Raphael Soyer

WOMAN LONG DARK HAIR Signed Lithograph, Serious Young Woman, Pink V-Neck

1979

VENDEDORA DE PERIÓDICOS is a limited edition lithograph by the acclaimed African American woman artist, sculptor and printmaker, Elizabeth Catlett (April 15, 1915 - April 2, 2012) printed in black ink on archival Plike cream colored Italian made paper using traditional lithography techniques in collaboration with Elizabeth Catlett. Hand signed in pencil P/P (Printers Proof) aside from the edition of 60, unframed, mint condition, from the master printers private collection. Edition size - 60, plus proofs Paper size - 24.25" x 18.5", Image size - 18.25" x 13" Year printed - 2010 Never been framed, pencil signed, dated, inscribed P/P(Printers Proof) aside from Edition of 60, hand deckled paper edges, printers chop mark embossed on lower left corner, COA provided, from the master printers private collection Elizabeth Catlett dedicated her art to images reflecting the history and culture of African-American and Mexican peoples...

THREE BALLET DANCERS is an original hand drawn lithograph by Moses Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. THREE BALLET DANCERS was hand printed on archival Arches printmaking paper, 100% acid free, signed in pencil by Moses Soyer. THREE BALLET DANCERS depicts a sensitive, realistic portrait of three young female ballet dancers, all dressed in dance rehearsal...

Kitaj’s drawing is of a fisherman in profile, wearing a sou’wester: a collapsible rain hat. The image is a wry portrait, ostensibly of Albert Blake Dick, ...

Finely detailed late 19th century chromo-lithograph portrait of a violinist street musician by John George Brown (British, 1831-1913). Many of Brown’s paintings were reproduced in lithography (Chromo-lithograpy), as is the case with the one offered here. Presented in a rustic antique Oak wood frame with giltwood fillet. Image, 15.63"H x 10.63"W. John George Brown was a British citizen and an American painter born in Durham, England. His parents apprenticed him to the career of glass worker at the age of fourteen, in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852, and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 ad 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy’s vice-president from 1899 to 1904. Around 1855, he worked for the owner of the Brooklyn Glass Company, and later he married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. In 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his depictions of street urchins found of the streets of New York (bootblacks, street musicians, posy sellers, newsboys, etc.). Brown’s art is best characterized as British genre painting...