House of Raquel Vega - Columbian Party Dancing

1984

RAOUL DUFY 1877-1953 Le Havre 1877-1953 Forcalquier (French) Title: The Admiral’s Ball Le Bal chez l'amiral, ca. 1925 Technique: Original Hand Signed and Numbered Lithograph on Wove Paper Paper size: 32.5 x 39.5 cm. / 12.8 x 15.6 in. Image size: 20.5 x 29 cm. / 8.1 x 11.4 in. Additional Information: This original lithograph is hand signed in pencil by the artist "R Dufy...

KEES VAN DONGEN 1877-1968 [Cornelis Theodorus Maria] Delfshaven, Rotterdam 1877-1968 Monte Carlo (Dutch/French) Title: Woman on the Beach, Trouvill...

CHRISTO, JAVACHEFF b. 1935 (Bulgarian) Title: Package on Carozza, Project for A. Berlingieri, Taranto, South Italy, 1984 Technique: Original Hand Signed, Dated and Numbered Lithograph with Collage and Hand Colouring on Wove Paper Paper size: 56 x 71.5 cm. / 22 x 28.1 in. Additional Information: This lithograph with collage of fabric, thread and pencil is hand signed and dated in pencil by the artist "Christo 84" at the lower right corner. It is also hand numbered in pencil from the edition of 100 beside the signature. It was printed in a limited edition of 100 signed and numbered impressions by Landfall Press, Chicago and co-published by the artist and Edition Schellmann, Munich and New York. There were also 20 artist's proofs Note: In the 1960s, the Marchese Annibale Berlingieri from Rome was an important collector of contemporary art. While visiting his country villa in Taranto, Christo noticed that the Marchese had an ancient carriage on the property. Christo proposed wrapping the carriage with fabric and created a spontaneous sculpture, to the delight of the Marchese. Christo created a lithograph of the sculpture which was editioned then collaged with fabric. Another example of this work can be found in the collection of the Art Institute of Chicago. Provenance: The Estate of Ira B...

GIORGIO DE CHIRICO 1888-1978 Vólos, Greece 1888 - 1978 Rome (Italian) Title: The Invincible Chariot La biga invincibile, 1969 Technique: Original Hand Signed and Numbered Lithogr...

GEORGE GROSZ 1893-1959 1893 - Berlin - 1959 (German/American) Title: Self-Portrait with Dog in Front of the Easel, from: The Creators Selbstbildni...

ALBERTO GIACOMETTI 1901-1966 Borgonovo 1901-1966 Chur, Switzerland (Swiss) Title: Nude with Flowers Nu aux fleurs, 1960 Technique: Original Hand Signed and Numbered Lithograph on ...

The Don: One of the most recognizable figures in poster history ever, quietly reveling in the simple delights of a glass of ruby port – typically thought of as a horseman, clad in a ...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "LA VACHE ENRAGÉE" Wittrock P27B, Adhemar 197 Original color lithograph Wittrock’s State III of III with letters Printed on buff wove paper, c. 1896 Bears artist stamp “TL” upper right, dated 96 Image size: 22 1/2” x 23 5/8” Several examples are known where Lautrec drew on work by other artists whom he admired. In this poster there are clear references to Adolphe Willette's humorous themes and rococo style of illustration. Willette was the founder and illustrator of the short-lived monthly “La Vache Enragee”(the angry cow) edited by the cartoonist Adolphe Roedel. This colored poster of the same title was commissioned for the appearance of the magazine March 1896. As a reference to the wretched financial state of most artists, the term “manger de la vache enrage” (meaning roughly, “meaning not having enough to eat”) was adopted as the motto for the “Vachalcade”which was held on Montmarte annually from 1896. This was an artists' procession, with fanfares and allegories on fame and the muses; it also included a furious cow and a troupe of pretty girls as a satire on Europa with the bull. The event was organized by Roedel"(Adriani p.217) Toulouse-Lautrec took up lithography at a high point in its history, when technical advances in color printing and new possibilities for large scale led to a proliferation of posters as well as prints for the new bourgeois collector. In his short career, he created more than three hundred fifty prints and thirty posters, as well as lithographed theater programs...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) PROMENOIR Delteil 290, Adhemar 324, Wittrock 315 Lithograph printed in olive black-green ink, c. 1899 Printed on japon paper, Full margi...

BRADLEY, WILL (1868 - 1962) The Chap Book Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #34, 1898. Plate #136 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...

RASSENFOSSE, ARMAND (1862 – 1934) "Grande Brasserie Van Velsen" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lowe...

CHERET, JULES (1836 - 1932) "Emilienne d’Alencon" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #29, 1898. Plate #113 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to...