Joe Radar Roberts

"I came over to set a spell with ya, Jackie" Western Cowboy and Horse Painting

20th Century

Hand painted print on silk of a mounted samurai warrior armed with a yumi style longbow. The work features a Japanese samurai wearing a kuwagata style helmet riding a black horse wit...

Blue, red, brown, and green abstract figurative print by artist Jacob Lawrence. This piece depicts a central woman figure wearing a red dress and holding a golden sword while on a white horse. She is in the company of other figures by some tall, green, bushes. Signed and editioned by the artist at the bottom. Framed and matted in a thin gold frame. Dimensions Without Frame: H 30 in. x W 20 in. Artist Biography: Jacob Lawrence was born September 7, 1917, in Atlantic City, New Jersey, where his parents had migrated from the rural south. They divorced in 1924. His mother put him and his two younger siblings into foster care in Philadelphia. When he was 13, he and his siblings moved to New York City, where he reconnected with his mother in Harlem. Lawrence was introduced to art shortly after that when their mother enrolled him in after-school classes at an arts and crafts settlement house in Harlem, called Utopia Children's Center, in an effort to keep him busy. The young Lawrence often drew patterns with crayons. In the beginning, he copied the patterns of his mother's carpets. After dropping out of school at 16, Lawrence worked in a laundromat and a printing plant. He continued with art, attending classes at the Harlem Art...

Japanese woodblock print of a field with a cat and birds. The print is framed in a black frame with a black matte. It is stamped with a red stamp by the artist. The woodblock print is in the style of Kunihiro Amano.

Blue toned serigraph of a carousel with horses. The work is signed and numbered by the artist. It is not framed but comes with a white matte. Artist Biography: Barbara Maples...

Clam engraving printed on laid paper with orange tones. Framed in a wood frame. Engraving has the signature on the bottom right corner. Artist Biography: Jacob Xaver Schmuzer (1713–...

Aquatint print of an owl perched on a branch with bright yellow eyes. The work is signed by the artist. It is framed in a wooden frame with a burlap matte. Artist Biography: Kaiko M...

After William Hogarth (British, 1697–1764) Royal Sports PIT TICKET • Engraving by William Dent (British), active from 1783 to 1793 • Inscribed bottom right: Dent sculp • Plate ca. 7.6 x 9.1cm • Image ca. 6.3 x 7.9 cm • Sheet ca. 23.5 x 15 cm Fantastic imagery full of detail and symbolism – For example discover the cast shadow of the dept collector with his truncheon, looming over the winner, whose fast gained riches are being stolen by a thief as we watch. This well know subject was originally created by the famous British artist William Hogarth and then reproduced over time by many contemporary artists as prints of various formats and as paintings. Here we have a rendition engraved by William Dent, who was active from 1783 to 1793 and signed his work in the plate bottom right. I think this impression would date to the late 18th or then to the very early 19th Century. I was told, that these small prints, served as entry tickets to cock fights in Georgian England...

Image dimensions: 16.5x10 cm Signed on plate by the artist. Bibliography: A.Baboni, L’Ottocento: le incisioni di Giovanni Fattori, Museo Civico “Giovanni Fattori”, Livorno 2001, p. 7...

Image dimensions: 20.2 x 15.3 cm. The Old Horse is a superb original etching (on copper matrix) on paper, signed on plate by the Italian Macchiaioli master...

Cangaroos in Danger is a black and white lithograph realized by Friedrich Specht in 1879. Image dimensions: 19,7 x 13,7 cm. Original Title: Am Auftralifchen "Bufch". Dated 1879 an...

Horse Team is a black and white etching realized by Frederic Jacque in the late 19th Century. The artwork represents a farmer and horses struggling with rural jobs Good condition e...

This digital print on handmade paper comes in a natural wood archival framing presentation I have called the body of work that I have done over the past decade “Imaging Biodiversity...