George Grosz

Lithograph by George Grosz "Der Mädchenhändler" ( The white Slaver ), 1918

1918

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1922. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin. Published by Malik Verlag, 1923. Numbered in Roman numer...

Color Lithograph on handmade paper Ecce Homo by George Grosz, 1917. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin. Published by Malik Verlag, 1923. Numbered in Roman numerals lo...

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1922. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin Published by Malik Verlag, 1923. Numbered in Roman numera...

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1921. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin. Published by Malik Verlag, 1923. Numbered in Roman numer...

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1921. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin. Published by Malik Verlag, 1923. Numbered in Roman numer...

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1922. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin. Published by Malik Verlag, 1923. Numbered in Roman numer...

Over the course of her prolific and radical career, Nancy Graves became a master of translating the primary data of soft science disciplines such as archaeology and anthropology into empirically informed, expressive works, such as "Canopic Prestidigitation." A large-scale, 23-color lithograph, Canopic Prestidigitation is as technically masterful as it is conceptually layered. Graves combines the Egyptian visual lexicon of the afterlife and allusions to European Renaissance masterworks to catalyze heuristic understandings of cross-cultural communication—Figures rendered in the hybridized profile-portrait style of Egyptian hieroglyphs float through a swirling and subtle maze of neo-classical architectural suggestions, while a disembodied hand reminiscent of Michelangelo’s "The Creation of Adam" reaches out through a frothing red portal. A cast-paper representation of Horus perches in the bottom right corner of the work, a nod to the symbolic language of the print and Graves’ multi-disciplined artistic approach. When read together, the elements of Canopic Prestidigitation become an artistic interpretation of the intangible qualities of social science...

Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...

A very good impression of this color lithograph on Italia handmade paper. Signed, titled, dated and numbered 35/41 in pencil by Rosenquist. Printed and published by ULAE, West Islip,...

Lithograph on Les Lettres et les Arts watermarked cream wove paper with deckle edges, 8 3/4 x 10 1/2 inches (220 x 265 mm), full margins. Signed, titled, and numbered 34/52 in penci...

Lithograph in colors on card stock (as issued), 15 x 10 5/8 inches (380 x 268 mm), full margins. In good condition with some minor toning and some extremely minor and unobtrusive edg...

Stone lithograph in black ink on tissue-thin wove Japon paper, 9 x 11 1/4 inches (228 x 285 mm), full margins. Signed and numbered 43/125 in pencil in the lower margin. Overall mod...