"Zip It" Limited Edition Hand-Signed Giclée on Canvas by Anja Van Herle
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Anja Van Herle"Zip It" Limited Edition Hand-Signed Giclée on Canvas by Anja Van Herle2016
2016
About the Item
- Creator:Anja Van Herle (1969, Belgian)
- Creation Year:2016
- Dimensions:Height: 40 in (101.6 cm)Width: 40 in (101.6 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:This work is in great condition with minimal signs of wear consistent with age. The canvas is stretched and ready to hang.
- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU94533826811
Anja Van Herle
Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artwork with an American sense of wonder. Her childhood years were devoted to exploring the fundamentals of her art using crayons, pencils and watercolors. In 1987, she enrolled in Belgium’s Higher Institute for Art Education where she earned a Master’s of Fine Arts in Painting. Anja now concentrates on figurative paintings that are inspired by both classic and contemporary fashion while exploring issues of identity, emotion and human interrelationships. As timelessly chic as Audrey Hepburn in Breakfast at Tiffany’s, Anja’s women are playfully sexy, and their expressions and eyes tell stories that go far beyond the simple exhibition of fine fashion. In Anja’s masterful hands, fashion becomes alive. “These women—they feel.” “My work is an attempt to capture the complexity of emotions that are conveyed in the human face. I’ve been painting portraits since I was a child, continually drawing closer to the face and eyes in order to explore the emotions they contain. There’s a story behind every face; my paintings are an attempt to tell these stories by capturing delicate facial expressions and juxtaposing them with vibrant color and the dramatic interplay of shadow and light that both inform my subjects and maintain their enigmatic aura. I’m constantly delighted by the various interpretations my work receives. For some, a subject may be pensive, while to others it may be seductive or confrontational. Part of the viewing experience is for a viewer to attach his or her own emotional meaning to a work,”-Anja Van Herle.
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