Hans ErniMother and child
About the Item
- Creator:Hans Erni (1909, Swiss)
- Dimensions:Height: 31.11 in (79 cm)Width: 24.02 in (61 cm)Depth: 0.12 in (3 mm)
- More Editions & Sizes:Edition of 42Price: $1,047
- Medium:
- Period:
- Condition:Original frame.
- Gallery Location:Genève, CH
- Reference Number:1stDibs: LU2018211498492
Hans Erni
Hans Erni attended the Kunstgewerbeschule in Lucerne in 1927–28, which was followed by further stays in Paris and Berlin. In 1933–34, he joined the artist's group Abstraction-Création in Paris, where he also met artists like Hans Arp, Alexander Calder and Wassily Kandinsky. In the 1930–40s, Erni was very successful with fresco painting, a medium the artist deeply preferred because of its impact on society. In 1950, he created his first ceramic works and discovered lithography as another central technique of his future artistic output. In 1972, Erni set up his studio in Saint-Paul-de-Vence, but he continued to be active in Lucerne, where he was born and obtained personal museum spaces. He was awarded numerous prizes, including the UN Peace Medal Award. His works have been internationally exhibited, including shows in Chicago, New Delhi, Funabashi and Milan. Erni’s artistic output comprises, for instance, around 300 posters, numerous frescoes, around 200 illustrations for books, drawings and various designs for approximately 90 stamps.
(Biography provided by Robert Azensky Fine Art)- ShippingRetrieving quote...Ships From: Genève, Switzerland
- Return PolicyThis item cannot be returned.
- FacesBy Hans ErniLocated in Genève, GEEd : 42/100 Wooden frame with glass pane 72.7 x 86 x 3.3 cmCategory
Late 20th Century Figurative Prints
MaterialsLithograph
- CourtyardLocated in Genève, GEEd: 28/300 Paper glue to cardboard American frame in brown and golden wood 145 x 83.5 x 3.7 cmCategory
Mid-20th Century Modern Figurative Prints
MaterialsLithograph, C Print
- Two lovers in a garden above ParisBy Lionello BalestrieriLocated in Genève, GEEd: 31/300 Work on paper Golden wooden frame with glass paneCategory
Mid-20th Century Landscape Prints
MaterialsEngraving
- Madonna, children and cherubBy Maurice DenisLocated in Genève, GEWork on paper Wooden frame with glass pane 57 x 46.5 x 2.5 cmCategory
1920s French School Figurative Prints
MaterialsEtching
- TricksBy Wifredo LamLocated in Genève, GEED: 22/60 Work on paper Golden wooden frame with glass paneCategory
Late 20th Century Modern Abstract Prints
MaterialsLithograph
- Abstract compositionLocated in Genève, GEEd : 15/15 Work on paper Brown wooden frame with glass pane 72 x 57 x 2.5 cmCategory
1970s Abstract Prints
MaterialsLithograph
- Sandeman Porto & Sherry – Iconic Original PosterLocated in Zurich, CHThe Don: One of the most recognizable figures in poster history ever, quietly reveling in the simple delights of a glass of ruby port – typically thought of as a horseman, clad in a ...Category
1920s Art Deco Figurative Prints
MaterialsPaper, Lithograph
- "Grande Tuilerie d’Ivry" from Les Maitres de l'AfficheBy Alexandre CharpentierLocated in Hinsdale, ILCHARPENTIER, ALEX (1856 -1909) "Grande Tuilerie d’Ivry" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, issue # 33, 1898. Plate #131 Unframed Size: 11 3/8 x 15 3/4”The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. The text reads "Great Tileworks of Ivry, founded in 1854, Ivry-Port near Paris; the largest ceramics factory in the world for building, industry and art productions; Emille Muller stoneware; execution of works by masters of statuary; architectural facings; decorative sculpture; showroom and salesroom, 3 rue Halevy; the only tile able to bear the names Muller and Ivry; (tiles) guaranteed against frost" Given the commission for an extremely text heavy poster, the artist executes a masterful design. The angelic young boy holds the wares of this famous ceramics factory, against an abstract background awash in organic green hues. The handling of the immense text that flows from top to bottom in every available space shows great artistic skill, as the overall beauty of the design is intact. In 1989 the Metropolitan Museum of art acquired a stoneware plaque...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "The Chap Book " Original lithograph from “Les Maitres de L’Affiche” seriesLocated in Hinsdale, ILBRADLEY, WILL (1868 - 1962) The Chap Book Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #34, 1898. Plate #136 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "Emilienne d’Alencon" from Les Maitres de l'AfficheBy (Attributed to) Jules CheretLocated in Hinsdale, ILCHERET, JULES (1836 - 1932) "Emilienne d’Alencon" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #29, 1898. Plate #113 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to...Category
1890s Figurative Prints
MaterialsLithograph
- "An Artist's Model" from "Les Maitres de L'Affiche" seriesLocated in Hinsdale, ILPRICE, JULIUS "An Artist’s Model" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #1, 1896. Plate # 3 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "Promenoir" by Henri de Toulouse-LautrecBy Henri de Toulouse-LautrecLocated in Hinsdale, ILTOULOUSE-LAUTREC, HENRI DE (1864-1901) PROMENOIR Delteil 290, Adhemar 324, Wittrock 315 Lithograph printed in olive black-green ink, c. 1899 Printed on japon paper, Full margi...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph