Bob Stanley

Lauren Bacall Lights Humphrey Bogart's Cigarette

1966

Seymour Chwast Satchmo (Louis Armstrong), 1989 Silkscreen on Rives BFK Hand-signed and numbered 36/200 by artist on the front 44 × 30 inches Unframed A close-up portrait of Louis Arm...

Joe Tilson Transparency, 1970 Color silkscreen Signed and numbered 166 from the edition of 500 in pencil in upper margin Frame Included: held in the original vintage wood frame A lov...

Seymour Chwast Greta Garbo, 1989 Silkscreen on Rives BFK Hand-signed and numbered 36/200 by artist on the front 44 x 30 inches Unframed This large, dazzling multi color silkscreen is...

Larry Rivers Homage to Vladimir Ilyich Lenin, signed and inscribed to Arthur Gold and Robert (Bobby) Fizdale, 1973 Lithograph and Screenprint on Paper Hand signed and inscribed on lo...

Shepard Fairey Jasper Johns (White), 2009 Silkscreen on wove paper 24 × 18 inches Edition 198/450 Pencil signed and numbered 198/450 on the front Unframed Shepard Fairey created this...

Ronald B. (R.B.) Kitaj Nancy and Jim Dine, or O'Neill accuses Faulkner of lack of loyalty and support (Kinsman 40), 1970 16 Color Silkscreen with collage and coating on different wove papers Hand signed and numbered in pencil 29/70 on the front. The back (which is framed) bears the Kelpra Studio blindstamp Frame included: held in the original vintage metal frame Very rare stateside. Other editions of this work are in the permanent collections of major institutions like the British museum, which has the following explanation: "The artist Jim Dine and his wife Nancy were close to Kitaj and his family, especially after the death of Elsi, Kitaj's first wife in 1969. They sometimes stayed with the Dines at their farm in Vermont during Kitaj's second teaching sojourn in the United States. Dine and Kitaj held a joint show at the Cincinnati Museum of Art in 1973. In the catalogue both artists contributed an insightful 'essay' on each other with Dine stressing Kitaj's obsession with all things American and baseball-related...' The alternate title, "O'Neill accuses Faulkner of lack of loyalty and support" can be seen on the artwork itself, and clearly is some kind of inside joke among friends. By the way -- do you see the way the colored dots are placed over the figures? Kitaj was doing this well before Baldessari who made it famous; that's how pioneering he was at the time. Referenced in the catalogue raisonne of Kitaj's prints, Kinsman, 40 Published and printed by Chris Prater of Kelpra Studio, Kentish Town, United Kingdom Ronald Brooks (RB) Kitaj Biography R.B. (Ronald Brooks) Kitaj was born in 1932 in Cleveland Ohio. One of the most prominent painters of his time, particularly in England where he spent some four decades spanning the late 1950s through the late 1990s, Kitaj is considered a key figure in European and American contemporary painting. While his work has been considered controversial, he is regarded as a master draughtsman with a commitment to figurative art. His highly personal paintings and drawings reflect his deep interest in history; cultural, social and political ideologies; and issues of identity. Part of an extraordinary cohort who emerged from the Royal College of Art circa 1960, which included Peter Blake, Patrick Caulfield, and David Hockney, Kitaj was immediately pegged as one of its leading figures. The London Times greeted his first solo show in 1963 as a long-awaited and galvanizing event: “Mr. R.B. Kitaj’s first exhibition, now that it has at last taken place, puts the whole ‘new wave’ of figurative painting in this country during the last two or three years into perspective.” In 1976, KItaj curated the exhibition The Human Clay, and in the essay he wrote for it he proposed the existence of a “School of London”—a label which stuck to a group of painters that includes Francis Bacon, Frank Auerbach, Lucian Freud, Leon Kossoff, Michael Andrews...

Beautiful Bedroom Kate. Original color silkscreen on Museum Board, 1998. Edition of 90 signed and numbered impressions on Museum Board. Tom Wesselma...

Colorful Pop Art screenprint by Mel Ramos from a limited edition of 100. Signed by Ramos and numbered in pencil. Printed by Accent Studios, Los Angeles. Published by Robert Bane...

Hand embellished screen print 124 x 88 cm 48 7/8 x 34 5/8 in. Edition of 10 (#1/10) ----------- Deborah Azzopardi has become world-renowned for her d...

“3 THE HARD WAY portrays the concept of standing together to fight a system of racism and violence against the Black community — because we are stronger together,” explained Brantley. “I was thinking about building a community, building that totem, stacking one on top of another to reach somewhere closer to where we need to be. I’ve been exploring the language of totems and like the idea that you can combine different ideologies and tie them together in one narrative. Through 3 THE HARD WAY what I’m creating is one very concise theme, of brotherhood and building. Ultimately, the works highlight themes of race and power, but also hope.” Artists: Brantley, Hebru Manufacturer: Avant Arte...

Alex Katz Dancer 1 2019 Silkscreen in colors on Saunders Waterford HP High White 425 gsm paper 60 x 36 inches (153 x 92 cm) Edition of 60

Ariel 2021 Silkscreen on Saunders Waterford 425 gsm fine art paper Diptych 60 x 37 inches (153 x 94 cm) each Edition of 60 Suite of 2: $32,000 Single print also available. Please c...