James Abbott McNeill Whistler

"The Smith's Yard (Levy #126), " Original Lithograph signed by J.A.M. Whistler

1895

"Calligraphie Heroique" is an original color lithograph by Claude Weisbuch. The artist signed the piece in the lower right and wrote the edition number (116/275) in the lower left. T...

"Ohisai After Utamaro" is an original color lithograph by Michael Knigin. The artist signed the piece lower right and titled it lower left. This is the artist's proof. This piece fea...

"Arab Children" is an original lithograph by Fletcher Martin. The artist signed the piece lower right. This piece features two young children--a boy and a girl--with downcast eyes in draped fabric clothes in an interior. 12" x 8" art 22" x 18" frame Fletcher Martin was an American painter, illustrator, muralist and educator. He is best known for his images of soldier life during World War II and his sometimes brutal images of boxing and other sports. His artistic skills were largely self-taught. He worked as a printer in Los Angeles in the late 1920s, and as an assistant to Mexican muralist David Alfaro Siqueiros in the early 1930s. He taught at local art schools such as Otis Art Institute. He won commissions to paint murals for the New Deal's Section of Painting and Sculpture, including Mail Transportation (1938), painted for the San Pedro Federal Building and Post Office in Los Angeles. Under the WPA he painted a mural study for the Kellogg, Idaho post office titled Mine Rescue (1939). Local industrialists objected that it depicted the dangers of mining, while officials of the Mine & Smelt Workers Union praised it. The industrialists prevailed and Martin painted an uncontroversial mural, Discovery (1941), depicting the prospector who founded the town. The rejected mural study is now in the Smithsonian American Art Museum. Perhaps his most ambitious mural, also done under the WPA, was painted for North Hollywood High School in Los Angeles. Legends of Fernandino and Gabrileno Indians (1937) depicts overlapping scenes of Native American life and ritual, and the world being carried on the backs of giants. As an artist-correspondent for Life Magazine during World War II, he made hundreds of sketches of U.S. soldier life. Fourteen of his paintings from the North African campaign were published in the December 27, 1943 issue of Life, and brought him national recognition. Among these was Boy Picking Flowers...

"Le Passant" is an original Art Nouveau color lithograph. It depicts two women in the foreground wearing medieval white robes and a knight passing behind them on a black horse. Features the L'Estampe Moderne blindstamp bottom right hand corner. 1898. 15 3/4" x 12" art 23" x 19 1/4" framed Robert Engels studied in Dusseldorf and moved shortly thereafter to work in Munich. Later, he became a professor at a school of applied arts at the KGS in Munich. He created many decorative prints as well as stained glass windows and also created compositions to illustrate Joseph Bedier's rendition of "Tristan and Iseult...

"Ilsee's Welcome" and "Pilgrim's Tale" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were pages 83 & 84 of "Ilsee, P...

"Dream Weavers" and "Soul of the Land" are two sides of a double-sided lithograph by Alphonse Mucha. These illustrations were created for "Ilsee, Princess of Tripoli" and are the rare proofs before the text. These artworks were for pages 31 and 32. 8" x 6 1/4" art 19 1/4" x 17 1/8" frame Alphonse Mucha was born in 1860 in the small town of Ivancice, Monrovia. Though it is rumored that Mucha was drawing before he was walking, his early years were spent as a choirboy and amateur musician. It wasn’t until after he finished high school that he came to realize that living people were responsible for the art that he admired in the local churches. That epiphany made him determined to become a painter. He was soon sent off to Paris, where he studied at the Academie Julian. On January 1, 1985, he presented his own new style to the citizens of Paris. Spurning the bright colors and the more square-like shape of the more popular poster artists, the design was a sensation. Art Nouveau can...

Yue Minjun, Backyard Garden Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in Roman numerals In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. The print is mounted on double sheet of paper with a poem on one spread and print on the other. Backyard Garden belongs to the set of twenty lithographs from the “Snatched Ecstasy of Yue Minjun”, which comes as a limited edition of 130 rare books. The work of Yue Minjun is instantly recognizable with its uniform laughing faces, the artist's faces. Minjun creates various realities against which the laughing figures are rendered, thus creating ambiguous images, often with the sinister atmosphere, which comes as his personal cynical reaction to various social and political dimensions of contemporary Chinese realities. Immediately humorous and sympathetic, Yue Minjun’s paintings offer a light-hearted approach to philosophical enquiry and contemplation of existence. Yue’s self-portraits have been describe by theorist Li Xianting as “a self-ironic response to the spiritual vacuum and folly of modern-day China”, thus the acidic tones and commercialized vacuity of his works are used to underscore the insincerity of his figures’ mirth. “Art should be an expression of one's particular feelings and should be direct and deep. So I drew one person, and then added another and another until there were crowds of them. Then I felt my emotions to be fully expressed.„ —Yue Minjun YUE MINJUN Yue Min-Jun (born 1962, Daqing, China) is one of the leading Chinese artists. He is best known for oil paintings depicting formations of his laughing self-portraits in various settings. His iconography is easily recognisable, it challenges social and cultural conventions by depicting objects and political issues in a radical, abstract, ironic and cynical manner. Yue Min-Jun initially started painting as a hobby, subsequently he graduated from the Oil Painting Department of Hebei Normal University, China in 1985. In the 90s he joined an artist community in Yuan Ming...

Yue Minjun, Armed Forces Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 × 120 cm (31.5 × 47.2 in) Stamped S...

Yue Minjun, Paean on Grassland Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered...

Yue Minjun, Ingres and I Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 × 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in Ro...

Yue Minjun, Lotus Pool Lithograph in color on wove paper “BFK Rives” Edition of 130 120 x 80 cm (47.2 x 31.4 in) Stamped Signature, numbered in Roman numerals In mint condition, as a...

Yue Minjun, Armed Forces Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 × 120 cm (31.5 × 47.2 in) Stamped Signature, numbered in Roman ...