Ernesto Treccani.

Figure - Lithograph by Ernesto Treccani - 1970s

1970s

Geisha is an original artwork realized by Bob Paulson during the 1970s. The technique used by the artist is lithograph, retouchè. Good condition. Artist Proof, Hand signed. Edito...

Japanese Rites is an original artwork realized by Bob Paulson during the 1970s. The technique used by the artist is lithograph, retouchè. Good condition. Artist Proof, Hand signed...

Old Japan is an original artwork realized by Bob Paulson during the 1970s. The technique used by the artist is lithograph, retouchè. Good condition. Artist Proof, Hand signed. E...

Geisha is an original artwork realized by Bob Paulson during the 1970s. The technique used by the artist is lithograph, retouchè. Good condition. Artist Proof, Hand signed. Edito...

Dance is an original artwork realized by Bob Paulson during the 1970s. The technique used by the artist is lithograph, retouchè. Good condition. Artist Proof, Hand signed. The pa...

Two Friends is a Lithograph print realized by Bernard Naudin (1876-1946). Signed on plate on the right corner. Passpartout cm 62,5x48 The artwork is in good condition . Bernard É...

Offset Lithograph, Limited Edition from an edition of 175. Signed in pencil, lower right and framed in a handmade gold leaf frame. Based on an original Pastel drawn in Fontainebleau, during the summer of 1921. This neoclassical head...

Jean Jansem (1920-2013) Les acadiens, 1993 Lithographie sur papier Arches, justifiée E/A 16/30 Signée en bas à droite 65,5 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°9...

Additional Information: Provenance: Private Collection, Palm Beach, Florida Marking(s); notes: signed; ed. 23/100; 1980 Country of origin; materials: USA; lithograph Dimensions: 3...

This advertising poster from the 1930s melds the meticulous detail of traditional Chinese painting with the craft of color lithography. These advertisements, influenced by the Art De...

This black and white original lithograph by Mexican artist Juan Carlos Breceda depicts a checkerboard of abstracted woman's face from a variety of ...

Barbra Stresiand "Belle of 14th Street" 1973 CBS TV Special 20th Century Litho Signed and numbered 10/150 in pencil, lower margin. Etching, 13.5” x 9.75”. Framed 21.25” x 17.25”. Pulled in 1975. Belle of 14th Street After two successful television shows on CBS, Barbra's manager, Marty Erlichman told the press, “We don't intend to go to the well once too often. The next special will have other performers. However, Barbra will never become just another hostess for just another musical variety show. Whatever we decide to do in the future shows, she will dominate in a unique fashion.” Barbra’s third television special for CBS and her sponsor, Monsanto, was titled The Belle of 14th Street . In February 1966, shortly after finishing up Color Me Barbra , Streisand and husband Elliott Gould took a second honeymoon in Paris. The trip was financed by her television corporate sponsor, Chemstrand. Barbra told the press, “I’m here to purchase the wardrobe for my next TV special. Cost is no object because my sponsor is picking up the tab.” At that point the theme of her third TV show would be fashion, and Paris offered many couture choices. Barbra was seen at a Dior fashion show wearing not the designer’s clothes, but a jaguar suit and hat she had designed herself. In all, it is said Barbra chose nine Dior outfits at a cost of $150,000. However, Barbra Streisand's third television special for CBS was postponed. In March 1966, Barbra flew to London to appear at the Prince of Wales Theatre in Funny Girl . Shortly after beginning her run in London, Barbra announced her pregnancy. Not only did that cause her concert tour to be abbreviated, but Barbra’s television special was postponed as well. Barbra told the BBC in July 1966: “I also can’t do my third television show, which I was supposed to do here [London].” Returning to the States, Barbra performed four concert dates, and then retired to enjoy the rest of her pregnancy and give birth to her son, Jason, in December 1966. CBS and Chemstrand wanted a new special by the end of 1967, therefore production on the show picked up momentum in March 1967. (Barbra was due in Hollywood in May to begin shooting the Funny Girl film.) The format and theme of the television show had changed, too. Instead of centering on fashion, Barbra’s next special would be situated in a 1900’s Vaudeville theater. “We were all determined that the show not be just a variety format,” director Joe Layton said. “We wanted something different. So we hit upon the idea of restaging a vaudeville performance. All the acts, songs, skits and specialties had to be derivative of the period between 1895-1912.” Barbra’s creative collaborators did meticulous research on Vaudeville — “We even called George Burns in Hollywood and Jack Pearl,” said Barbra’s manager, Marty Erlichman. Entitled The Belle of 14th Street , the new special would allow Barbra to play several different characters but not have to shoulder the burden of carrying another one-woman show—this time Streisand would be accompanied by guest stars: Broadway actor Jason Robards; Vaudeville veteran John Bubbles; and Lee Allen...