Items Similar to DAVID SHRIGLEY - WITNESS MY JOY Modern Design Figurative British Artist Blue
Want more images or videos?
Request additional images or videos from the seller
1 of 15
David ShrigleyDAVID SHRIGLEY - WITNESS MY JOY Modern Design Figurative British Artist Blue2022
2022
About the Item
DAVID SHRIGLEY - WITNESS MY JOY
Date of creation: 2022
Medium: Screen print & varnish on Somerset paper
Edition: 125 + 12 AP
Size: 75 x 56 cm
Condition: Brand new, inside its custom packaging
Observations: This is a 16 colour screenprint with a two varnish overlay on Somerset Satin Tub sized 410 gsm. Belongs to a hand signed and numbered limited edition of 125 copies.
ABOUT THE ARTIST
David Shrigley was born in 1968 in Macclesfield (UK) and currently lives and works in Brighton. After studying Art and Design at Leicester Polytechnic in 1987, he moved to Glasgow to study Environmental Art at the Glasgow School of Art until 1991. His studies in Glasgow highlighted the importance of context in public art, so Shrigley's early work revealed with astute commentary, the bad examples in our urban environment.
David Shrigley's art is tainted with a black, acidic humor that highlights the absurdity of our everyday fears and problems. Shrigley is a multidisciplinary artist. His work consists of sculptures, videos, "public interventions", photography, and books. However, he is best known for his drawings, which, with their deliberate crudeness and childishness, and often wrapped in darkly comic observations about adult life, are instantly identifiable as his own. With doodles, uneven lettering and bizarre, sometimes nonsensical messages, his work exudes an unhinged joy that is addictive. He celebrates the mundanity of the everyday, focusing on creating something refreshingly familiar. As well as being exhibited in art galleries, his drawings appear in a variety of more commercial formats such as magazines, T-shirts, album covers or greeting cards.
Shrigley has his own point of view and is not afraid to show it with conviction. He works loosely and improvisationally: "It's not the kind of drawing where you're trying to get the eyes in the right place, you're just trying to tell someone something in the most direct way possible," he explains. "My work is halfway between calligraphy and drawing. But there are also certain rules to what I do, like I don't allow myself to redraw or anything like that, and it just is what it is." His work laughs at life cheekily and disguised as humor; a style that has worldwide recognition. Words play an important role in Shrigley's work. He is interested in how text and image are interpreted together, especially when combined in witty or conflicting ways. Works that satirize the conventions of the contemporary art world, of which Shrigley is well aware he is a part.
Shrigley's wry humor extends to his sculptural works, in which he has even worked with taxidermy. In I'm Dead (2010), a stuffed dog stands on its hind legs holding a sign declaring that it is dead. The artist is interested in the use of signs and public notices as a way of disconcerting the viewer. Despite the comical nature of many of his works, they are often backed by a darker subject matter. Shrigley may be poking fun at the way museums display stuffed animals as if they were alive, or perhaps referring to protesters carrying placards as a way of publicly displaying messages of discontent. Like many of Shrigley's works, at its core it poses a simple and surprising moral conundrum: whether or not should we laugh at death.
In 2003 he directed the music video for the famous band Blur for their album "Good Song", and in 2007 he made a collaborative album titled "Worried Noodles", in which he worked with several musicians to interpret his texts as lyrics. Shrigley also began regularly contributing vignettes to The Guardian in 2005.
Between 2012 and 2014, he produced mostly black-and-white drawings of his trademark cartoonish characters and snippets of writing. In 2013, a retrospective was dedicated to him at the Hayward Gallery in London and in the same year he was nominated for the prestigious Turner Prize. In 2016, he was commissioned to install the fourth plinth in Trafalgar Square in the form of a monumental bronze sculpture raising a disproportionately large thumb, in keeping with the spirit of his deadpan humor. In 2015, color again took over his drawings, until the present day.
From 2015 to 2018, Shrigley's exhibition Lose Your Mind, organized by the British Council, traveled to six countries and showcased works in a variety of media, including ceramics and mixed media sculptural installations and found object pieces. Other notable solo exhibitions include Do Not Touch the Worms at Copenhagen Contemporary, Denmark (2020); Exhibition of Inflatable Swan Things at Spritmuseum, Stockholm, Sweden (2018) and David Shrigley: Life and Life Drawing at the National Gallery of Victoria, Melbourne, Australia (2014).
In January 2020 he was awarded the decoration of Officer of the Most Excellent Order of the British Empire or OBE.
- Creator:David Shrigley (1968, English)
- Creation Year:2022
- Dimensions:Height: 29.53 in (75 cm)Width: 22.05 in (56 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Madrid, ES
- Reference Number:1stDibs: LU1033114059492
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2011
1stDibs seller since 2018
158 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Ships From: Madrid, Spain
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- TAKASHI MURAKAMI: KYOTO: KŌRIN Japanese Pop Art Traditional Flowers SkullsBy Takashi MurakamiLocated in Madrid, MadridTakashi Murakami - KYOTO: KŌRIN Date of creation: 2020 Medium: Offset lithograph with cold stamp and high gloss varnish on paper Edition: 300 Size: 72 × 76,25 cm Condition: In mint c...Category
2010s Pop Art Figurative Prints
MaterialsPaper, Varnish, Offset, Screen
- TAKASHI MURAKAMI: Who's afraid of red, yellow... Superflat, Japanese Pop ArtBy Takashi MurakamiLocated in Madrid, MadridTakashi Murakami - WHO'S AFRAID OF RED, YELLOW, BLUE AND DEATH Date of creation: 2011 Medium: Offset lithograph with silver and silkscreen with spot UV varnishing Edition: 300 Size:...Category
2010s Pop Art Figurative Prints
MaterialsPaper, Varnish, Offset, Screen
- FAILE - THE RIGHT ONE, HAPPENS EVERYDAY Pop Street art American Pin-Up DesignBy FaileLocated in Madrid, MadridFAILE - THE RIGHT ONE, HAPPENS EVERYDAY Date of creation: 2014 Medium: Screen print on Coventry Rag paper Edition number: 418/450 Size: 71 x 61 cm Condition: In mint conditions, bran...Category
2010s Modern Figurative Prints
MaterialsPaper, Screen
- TAKASHI MURAKAMI - MIYABI: KŌRIN Pop Art. Japanese Traditional FlowersBy Takashi MurakamiLocated in Madrid, MadridMIYABI: KŌRIN ( KŌRIN: COURTLY ELEGANCE 2020) Date of creation: 2020 Medium: Offset print with cold stamp and high gloss varnish on paper Edition number: 200/300 Size: 72 × 76,25 cm ...Category
2010s Pop Art Figurative Prints
MaterialsPaper, Varnish, Lithograph, Offset
- Takashi Murakami - THE GOLDEN AGE: HOKKYO TAKASHI Pop Art Gold Skulls FlowersBy Takashi MurakamiLocated in Madrid, MadridTakashi Murakami - THE GOLDEN AGE: HOKKYO TAKASHI Date of creation: 2016 Medium: Offset lithograph with cold stamp and high gloss varnish on paper Edition: 213/300 Size: 71 cm Ø Cond...Category
2010s Pop Art Figurative Prints
MaterialsPaper, Varnish, Lithograph, Offset
- TAKASHI MURAKAMI - FLOWER BALL - BURNING BLOOD Pop Art. Flowers Red SmileyBy Takashi MurakamiLocated in Madrid, MadridFLOWER BALL - BURNING BLOOD Date of creation: 2018 Medium: Offset lithograph with silver and high gloss varnishing on paper Edition number: 30/300 Size: 71 cm Ø Condition: In mint co...Category
2010s Pop Art Figurative Prints
MaterialsSilver
You May Also Like
- The Boundaries Of Our Realities Are Set By The Limits Of Our ImaginationBy The Connor BrothersLocated in New York, NYA pristine color screenprint, acrylic and oil paint and varnish over giclée on paper. Signed and dated in white ink by the Connor Brothers. Dimensions with the frame are 32 x 22 inches.Category
2010s Modern Figurative Prints
MaterialsPaper, Varnish, Oil, Acrylic, Color, Giclée, Screen
- FAME (WARHOL FLOWERS)By Nick SmithLocated in Aventura, FLGiclee with screen printed varnish on Canson Rag Photographique 310gsm paper. Hand signed, dated and numbered by Nick Smith. Edition of 66. Frame size approx 30 x 29 inches. Artw...Category
2010s Street Art Figurative Prints
MaterialsRag Paper, Giclée, Screen, Paper, Varnish
- Untitled, from the Sonnabend-Castelli CollectionBy Keith SonnierLocated in New York, NYKeith Sonnier Untitled, from the Collection of Ileana Sonnabend and the Estate of Nina Castelli, 1973 Lithograph and Screenprint with varnish additions. Signed. Numbered. Signed and ...Category
1970s Abstract Figurative Prints
MaterialsVarnish, Lithograph, Screen
- I Sometimes Feel that God, in Creating Men, Somewhat Overestimated His AbilityBy The Connor BrothersLocated in Austin, TXGiclée, screenprint, acrylic and oil paint and varnish on paper Signed and dates in pencilCategory
2010s Figurative Prints
MaterialsOil, Varnish, Acrylic, Giclée, Screen
- Tell Him I Was Too Fucking Busy--Or Vice VersaBy The Connor BrothersLocated in New York, NYA very good impression of this color giclée print with screenprinted varnish on white wove paper. Signed, dated and numbered 23/50 in pencil.Category
2010s Contemporary Figurative Prints
MaterialsVarnish, Color, Giclée, Screen
- "Balcony" 1938 WPA Print Mid 20th Century American Broadway Theatre ModernismBy Leon BibelLocated in New York, NY"Balcony" 1938 WPA Print Mid 20th Century American Broadway Theatre Modernism. Silk screen on paper, 15” x 20". Numbered 15/20 lower left. Pencil si...Category
1930s American Modern Figurative Prints
MaterialsPaper, Screen