Kaï

OUR WORLD

2023

25-color screen print on 300 gsm somerset paper. Hand signed and numbered by Sandra Chevrier. Edition of 100. Frame size approx 35 x 35 inches. Artworks are in excellent conditi...

Set of 3 prints "La Cage béatitude ravageuse," "La Cage comme des chansons qui meurent" and "La Cage et la fin d'une histoire." Giclee on Watercolor Canson 100...

Giclee with screen printed varnish on Canson Rag Photographique 310gsm paper. Hand signed, dated and numbered by Nick Smith. Edition of 66. Frame size approx 30 x 29 inches. Artw...

Screen print on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition of 95. Artwork is in excellent condition. Mr. Brainw...

16 color hand pulled screen print on paper. Hand signed on front by Hebru Brantley. Framed size approx 25.25 x 31.25 inches. PP edition of 3 outside the main edition of 35. Pl...

7 Color screen print. Hand signed, dated and numbered by Paul Insect. From the edition of 150. Frame size approx 30 x 37 inches. Released by Pictures On Walls in 20070 Artwork is...

"Golden Future is the next in the series of large format prints inspired by the paintings in the latest body of work featured in the Damaged exhibition. Already released were Ideal P...

I've collaborated with Henry many times in the past and of course, I'm constantly in awe and impressed by him. Just as much as I love Henry's musical contributions, he is the hardest working guy I know who stays completely up on social and political issues. He uses his megaphone to talk about important things and is very entertaining and captivating when doing so. I'm honoured and excited to collaborate with him again for the Henry Rollins...

Copper etching with aquatint The power of memory and how it recalls individuality begins in such basic experiences as the ability to link internal ideas to external manifestations of those ideas. Memories as simple as an old toy or a street can set off a chain reaction of thoughts that snowball into issues as broad as nationalism, identity politics or a body politic to name a few. Hector Ruiz’s works encompass the broad, complex and often painful world particular to the Arizona and neighboring Mexican landscape. United States and Mexican border...

Artist: FAKE Title: 'Super Nurse' Super Size Gold Size: 55.12 x 39.37 Inches (140x100cm) Medium: 6 Color Screen Print Edition: of 20 Year: 2020 Notes:...

Artist: Faile Title: Save Stilettos Size: 39 x 27.5 in Medium: Silkscreen Edition: of 100 Year: 2016 Notes: Custom Framed 18 Color Silkscreen Ink on Paper Archival Coventry Rag 290gsm. Signed & Stamped, Faile 2010 "The prints where released in conjunction with the Bedtime Stories show featuring some of the new processes involved in the wood paintings. These are 18-color silkscreen prints on an archival Coventry Rag 290gsm, deckled edge paper. Based off 3 new images from the show. It was quite a journey to try and convey the wood block paintings...

Jean-Michel Basquiat Portrait with Jack Kerouac (Invitation to Basquiat's final exhibition), 1988 Offset Lithograph for Basquiat's final exhibition Measurements: Offset print, 6″ x 9″ (folded); 10 1/2″ x 9″ (splayed open) Beyond scarce! Exhibition invitation for Basquiat's show at Vrej Baghoomian Gallery, NY, April - June 1988, photograph by (French photographer) Jerome Schlomoff. Historic, uncommon offset lithograph fold-out invitation from what would become the very last exhibition of Basquiat's short life. Indeed, what makes this exhibition invitation so extraordinary is that this exhibition ended June 11th, 1988 - almost exactly two months before Basquiat's own life ended, at the age of 27, on August 12, 1988. Some would later say that Basquiat's death seemed almost foreshadowed by the announcement’s austere design, colorless palette, and solemn portrait photograph. In the photo, he clutches the copy of Jack Kerouac’s The Subterraneans which Basquiat, an autodidact, is said to have kept in his suitcase wherever he went, (The semi-autobiographical novel is about Kerouac's affair with an African-American woman, and his entree into the world of Jazz.) Basquiat famously had a falling out with the notoriously sketchy Vrej Baghoomian, and he is said to have boycotted the opening reception on April 29th. This invitation was printed in Basquiat's lifetime - making it such a collectible. Phoebe Hoban reported in her biography, "Basquiat: A Quick Killing in Art": .."the FBI in 1994 investigated a matter in which Vrej Baghoomian, the dealer who represented the painter at the time of his death, had sold five fake Basquiats at a Paris art fair. Though he apparently hadn’t made the fakes himself, and was never convicted, “Vrej was a big crook,” says the artist Rick Prol...