Dominic Charles Colnaghi

Paul & Dominic Colnaghi Hand Colored Engraving "Kerch From the North - Plate 3"

1855

This piece is part of my private collection of artist lithographs, etchings and engravings from the 20th Century. It is a limited edition Epreuve d' Artiste. Pierre Eugene Clairin...

This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste." Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...

A very good impression of this extremely scarce drypoint. MacDonald's eleventh state "b" (of 11b), restored after cancellation.

A superb, richly-inked impression of this scarce drypoint printed in dark brownish black on cream laid paper. Second state (of 4), with the drypoint work on the windows upper right. ...

A brilliant, richly-inked impression of this etching and drypoint printed in dark brownish black on antique cream laid paper with very strong contrasts....

Engraving on Marais vélin paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, E. Degas Les Monotypes, 1948. Published by Quatre...