Guelfo Bianchini

Faun - Original Etching on Paper by Guelfo Bianchini - 1959

1959

Figure 2 is an original etching realized by Guelfo Bianchini in 1959. The artwork is hand-signed by the artist on the lower right corner, and numbere...

Figure 3 is an original etching realized by Guelfo Bianchini in 1959. The artwork is hand-signed by the artist on the lower right corner, and numbered (33/60) on the lower left corn...

Gli Amanti is an original etching realized by Guelfo Bianchini in 1958. The artwork is hand signed on the lower right. Numbered on the lower left. Ed. 74/90. Monogrammed. Guelfo...

Figures 2 is an original etching realized by Guelfo Bianchini in 1959. The artwork is hand-signed by the artist on the lower right corner, and numbered on the lower left corner. In...

James Kearns, American (1924 - ) - Jester, Year: circa 1975, Medium: Etching on Rives, signed, titled and numbered, Edition: AP, Image Size: 5.25 x 4.5 inches, Size: 19.75 x 12.5 i...

Detailed mid-century modern figurative abstract etching by Gianpaolo Berto (Italian, 1940-2003). This etching features a central female figure, with layers of detailed embellishments...

"Hinting" is an original etching and aquatint made with Chine Colle by Molly McKee. The artist signed the piece in the lower right, titled it lower center, and wrote the edition numb...

An etching by Leonor Fini depicting a gnarly old man with two youthful angels one sitting at his feet and the other standing close to his right side. This is a signed limited edition etching numbering 62 out of 100. There is also a signature by the artist embossed in the paper just below the pencil signature. The paper is very fibrous and has a couple of inherent creases that are part of the makeup of the fibrous paper. These are to the right of the figures. The edges of the paper are deckled. The paper size is 25.75 x 20 Image size 15.50 x 12.50. This original etching is in very good condition. Argentinian-born artist Leonor Fini (1907-1996) is considered one of the great female artists of the twentieth century. She moved to Paris in the early 1930’s where she spent most of her life and almost immediately formed friendships with Salvador Dali, Cartier- Bresson, Max Ernst and other intellectuals of the time. At twenty five she had her first one person show in Paris and was included in the 1936 pivotal exhibition at MOMA…Fantastic Art, Dada and Surrealism…..and that same year had an exhibition at a famous avant garde gallery in New York. Although Fini never considered herself a Surrealist she maintained close personal relationships with several members of the group. One can see how their ideology influenced her work but she remained firmly rooted in the tradition of Symbolism, Metaphysics and Italian and German Romanticism Her works can be found in most important collections of modern art around the world. Fini was renowned as a portraitist and as a painter of erotic sexual tensions with a mysterious atmosphere. She was adamant about being independent and not belonging to any one group. She lived life on her own terms and is sometimes referred to as …..the female Dali. She was also involved with designing for fashion and creating elaborate sets for opera and theatre. As a feminist she was definitely ahead of the times. She produced the first erotic male nude...