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Joe EulaThe Supremes by Joe Eula, 1960s Motown1965
1965
About the Item
Joe Eula, vintage original The Supremes promo poster:
Among Eula's most famous illustrations, this fashionable and soulful work was published in 1965 to publicize the legendary Motown group's concert at Lincoln Center (10/15/65).
Off-set lithograph; 24 x 36 inches.
Minor signs of handling; otherwise very good to excellent condition
Plate signed on the lower left; from an edition of unknown.
Vintage original poster, not a reproduction of any kind.
The Guardian 2004, "To understand the gift of illustrator Joe Eula..., you need to look at his original poster done in the 1960s for the Supremes. It's just a few simple, strong brushstrokes, yet you feel as well as see the three singers synchronize their shoulder-shakes while each angles her feet uniquely."
Philadelphia Sunday Bulletin, April 5 1970, p7, Phyllis Feldkamp writes "The most unforgettable one he (Eula) did was of three striking figures of the Supremes. It was plastered on lamp posts all over Manhattan, advertising the trio's October concert in 1965 at Lincoln Center."
More on the artist
Joe Eula (b. Connecticut, in 1925) is best known for creating eye-catching posters for Broadway shows and portraits for many celebrities, including Miles Davis, Marlene Dietrich, Diana Vreeland and later the Supremes and Liza Minelli. In the fashion world, Eula notably worked for American Vogue, and had a long-standing association with Harper's Bazaar. Eula also covered one of Yves Saint Laurent's first (1958) and last (2002) collections, and was a house artist for several other designers, including Coco Chanel, Givenchy, Gianni Versace, Christian Dior and Karl Lagerfeld.
More on The Supremes
The Supremes were the premier act of Motown Records during the 1960s. Founded as The Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and are, to date, America's most successful vocal group. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. At their peak in the mid-1960s, the Supremes rivaled the Beatles in worldwide popularity, and it is said that their success made it possible for future African American R&B and soul musicians to find mainstream success.
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Milton Glaser. Aretha Franklin. Detroit. Figurative Drawings. Motown. Soul. Stevie Wonder.
- Creator:Joe Eula (1925 - 2004, American)
- Creation Year:1965
- Dimensions:Height: 36 in (91.44 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good.
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354315679732
Joe Eula
Joe Eula was an American fashion illustrator. He was a prominent illustrator in the 1960s and 70s, having held the post of creative director at Halston for ten years. Eula was born Joseph Eula in Norwalk, Connecticut, on January 16, 1925, the second of four children.
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By Keith Haring
Located in NEW YORK, NY
'Keith Haring Painted Man'/Keith Haring Into 84:
A set of 2 announcement cards for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this series Haring borrowed Jones' body — from head to toe — as the canvas to his work. A bodily canvas defined by much of the bold pictograms characteristic of Haring's artistic signature. Photos by Haring's long-time friend and collaborator Tseng Kwong Chi. Looks fantastic framed as a set.
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Dimensions: 6 x 4 inches (applies to each individual).
Good overall condition with well-preserved colors. Some surface creating to red card.
Unsigned from an edition of unknown.
Further About:
In 1983 Keith Haring teamed up with award-winning choreographer and dancer Bill T. Jones, founder of the Bill T. Jones/Arnie Zane Dance Company. Keith and Bill met in London in 1983 at a time when the graffiti artist was opening a major show at the Robert Fraser Gallery, and together they produced a series of exceptional collaborations in both performance and drawing.
Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C.
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Located in NEW YORK, NY
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Medium: Double-sided offset lithograph in colors, on wove paper, with full margins, before folding.
Dimensions: 12 3/4 x 19 1/2 in. (32.4 x 49.5 cm)
Good overall vintage condition. Minor signs of aging & handling. Well-preserved.
Unsigned from an edition of unknown.
Warhol Foundation annotations in pencil on one side.
Provenance:
The Andy Warhol Foundation for the Visual Arts, New York.
Susan Sheehan Gallery, New York.
Private Collection, New York.
Literature:
Kornbluth: Pre-Pop Warhol, no. 66, pp. 164-165.
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Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre.
Several of Andy Warhol's earliest exhibitions in New York were at the Bodley during the 1950s, starting with two in 1956.
_
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