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Guillaume Cornelis van Beverloo (Corneille)Un rêve vert1975
1975
$1,500
£1,137.04
€1,327.61
CA$2,101.07
A$2,365.13
CHF 1,251.24
MX$29,336.48
NOK 15,460.41
SEK 14,786.52
DKK 9,904.61
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About the Item
Un rêve vert
Color lithograph on Arches without watermark, 1975
Signed lower left in red area (see photo)
Numbered lower left in red area
Dated in same red area
Edition: 100 (67/100)
There are also some AP's and 10 HC's in Roman numerals
Printed by Michel Cassé, Paris
Published by Berggruen, Paris
Condition: Excellent
Image/Sheet size: 25 3/4 x 19 3/4 inches
Reference: Corneille p. 305, No. 453
Corneille Guillaume Beverloo (1922-2010)
From Wikipedia, the free encyclopedia
Born Cornelis Guillaume van Beverloo
3 July 1922
Liège, Belgium
Died 5 September 2010 (aged 88)
Auvers-sur-Oise, France
Movement COBRA
Corneille – Guillaume Cornelis van Beverloo (3 July 1922 – 5 September 2010), better known under his pseudonym Corneille, was a Dutch artist.
Corneille was born in Liège, Belgium, although his parents were Dutch and moved back to the Netherlands when he was 12. He studied art at the Academy of Art in Amsterdam, in the Netherlands. He was one of the founders of the REFLEX movement in 1948 and in 1949 he was also one of the founders of the COBRA movement, which has had great influence on Scandinavian art. He was active within the group from the beginning, not only painting but also publishing poetry in the Cobra magazine. He was a cofounder of the Experimentele Groep in Holland [nl]. Corneille was inspired by the drawings of children, and believed in the importance of approaching children with art that connects with their experience. When he heard during a Cobra Museum visit in the nineties that there was an “Art Lending for Children” he talked with the founder Roby Bellemans and asked him to send more information to his home in Paris about this project. He decided to promote the initiative. He started with a support list and persuaded other artists such as Shinkichi Tajiri to sign.
The poetic Corneille was strongly influenced by Miró and Klee. After the group dissolved in 1951 he moved to Paris and began collecting African art. These artifacts became evident in his works, which began to take on a more imaginative style, like landscapes seen from a bird's eye view, exotic birds and stylised forms. His work is in the collection of the Centre Georges Pompidou.
Until his death Corneille lived and worked in Paris, and made visits to Israel where he worked with the Jaffa Atelier.
On 24 September 2003 an exhibition of his prints opened at the Ramat Gan Museum of Israeli Art, Israel. He died at Auvers-sur-Oise, France.
- Creator:Guillaume Cornelis van Beverloo (Corneille) (1922 - 2010, Dutch)
- Creation Year:1975
- Dimensions:Height: 25.75 in (65.41 cm)Width: 19.75 in (50.17 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA124881stDibs: LU14015439962
Guillaume Cornelis van Beverloo (Corneille)
Corneille was born in Liege, Belgium, although his parents were Dutch and moved back to the Netherlands when he was 12. He studied art at the Academy of Art in Amsterdam, in the Netherlands. He was one of the founders of the REFLEX movement in 1948 and in 1949 he was also one of the founders of the COBRA movement, which has had great influence on Scandinavian art.[3] He was active within the group from the beginning, not only painting but also publishing poetry in the Cobra magazine. He was a cofounder of the Experimentele Groep in Holland [nl].
The poetic Corneille was strongly influenced by Miró and Klee. After the group dissolved in 1951 he moved to Paris and began collecting African art. These artifacts became evident in his works, which began to take on a more imaginative style, like landscapes seen from a bird's eye view, exotic birds and stylised forms. His work is in the collection of the Centre Georges Pompidou.
Until his death Corneille lived and worked in Paris, and made visits to Israel where he worked with the Jaffa Atalier. On 24 September 2003 an exhibition of his prints opened at the Ramat-Gan Museum of Art, Israel. He died at Auvers-sur-Oise, France.
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