Ben Frost

Happy Helmet (Blotter Paper Ed. /175)

2021

Ben Frost Happy Happy Joy Joy, 2016 6-color screen print on Mohawk Superfine UltraWhite, 160 lb cover 18 x 15 in., 40.6 x 50.8 cm Edition of 5, Signed and numbered by Ben Frost

Out of Stock - 2 Hand cut holes on reinforced Hahnemühle German Etching heavyweight Giclee print. Box framed and float mounted under museum quality no...

Title: Dust Edition: 35 Signed: Yes Paper: Museum Quality Somerset Velvet 330gsm Cotton Rag Size: 70x43.8cm Media: Archival Pigment Giclee Print Published: November 30th 2020

Title: Dust Edition: 35 Signed: Yes Paper: Museum Quality Somerset Velvet 330gsm Cotton Rag Size: 70x43.8cm Media: Archival Pigment Giclee Print Published: November 30th 2020

Chant II speaks to the widespread arson attacks on commuter trains in South Africa. According to Faith XLVII: 'The work points to a broader question, the insanity of how in a time w...

Matt Gondek is a Deconstructive Pop Artist, whose work is possessed with a punk rock spirit, celebrating rebellion and destruction. With a visceral pop color palette and a disarmingl...

Publisher GKM. Edition of 50 ex Free shipment worldwide. Signed, dated, titled and numbered. Working on a variety of perceptual levels, Philippe Huart lets one visit his intimate d...

Published by edition GKM. Unframed. Edition: 150 ex. Signed by the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The lan...

Publisher GKM. Edition of 150 ex. Unframed. Signed, dated and numbered. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The lan...

Publisher GKM. Edition of 150 ex. Unframed. Signed, dated and numbered. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The lan...

Publisher GKM. Edition of 50 ex Free shipment worldwide. Signed, dated, titled and numbered. Working on a variety of perceptual levels, Philippe Huart lets one visit his intimate di...

Portfolio with 5 silkscreens in a wooden box. Publisher GKM. Unframed. Edition of 150 ex. Signed, dated and numbered. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...