James Abbott McNeill Whistler

Afternoon Tea (or La Conversation)

1897

A strong, dark 18th century impression of Bartsch's third and final state. Similar to that found in an impression of the same state in the collection of the Metropolitan Museum of Ar...

A superb impression of Spink’s only state From the edition of approximately 200 commissioned by Ambroise Vollard, and printed by Auguste Clot, Paris Catalog: Spink 174; Levy 77 Collections in which impressions from this edition can be found: Chicago Art Institute (3 impressions); Hunterian Art Gallery, University of Glasgow (1 impression); National Gallery of Art, Washington, D.C. (1 impression); Cleveland Museum of Art (1 impression); The Metropolitan Museum of Art, New York (1 impression); The Achenbach Foundation for the Graphic Arts, San Francisco (1 impression). “Mother and Daughter...

Signed on the stone lower right Steinlen, also bearing the artist’s printed monogram in the same area. A superb impression of Bargiel & Zagrodzki’s first version of this rare poster...

Original lithograph printed in black ink on China paper. Signed on the stone with the artist’s butterfly monogram upper center. A superb, richly printed impression of Spink’s only state From the edition of unknown size printed by Lemercier, Paris (apart from the posthumous edition of 58 printed by Goulding in 1904). Catalog: Spink 169; Levy 129; Way 151 Collections in which impressions from this edition can be found: Art Institute of Chicago (4 impressions); Hunterian Art Gallery, University of Glasgow (1 impression); British Museum, London (1 impression); Freer Art Gallery, Smithsonian Institution, Washington, D.C. (1 impression); National Gallery of Art, Washington, D.C. (1 impression); University of Michigan Museum of Art, Ann Arbor (1 impression); Boston Public Library (1 impression); Museum of Fine Art, Boston (1 impression); Cleveland Museum of Art (1 impression); Metropolitan Museum of Art, New York (2 impressions); Achenbach Foundation for the Graphic Arts, San Francisco (1 impression) . “The Shoemaker” was one of the first lithographs that Whistler made after his acrimonious break with his London printers, the Ways. It was entitled “The Shoemaker, Dieppe” by Rosalind Birnie Philip in her 1903 inventory of the artist’s estate, and indeed it does seem to have been drawn during a period when Whistler was making frequent Channel crossings...

Original drypoint printed in black ink on laid paper bearing the “AUVERGNE” watermark. Signed with the artist's stamped signature in the margin below the platemark lower right Re...

Original lithograph printed in colors on wove paper Signed on the stone lower left Mucha. A superb impression of the first of five variants of the original version of this lithogra...

A lovely early 20th century printed porcelain miniature of The last supper painting after Leonardo Da Vinci in Italian Cenacolo. This Swiss Fr...

Together with "Bouteilles" one of the largest and most sought after lithographs by Le Corbusier, printed by Mourlot on Arches after a collage by LC....

Original Vintage Poster, issued 1983 by the ETH in Zurich on the occasion of the exhibition of Alvar Aalto's architectural work that first was shown in Finland at the Museum of Finnish Architecture...

LCs Portrait is one of several lithographs that were – on Le Corbusier's explicit wish – published by Heidi Weber simultaneously hand-signed and numbered a...

The Missing Suitors is a limited edition 13 color hand-pulled Serigraph by artist Josh Agle aka SHAG. Hand signed and numbered 214/300 by the artist. Comes with a Certificate of authenticity (C.O.A.). Shag is an American born painter, designer and illustrator working in Southern California. His distinctive artistic style draws from commercial illustration and has an attitude and sly sense of humor which is unmistakably of our time. His paintings celebrate consumerism and consumption on vividly colored sharply rendered panels; the characters drink, smoke and eat in lavish, stylish surroundings. Shag's work is categorized as lowbrow art...

Set ancient Roman frescos from the series "Antiquities of Herculaneum", an original etching on paper by Nicola Fiorillo in the 18th Century. Three hand colored copper engravings of classical roman. Each print is matted in a custom made silk mat that matches the clothing. Engraving with two figures measures 21.25" x 18.25". The other two prints measure 20.5" x 16.5". Size includes mat. # greek Pompeii Grand tour