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Angela A'Court
Stillness, figurative, black, pink, screenprint

2023

About the Item

Mixed media on Japanese paper Artist Biography: Angela A’Court was born in London, UK and lives and works in New York and London. She studied at the University for the Creative Arts UK (UCA),UK, Parsons School of Art and Design, New York, Goldsmiths College, London and in 2022 received a Masters from City and Guilds Art School London in Art & Material Histories. After graduating from Goldsmiths College, A’Court worked as an interior designer in an architectural practice in London. Her work has been recorded in magazines including The Sunday Times, Homes and Gardens and Traditional Interiors. Her studio and interior work has been included in books such as Pure Pastel, Drawing and Painting, The Ultimate Paper Craft Book, Modern Rustic and Interiors by Design. Throughout her years as a designer, A’Court continued with her studio practice. In 2003, after moving to New York with her family, she decided to put design to one side and return to working in the studio full time. From 2014- 2016 A’Court lived in Tokyo, Japan where she worked with ceramics, returning to New York, she began taking classes at Dieu Donne studio learning about paper making as an art form. After Tokyo, A’Court studied silk screen at Lower East Side Print Shop under Master printer Roni Henning.She is currently the silk screen fellow at City & Guilds Art School. A’Court has regularly exhibited her work in the UK at venues such as The Pastel Society (London, UK); The Summer Exhibition at the Royal Academy (London, UK); The Discerning Eye (London, UK); and Thompsons Gallery (London, UK) as well as independent galleries. A’Court is represented by Susan Eley Fine Art (New York, NY and Hudson, NY). Artist Statement: This collection of four prints are from a series of ongoing work that explores the medium of print as an interpretation of a moment rather than a particular object. The visual imagery is inspired by a trip to Paris last year: walking amongst ancient wooden carvings in museums and stone statues in palace gardens. From this a vocabulary of images is collected and used as inspiration in the print studio. Using Japanese paper, the work is an intuitive process of mark making using the combination of monotype and silkscreen to create layers and textures that speak to an encounter rather than the rendering of a static object. Exhibited in "Femme," Susan Eley Fine Art, New York, NY
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