossi Couleur Lumière Décalée Oil on Canvas 50 x 50 cm Signed and dated 11/08 on the back Horacio Garcia Rossi, along Morellet and J.Le Parc - these works, though cre...

JIM SHAW (B. 1952) Stocks Painting signed and dated 'J Shaw 2007' (on the overlap) oil on canvas mounted on wooden board 82 x 121.5 cm. (32 ¼ x 47.7.8 in.) Executed in 2006. PROVENANCE Metro Pictures, New York Famous as a collector of American junk, including a trove of thrift store paintings once sought by art collector Charles Saatchi, Jim Shaw draws on his vast stores of pop cultural artifacts in his work. The My Mirage (1986–91) project comprises nearly 170 drawings, silkscreens, photographs, sculptures, films, and paintings based on a Shaw stand-in called Billy, who grows from childhood to psychosis to born-again Christianity. Billy exists amid a 1960s and ’70s visual overload of pulp novels, comic books, records, and psychedelic posters. The artist’s Oism project, initiated in the late 1990s, explores his fictional religion through media including video installations (recalling both Busby Berkeley musicals and 1980s aerobics videos) and found paintings in the “Oist style.” Shaw’s richly layered practice takes liberally from both art history (Art Brut, Vincent van Gogh, Salvador Dalí, Rene Magritte, Max Ernst) and America’s vernacular of coffeemakers and zombie films. 1952 born in Midland, MI, US Lives and works in Los Angeles, CA, US 1974 BFA, University of Michigan at Ann Arbor, MI, US 1978 MFA, California Institute of the Arts, CA, US One-person exhibitions: 2017 (Forthcoming) The Wig Museum, Marciano Art Foundation, Los Angeles, CA, US Massimo De Carlo, Milan, IT 2016 Rather Fear God, Praz-Delavallade, Paris, FR Rather Fear God, Praz-Delavallade & Vedovi, Brussels, BE 2015-2016 The End Is Here, New Museum, New York, NY, US Simon Lee Gallery, London, UK Entertaining Doubts, Mass MOCA - Museum of Contemporary Art, North Adams, MA, US 2014-2015 Jim Shaw. Oeuvres choisies : dessins – peintures – sculptures – vidéo, Galerie Guy Bärtschi, Geneva, CH 2014 The Hidden World. Jim Shaw / Didactic Art Collection, Centre Dürrenmatt, Neuchâtel, CH I Only Wanted You To Love Me, Metro Pictures, New York, NY, US 2013-2014 The Hidden World. Jim Shaw / Didactic Art Collection, Chalet Society, Paris, FR Simon Lee Gallery, Hong Kong, CN 2013 Blum & Poe, Los Angeles, CA, US Peter Saul, Jim Shaw: Drawings, Mary Boone Gallery, New York, NY, US Simon Lee Gallery, London, UK 2012-2013 The Rinse Cycle, Baltic Centre for Contemporary Art, Gateshead, UK 2012 Dreams, BFAS, Geneva, CH (in collaboration with Metro Pictures, New York) Metro Pictures, New York, NY, US 2011 Thrilling Stories from the Book of "O", Praz-Delavallade, Paris, FR Cakes, Men in Pain, White Rectangles, Devil in the Details, Patrick Painter Inc., Santa Monica, CA, US 2010 Left Behind, CAPC - Musée d’Art Contemporain de Bordeaux, Bordeaux, FR Bernier/Eliades, Athens, GR 2009 Wet Dreams, Erotic Dream Drawings by Jim Shaw, Praz-Delavallade (space II), Paris, FR The Whole: A Study in Oist Integrated Movement, Simon Lee Gallery, London, UK 2008 Extraordinary Rendition, Patrick Painter Inc., Santa Monica, CA, US Jim Shaw: New Arrivals, Metro Pictures, New York, NY, US 2007 Dr. Goldfoot and His Bikini Bombs, Metro Pictures, New York, NY, US 2012: Montezuma’s Revenge, Praz-Delavallade, Berlin, DE The Hole, Praz-Delavallade, Paris, FR The Donner Party, PS1 Contemporary Art Center, Long Island, NY, US Galleria Massimo de Carlo, Milan, IT Distorted Faces & Portraits 1978-2007, Blondeau Fine Art Services, Geneva, CH 2006 My Mirage 1986-1991, Skarstedt Gallery, New York, NY, US 2006-2007 DO (I was in my Japenese gallery/museum in Japan...), Patrick Painter Inc., Santa Monica, CA, US Left Behind #8, 9, 10, Patrick Painter Inc., Santa Monica, CA, US 2006 Vise Head, Patrick Painter Inc., Santa Monica, CA, US Bernier/Eliades, Athens, GR Emily Tsingou Gallery, London, UK Vise Head, Patrick Painter Inc., Santa Monica, CA, US 2005 The Inky Depths/The Woman in the Wilderness, Metro Pictures, New York, NY, US Art & Public, Geneva, CH Praz-Delavallade, Paris, FR The Dream That Was No More A Dream, Patrick Painter Inc., Santa Monica, CA, US 2004 O, Kunsthaus Glarus, Glarus, CH Emily Tsingou Gallery, London, UK 2003 Kill Your Darlings, Patrick Painter Inc., Santa Monica, CA, US Kill Your Darlings, Bernier/Eliades, Athens, GR O, Le Magasin, Grenoble, FR Drawings, Metro Pictures, New York, NY, US Drawings, Studies, O-ism, Art & Public, Geneva, CH 2002 The Rite of the 360° Degree, Praz-Delavallade, Paris, FR The Goodman Image File and Study, Swiss Institute, New York, NY, US Oist Thrift Store Paintings, Metro Pictures, New York, NY, US Galleria Massimo De Carlo, Milan, IT 2001 The Artist’s World, Logan Galleries, CCAC Institute, San Francisco, CA, US Dreamt of Drawings, Emily Tsingou Gallery, London, UK Metro Pictures, New York, NY, US Praz-Delavallade, Paris, FR Galleria Massimo de Carlo, Milan, IT 2000 Thrift Store Paintings, ICA, London, UK Patrick Painter Inc., Santa Monica, CA, US Everything Must Go (curated by Sue Spaid), MAMCO, Geneva, CH; travels to The Contemporary Arts Center, Cincinnati, OH, US Johnen + Schottle, Köln, DE 1999 Metro Pictures, New York, NY, US Praz-Delavallade, Paris, FR Everything Must Go, Casino Luxembourg - Forum d'Art Contemporain, Luxembourg, LU (traveling retrospective) 1998 Drawings (curated by Peter Weiermair), Rupertinum - Musée d’art moderne et contemporain, Salzburg, AT Eccentric Drawing (curated by Peter Weiermair), Frankfurter Kunstverein, Frankfurt, DE 1997 The Deep, Tokyo, JP Bookbeat, Detroit, IL, US Rosamund Felsen Gallery, Santa Monica, CA, US Praz-Delavallade, Paris, FR 1996 Massimo de Carlo, Milan, IT The Sleep of Reason, Metro Pictures, New York, NY, US Dreams, Cabinet Gallery, London, UK 1995 I Dreamed I Was Performing in an Alternative Space in My Maidenform Bra, Rosamund Felsen Gallery, Santa Monica, CA, US Dreams, Galerie Andreas Brändström, Stockholm, SE What Exactly is a Dream and What Exactly is a Joke..., Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, NV, US 1994 Dreams That Money Can Buy, Rena Bransten Gallery, San Francisco, CA, US 1993 Dreams That Money Can Buy, Metro Pictures, New York, NY, US Dreams That Money Can Buy, Linda Cathcart Gallery, Santa Monica, CA, US 1992 Life and Death, Texas Gallery, Houston, TX, US Metro Pictures, New York, NY, US Horror A Vacui (with Benjamin Weissman), Linda Cathcart Gallery, Santa Monica, CA, US Galleria Massimo de Carlo, Milan, IT 1991 Thrift Store Paintings, Metro Pictures, New York, NY, US New Works from My Mirage, Linda Cathcart Gallery, Santa Monica, CA, US 1990 My Mirage, Linda Cathcart Gallery, Santa Monica, CA, US My Mirage, Matrix Gallery, University Art Museum, University of California, Berkeley, CA; travels to St Louis Museum of Art, St Louis, MO; Feature Inc., New York, NY, US Thrift Store Paintings, Brand Library, Glendale, CA, US 1989 Dennis Anderson Gallery, Los Angeles, CA, US 1986 The Nuclear Family, EZTV, Los Angeles, CA, US 1981 Life and Death, Zero Zero Club, Los Angeles, CA, US Group exhibitions: 2017 I Love L.A., Praz-Delavallade, Los Angeles, CA, US 2016 Realisms, The State Hermitage Museum, St. Petersburg, RU Un autre monde (((Dans notre monde))), Galerie du Jour Agnès B., Maison de la poésie, Centre Wallonie-Bruxelles, Paris, FR Collection(s) et nouveaux ensembles monographiques, Mamco, Geneva, CH Physical: Sex and the Body in the 1980s, LACMA, Los Angeles, CA, US A History: Contemporary Art from the Centre Pompidou, Haus der Kunst, Munich, DE DO IT, Hab Galerie, Nantes, FR (organised by Frac des Pays de la Loire) On verra bien, Galerie du Jour Agnès B., Paris, FR Nothing Compares to You (works from the collection of Martin & Rebecca Eisenberg), Riverview School, Cape Cod, MA, US 2015-2016 Drawing. The Bottom Line, S.M.A.K., Ghent, BE 2015 Free Admission, Praz-Delavallade, Paris, FR Better Than De Kooning, Villa Merkel, Esslingen am Neckar, DE Collecting Lines - Drawings from the Ringier Collection, Villa Flora, Winterthur, CH Magnificent Obsessions: The Artist as Collector, Barbican Centre, London, UK The Making of Personal Theory: Mysticism and Metaphysics in the Work of Sara Kathryn Arledge, Charles Irvin, and Jim Shaw, Armory Center for the Arts, Pasadena, CA, US Dominos, CIRCUIT, Lausanne, CH 2014-2015 What Nerve! Alternative Figures in American Art from 1960 to the Present (curated by Dan Nadel), RISD Museum, Providence, RI, US do it (homage), Utah Museum of Contemporary Art, Salt Lake City, UT, US; travels to Michaelis School of Fine Art, Capte Town, ZA; Garage Center for Contemporary Art, Moscow, RU Selections from The Permanent Collection, MOCA, Los Angeles, CA, US Onetorino: Shit and Die (organized by M. Cattelan, M. Ben Salah & M. Papini), Palazzo Cavour, Turin, IT (by invitation of Artissima) 2014 The Century of The Bed (curated by Vienna 2014), Galerie Steinek, Wien, AT As I Run And Run, Happiness Comes Closer (curated by Jérôme Sans), Emerige, Paris, FR The Crime Was Almost Perfect (curated by Cristina Ricupero), Witte de With, Rotterdam, NL Nothing Twice, Tadeusz Kantor Centre - Cricoteka, Krakow, PL Hearsay: Artists Reveal Urban Legends (curated by Wendy Sherman), California State University Fullerton Grand Central Art Center, Santa Ana, CA, US Grey Flags (curated by Timothée Chaillou), BackSlash Gallery, Paris, FR VEILS (curated by J. Dahl & A. Papademetropoulos), The Underground Museum, Los Angeles, CA, US The Crime Was Almost Perfect (curated by Cristina Ricupero), PAC - Padiglione d’Arte Contemporanea, Milan, IT My Little Boat of Sorrow, Rosamund Felsen Gallery, Santa Monica, CA, US 2013-2014 Donation Florence et Daniel Guerlain, MNAM - Centre Georges Pompidou, Paris, FR 2013 Oeuvres de la collection Philippe Cohen (curated by Ami Barak), Passage de Retz, Paris, FR The Universal Addressability of Dumb Things (curated by Mark Leckey), The Bluecoat, London, UK XXXL Painting (organized by the Museum Boijmans van Beuningen), Submarine Wharf, Rotterdam, NL Nuage, Musée Réattu, Arles, FR I'm Dreaming About A Reality, Galerie Chantal Crousel, Paris, FR Il Palazzo Enciclopedico / The Encyclopedic Palace (curated by Massimiliano Gioni) in The 55th Venice Biennale, The Arsenale, Venezia, IT More Young Americans (curated by Susanne Van Hagen), L'Enclos des Bernardins, Hôtel de Miramion, Paris, FR Coulisses, Frac Aquitaine, Bordeaux, FR Untitled. Works on Paper, Galerie Sophie Scheidecker, Paris, FR do it, Manchester Art Gallery, Manchester, UK 2012-2013 Faking It: Manipulated Photography Before Photoshop, Metropolitan Museum of Art, New York, NY, US LOST (in LA) (curated by Marc-Olivier Wahler, presented by FLAX), Los Angeles Municipal Art Gallery at Barnsdall Park, Los Angeles, CA, US 2012 Artists Merchandising Art (organized by René Luckhardt & Judith Rohrmoser), Wonderloch Kellerland, Berlin, DE / Los Angeles, CA, US Poule! (curated by Michel Blancsubé), Fundación/Colección Jumex, Ecatepec, MX Dogma (curated by Gianni Jetzer), Metro Pictures, New York, NY, US Panegyric, Forde, Geneva, CH For The Martian Chronicles, L&M Arts, Venice, CA, US 2011-2012 Destroy All Monsters: 1973-1976, Prism Gallery, Los Angeles, CA, US Incongru. Quand l'art fait rire, Musée cantonnal des Beaux-Arts de Lausanne, Lausanne, CH 2011 Interchange, Exchange LA, Los Angeles, CA, US All of the above (carte blanche à John Armleder...

1998 Oil parting of pears and apples in a pink bowl in front of an abstract painting. in the foreground, there is a book on the left and on the right 3 dollar bills. These are all l...

Abstract Modernist oil painting by Zoute dated 1951. Oil on Masonite. I believe the subject in the painting is the artist's wife Thelma Salter. Zoute used himself and his wife almost exclusively as models. Painted in 1951. Unframed. Presented by Joseph Dasta Antiques. Zoute (Born-Leon Salter, 1903-1976) was self-taught and well exhibited during his lifetime. He painted from 1940-1954 (he stopped painting at this later date due to his wife's illness and death and never painted again) A self-taught artist, he was part of the great modern wave. He exhibited with many of the most notable artists of the day such as Picasso, Braque, Klee and others at the invitation only State University of Iowa International Show 1946-1947. He had numerous one man shows at NYC galleries, Mortimer Levitt / Joseph Heller...

effrey Long, the elder son of a commercial graphic artist at Time & Life, was born in New York City in 1948. In 1970 Long received a BFA in Illustration and Art Education from Rhode Island School of Design and had decided to be a painter. His paintings from this period were photo realistic portraits and figures set in landscapes. On graduation, he married and began teaching art in a Rhode Island public school system. From 1971 through 1973 he was a resident artist at the Rockefeller-funded Pulpit Rock Community in Woodstock, Connecticut. Works from this intensive period were representational, highly dynamic, and borrowed from the vocabulary of cartoons. In early 1974 Long moved to the San Francisco Bay Area, where he obtained a full scholarship at California College of Arts & Crafts (now California College of Arts). There he received an MFA in painting in 1976. He established various studios in Oakland and Emeryville, while also working as a Curatorial Assistant at The Oakland Museum. The museum brought him in touch with such California artists as Richard Diebenkorn, Elmer Bischoff, Manuel Neri, Joan Brown, Jay de Feo...

"Untitled" Painting 39" x 30" inch by Patricio Gonzalez Patricio Gonzalez Bezanilla (1974), studied at the School of Visual Arts at the University o...

"Follow me / Like me" Oil painting 79" x 59" inch by Patricio Gonzalez oil and silver leaves on canvas From "Looking for Happiness" series LOOKING FOR HAPPINESS Like "el dorado", a cultural construction, a myth, the Looking for happiness series talks about the illusion of happiness. Using coordinates between different geographical points and world views, seeking to generate a dialogue between stories. In this way, places speak to tell us about degraded utopias, religious crusades, martyrs and oppressors, wars, victories, and defeats. All searches for what cannot be found. The infinite existing possibilities, in this continuous present and its accumulation, to be history. The utopian idea of achieving completeness or completeness. The transformation of the fabric into jewelry, the transmutation that moves from the sacred to the economic. The "object of desire" is the engine of life and its different permutations. Curriculum vitae Born on February 14, 1974, Santiago, Chile. Study at the School of Fine Arts of t he University of Chile and the University Complutense Hotels guest, Spain. He also attended workshops in painting, drawing and engraving the Circulo de Bellas Artes in Madrid. Work in the study of Guillermo Muñoz Vera, Madrid. SOLO EXHIBITIONS 2018 Kadoshiro Art Gallery “Looking for Happiness” Eduardo Lira Art Gallery “IT ́s not here” 2017 Off the wall / serie Golden Bitches/Beaches>(march 9) Galeria Artium-Miami,Usa 2016 ”Razones para la venganza” Galeria Artium-Miami,Usa. 2015 "Out Doors", Gallery Latam Santiago-Chile. 2013 "Coming down like flies" Latam Gallery Santiago, Chile. 2012 "Coto de Caza" Artium Gallery, Santiago, Chile. 2010 "Reasons for permanecia" Praxis Gallery, Santiago, Chile. 2009 "Fissure postcard" fifhy one Dot Gallery, Miami USA. 2008 "Connotations Sinister Galeria Trece, Santiago-Chile. 2007 "From the periphery to the center" Gallery 000 ", Santiago-Chile. 2005 "Lost Time" Gallery Forest, Consepcion- Chile. 2006 "Permanent Revolution" Artium Gallery, Santiago-Chile. 2005 Providencia Santiago Chile-Cultural Center, “Carrera” 2004 "personal mythologies", Praxis Gallery, Santiago-Chile GROUP EXHIBITIONS 2019 West palm Beach Art...

"If not now when" Abstract Painting 85" x 76" inch by Patricio Gonzalez Oil and gold leaves on cargo blanket From "Looking for Happiness" series ...