Dorothy Iannone

I Don't Want to Be D.

2022

Dorothy Iannone The White Goddess Silkscreen on heavy paper Number 36 from an edition of 50 Edited by Dieter Roth in Düsseldorf this silkscreen is of a very high quality. Seven colors were applied on a cardboard of about 350gr. A large format, for which Dorothy is inspired by Robert Graves' book The White Goddess, published in 1948. It is one of the most desirable multiples of Dorothy lannone. Dorothy Iannone (August 9, 1933 – December 26, 2022) was an American Artist. Her autobiographical texts, films, and paintings explicitly depict female sexuality and "ecstatic unity." She lived and worked in Berlin. The majority of Iannone's paintings, texts, and visual narratives depict themes of erotic love. Her explicit renderings of the human body draw heavily from the artist's travels and from Japanese woodcuts, Greek vases, and visual motifs from Eastern religions, including Tibetan Buddhism, Indian Tantrism, and Christian ecstatic traditions like those of the seventeenth-century Baroque. For the High Line in New-York, Iannone creates a new, large-scale mural installation at 22nd St. Iannone’s mural features three colorful Statues...

Signed and numbered lithograph by Julio Le Parc. Item is new, sold by the publisher. Available without frame. Ask for more detail. Technic : Pigment print on archival paper 310gr. ...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ...

Signed and numbered lithograph by Julio Le Parc. Item is new, sold by the publisher. Available without frame. Ask for more detail. Technic : Pigment print on archival paper 310gr. ...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ! Technic : Pigment print on pure Cotton paper 270gr. Format :30x42 cm Edition Size : 12 signed and numbered copies. This is number 4 from an edition of 12. OPTIONAL Frame : 32x44 cm white painted oak, plexiglass U.V. Proof for 200€. Julio Le Parc (born September 23, 1928) is an Argentina-born artist who focuses on both modern op art and kinetic art. He is a precursor of Kinetic Art and Op Art, founding member of Groupe de Recherche d’Art Visuel and recipient of the Grand Prize for Painting at the 33rd Venice Biennale in 1966, Julio Le Parc is a major figure in modern art history. Upon arriving in Paris in 1958 he connected with Jesús Rafael Soto and Carlos Cruz-Diez who were already in Paris. There they met Victor Vasarely, Georges...

Edition 2 of 3 with 2 APs framing is an additional $790. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien). Their current ph...

Comfort Blanket, 2014-2023 Grayson Perry Blanket printed in colours With the artist's woven monogramme on a label verso Produced by Kit Grover Retail Culture Published by the Natio...

KAWS Untitled (limited edition blanket) blue, 2019 100% cashmere 130 x 180 cm Edition of 85

KAWS Untitled (limited edition blanket) red, 2019 100% cashmere 130 x 180 cm Edition of 85

(After) Andy Warhol Flowers, 1968 Hand Woven Wool Tapestry 183 x 183 cm (72 x 72 in) Edition of 20 With the knotted name ‘ANDY WARHOL’ lower right and the embroidered annotation ‘WARHOL ©’ on the reverse Published by Modern Master Tapestries, NY Throughout art history, the flower and its symbolism have been a subject matter for many renowned artists. Andy Warhol explored the qualities of the flower image through his Pop Art prism in the Flower series of 1964, thus creating cartoon-like symbols that would be instantly recognized. The 1964 Flower series became one of his most iconic and successful works. Based on a discovered photograph of hibiscus blossoms, Warhol drenched the flowers’ floppy shapes with a variation of vibrant colors, transforming them into psychedelic indoor décor. Playing with traditional art historical themes, Andy Warhol gave a particular twist to this historically accepted symbol of life. The electric colors of his flowers, drawn from a darker and rich undergrowth background might be the indicator of an extreme vision of life, a life lived on the edge. Andy Warhol (1928-1987) was an American artist, a leading figure of the Pop Art movement. ​Using a variety of media materials from photographs up to computer-generated art, Warhol's works explore the relationship between artistic expression, celebrity, culture and advertisement that flourished by the 1960s. Emerging from the poverty and obscurity of an Eastern European immigrant family in Pittsburgh, Warhol became a charismatic magnet for bohemian New York. In 1960, he began to produce his first canvases depicting Popeye and Dick Tracy. After Marilyn Monroe’s death in August 1962, he started working from snapshots of the star’s already legendary face, which had been widely distributed by the world’s press. His choice of subjects clearly relates to an obsession with demise – his Marilyns, his Ten Lizies (created when the actress Elizabeth Taylor was seriously ill), and also his Elvis. Part of the “Death and Disaster” series, Andy Warhol´s...

"Selma's mountain" (digital pigment print on canvas, is a copy of the original painting) This work is unframed, without wood only the canvas no signed and without certificate of authenticity. His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, London, London Art Fair, The Other Art Fair, London, and in numerous art galleries from London, Madrid, Barcelona y Paris. A concept used by Francisco Nicolás after 2010, is the idea of showing the picture window...