"Principal Inhabitants of the Moon": A Framed 18th Century Satire by Hogarth

View Similar Items

Rembrandt van Rijn - Jan Uytenbogaert, The Goldweigher

Armand Durand - 'Jesus and the Woman at the Well, ' by Amand-Durand, Engraving

Nicolas La Sueur - La Messe (The Mass), after Caravaggio

John Martin - DEATH OF THE FIRST BORN - Proof - Magnificent Large Scale Mezzotint

Charles Amand Durand - The Rest on the Flight into Egypt - engraving after Rembrandt - 19th Century

Charles Amand Durand - The Tribute Money - engraving after Rembrandt - 19th Century

Giovanni Battista Piranesi - 18th Century Etching of Ancient Roman Architectural Objects by Giovanni Piranesi

Giovanni Battista Piranesi - The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi

Giovanni Battista Piranesi - Ancient Roman Medici Marble Vase: An 18th Century Etching by Piranesi

Giovanni Battista Piranesi - Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole

Ferdinand Bol - (PHILOSOPHER READING)

Unknown - Scène de Bistrot - Unknow Artist After Adrian Van Ostade - 18th Century

Want more images or videos?

Request additional images or videos from the seller

1 of 9

William Hogarth
"Principal Inhabitants of the Moon": A Framed 18th Century Satire by Hogarth
1753

About the Item

This is a framed original satirical etching/engraving by William Hogarth, entitled "Some Principal Inhabitants of ye Moon: Royalty, Episcopacy and Law", originally published in London in 1760.The inscription reads: ""Some of the principal inhabitants of [the] moon as they were perfectly discover'd by a telescope brought to [the] greatest perfection since [the] last eclipse; exactly engraved from the objects whereby [the] curious may guess at their religion, manners, &c.". Although this may be an original life-time printing, it may have been published by Baldwin Craddock and Joy in London in 1822 from Hogarth's original copper plate that was reworked where needed by Heath, referred to as the Heath edition. This publication was the last time that Hogarth's plates were used for a printing. Most were subsequently destroyed and those remaining are primarily held by institutions. The scene is presented within a circle, as if seen through a telescope viewing the moon, surrounded by a square border, under which is engraved the title. The figures, who are satirically supposed to be the inhabitants of the moon, sit on a wooden platform suspended above the clouds. Three seated figures are supposed to represent the "Monarchy, Episcopacy, and Law". "Monarchy", representing royalty, sits on a throne wears a crown and he holds a globe and a sceptre. His face is a gold coin. The symbol of perpetuity, is embroidered on the cloth under his throne. "Episcopacy", representing the church, is operating a pump by pulling on a bell-rope fastened around a bible attached to the pump handle. The pump pours out money into a chest representing the church coffers and wealth. The chest is decorated with an armorial escutcheon, containing a knife and fork, topped by a church leader's mitre. Episcopacy's face is a Jew’s Harp and his right foot rests on a pile of three cushions. A cloven foot is seen protruding from under his religious robe. "Law" wears the type of wig worn by 18th century English judges. He holds a large sword on the right, but he does not appear to have a left arm. His face is a hammer resembling that of the Viking god Thor. Behind him a dagger appears to be thrust through the bottom of a sieve. The bodies of the attendants on Monarchy are composed of circular fire-screens, resembling shields. The trunks of the Courtiers are large looking-glasses, the sconces, with candles in them serving for hands and arms. The face of the chief of these is the reverse of a sixpence; and a key significantly appended to his sash at once denotes his sex and office. Under the figure of Law are a male and female modishly dressed. Her head is a tea-pot, her neck is a drinking-glass and her body is a half open fan. The male figure's face is a coat of arms and his legs are fan sticks. He appears to be courting the female. There is a great deal of satirical symbolism in this print and their meaning is not always obvious. Hogarth may have planned to include an explanation since there are letters a, b, c, d, e, f and g placed over or under some of the figures and objects. The reference books by Ronald Paulson, such as "Hogarth's Graphic Works, provide some possible interpretations. The print is presented in an ornate glossy black wood frame with beaded gold-colored outer and inner trim, a beaded gold-colored fillet and a cream-colored silk mat. There is a small defect in the frame's right upper edge. The print was not examined out of the frame, but the visible portions of the print are in excellent condition. The frame and mat style are identical to another old master print listed on 1stdibs, a 17th century portrait of the old master artist Petrus de Jode by Anthony van Dyck. This print can be viewed by placing the 1stdibs reference # LU117327129592 in the search field. These two framed prints would make a striking display grouping. A discount is available for purchase of the pair. Artist: William Hogarth (1697-1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. Hogarth's work was extremely diverse, ranging from serious realistic paintings and portraits to satire and moralistic pieces filled with symbolism. He often communicated his moral message in a series of paintings and engravings, such as: A Rake's Progress, Marriage A-la-Mode and A Harlot's Progress. He was by far the most significant English artist of his generation and inspired a movement of English caricaturists and satirists, including James Gillray (1756-1815), Thomas Rowlandson (1757-1827), Isaac Cruickshank (1764-1811) and George Cruickshank (1792-1878). His work has been studied intensely for the greater than two and a half centuries since his death with several academic scholars focusing their careers on the analysis of every element of each of his creations.

Creator:
William Hogarth (1697 - 1764, British)
Creation Year:
1753
Dimensions:
Height: 22 in (55.88 cm)Width: 19 in (48.26 cm)Depth: 1.13 in (2.88 cm)
Medium:
Etching,Engraving
Movement & Style:
Old Masters
Period:
Mid-18th Century
Condition:
Gallery Location:
Alamo, CA
Reference Number:
Seller: # 27411stDibs: LU117327130472

More Ways To Browse

A Frame

Decorated Interiors

Antique Framed Print

Antique Framed Prints

Framing Antique Prints

Framed Antique Prints

Antique Frames And Borders

Century Of Progress

Antique Interior Decorating

William Master

Antique Framing Square

Framed Cloth

Frame Print 18th Century

"Principal Inhabitants of the Moon": A Framed 18th Century Satire by Hogarth

View Similar Items

William Hogarth
"Principal Inhabitants of the Moon": A Framed 18th Century Satire by Hogarth
1753

About the Item

Mid-18th Century Old Masters Figurative Prints

Giovanni Battista Piranesi
18th Century Etching of Ancient Roman Architectural Objects by Giovanni Piranesi, 1778

1760s Old Masters Figurative Prints

Giovanni Battista Piranesi
The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi, 1766

1770s Old Masters Figurative Prints

Giovanni Battista Piranesi
Ancient Roman Medici Marble Vase: An 18th Century Etching by Piranesi, 1778

1760s Old Masters Figurative Prints

Giovanni Battista Piranesi
Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole , 1768-1778

1770s Old Masters Interior Prints

Giovanni Battista Piranesi
Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching , 1774

1770s Old Masters Figurative Prints

Giovanni Battista Piranesi
A Framed 18th C. Piranesi Etching of an Ancient Marble Vase from Hadrian's Villa, 1778

17th Century Old Masters Figurative Prints

Rembrandt van Rijn
Jan Uytenbogaert, The Goldweigher, 1639

Early 19th Century Old Masters Figurative Prints

Armand Durand
'Jesus and the Woman at the Well, ' by Amand-Durand, Engraving, Early 19th c

Mid-18th Century Old Masters Figurative Prints

Nicolas La Sueur
La Messe (The Mass), after Caravaggio, 1730

1830s Old Masters Interior Prints

John Martin
DEATH OF THE FIRST BORN - Proof - Magnificent Large Scale Mezzotint , 1836

19th Century Old Masters Figurative Prints

Charles Amand Durand
The Rest on the Flight into Egypt - engraving after Rembrandt - 19th Century, 19th Century

19th Century Old Masters Figurative Prints

Charles Amand Durand
The Tribute Money - engraving after Rembrandt - 19th Century, 19th Century

Recently Viewed

More Ways To Browse

"Principal Inhabitants of the Moon": A Framed 18th Century Satire by Hogarth

View Similar Items

William Hogarth"Principal Inhabitants of the Moon": A Framed 18th Century Satire by Hogarth1753

About the Item

Mid-18th Century Old Masters Figurative Prints

Giovanni Battista Piranesi18th Century Etching of Ancient Roman Architectural Objects by Giovanni Piranesi, 1778

1760s Old Masters Figurative Prints

Giovanni Battista PiranesiThe Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi, 1766

1770s Old Masters Figurative Prints

Giovanni Battista PiranesiAncient Roman Medici Marble Vase: An 18th Century Etching by Piranesi, 1778

1760s Old Masters Figurative Prints

Giovanni Battista PiranesiAncient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole , 1768-1778

1770s Old Masters Interior Prints

Giovanni Battista PiranesiChurch of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching , 1774

1770s Old Masters Figurative Prints

Giovanni Battista PiranesiA Framed 18th C. Piranesi Etching of an Ancient Marble Vase from Hadrian's Villa, 1778

17th Century Old Masters Figurative Prints

Rembrandt van RijnJan Uytenbogaert, The Goldweigher, 1639

Early 19th Century Old Masters Figurative Prints

Armand Durand'Jesus and the Woman at the Well, ' by Amand-Durand, Engraving, Early 19th c

Mid-18th Century Old Masters Figurative Prints

Nicolas La SueurLa Messe (The Mass), after Caravaggio, 1730

1830s Old Masters Interior Prints

John MartinDEATH OF THE FIRST BORN - Proof - Magnificent Large Scale Mezzotint , 1836

19th Century Old Masters Figurative Prints

Charles Amand DurandThe Rest on the Flight into Egypt - engraving after Rembrandt - 19th Century, 19th Century

19th Century Old Masters Figurative Prints

Charles Amand DurandThe Tribute Money - engraving after Rembrandt - 19th Century, 19th Century

Recently Viewed

More Ways To Browse

William Hogarth
"Principal Inhabitants of the Moon": A Framed 18th Century Satire by Hogarth
1753

Giovanni Battista Piranesi
18th Century Etching of Ancient Roman Architectural Objects by Giovanni Piranesi, 1778

Giovanni Battista Piranesi
The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi, 1766

Giovanni Battista Piranesi
Ancient Roman Medici Marble Vase: An 18th Century Etching by Piranesi, 1778

Giovanni Battista Piranesi
Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole , 1768-1778

Giovanni Battista Piranesi
Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching , 1774

Giovanni Battista Piranesi
A Framed 18th C. Piranesi Etching of an Ancient Marble Vase from Hadrian's Villa, 1778

Rembrandt van Rijn
Jan Uytenbogaert, The Goldweigher, 1639

Armand Durand
'Jesus and the Woman at the Well, ' by Amand-Durand, Engraving, Early 19th c

Nicolas La Sueur
La Messe (The Mass), after Caravaggio, 1730

John Martin
DEATH OF THE FIRST BORN - Proof - Magnificent Large Scale Mezzotint , 1836

Charles Amand Durand
The Rest on the Flight into Egypt - engraving after Rembrandt - 19th Century, 19th Century

Charles Amand Durand
The Tribute Money - engraving after Rembrandt - 19th Century, 19th Century