"Declaration of Independence" original lithograph Philadelphia July 4th 1776
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Kurz and Allison"Declaration of Independence" original lithograph Philadelphia July 4th 1776ca. 1876
ca. 1876
About the Item
- Creator:Kurz and Allison (1880, American)
- Creation Year:ca. 1876
- Dimensions:Height: 29 in (73.66 cm)Width: 36.75 in (93.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Print in excellent condition; housed in a new custom frame.
- Gallery Location:Milwaukee, WI
- Reference Number:Seller: 7972g1stDibs: LU60536578332
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1966
1stDibs seller since 2017
391 sales on 1stDibs
Typical response time: 1 hour
More From This SellerView All
- "En Auto, " Original Color Lithograph, SignedLocated in Milwaukee, WI"En Auto" is an original color lithograph by Singils. The artist signed the piece in stone and wrote the title in the lower left. The edition number, also written lower left, is 46/5...Category
Early 1900s Victorian Figurative Prints
MaterialsLithograph
- "Les Petites Barnett, " Original Color Lithograph Poster by Charles LevyLocated in Milwaukee, WI"Les Petites Barnett" is an original color lithograph poster by Charles Levy. This poster features five dancers in matching dresses and it advertises an Operette. 23" x 30" art 29 ...Category
1890s Victorian Figurative Prints
MaterialsLithograph
- "Woman Manicuring Her Nails, " Original Lithograph signed by Maximilien LuceBy Maximilien LuceLocated in Milwaukee, WI"Woman Manicuring Her Nails" is an original lithograph by Maximilien Luce. The artist signed the piece lower right and it is numbered (#7). It features a woman seated in an interior taking care of her nails. 8 1/4" x 5 3/4" image 14 1/8" x 10 3/4" paper 19 1/4" x 16 1/2" frame Maximilien Luce (1858 – 1941) was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism. Gausson and Cavallo-Péduzzi introduced Luce in about 1884 to the Divisionist technique developed by Georges Seurat. This influenced Luce to begin painting in the Pointillist style. In contrast to Seurat's detached manner, Luce's paintings were passionate portrayals of contemporary subjects, depicting the "violent effects of light". In addition to Pissarro and Signac, he met many of the other Neo-impressionists, including Seurat, Henri-Edmond Cross, Charles Angrand, Armand Guillaumin, Hippolyte Petitjean, Albert Dubois...Category
Early 1900s Victorian Figurative Prints
MaterialsLithograph
- 'Birchbark Sap Buckets and Yoke' original halftone print, Bureau of EthnologyLocated in Milwaukee, WIThis halftone print was included in the 1898 report of the Bureau of Ethnology to the Smithsonain Institution. The sap buckets and yoke are from the Menomin...Category
1890s Victorian Figurative Prints
MaterialsLithograph
- "Le Nouveau Costume Des Cochers-Actualites, " Lithograph by Honore DaumierBy Honoré DaumierLocated in Milwaukee, WI"Le Nouveau Costume Des Cochers-Actualites" is an original lithograph by Honore Daumier, the third of three states. It depicts two carriage drivers passing each other. Artwork Size: 8 3/4" x 11" Frame Size: 18" x 20 1/2" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...Category
1860s Victorian Figurative Prints
MaterialsLithograph
- "Robert Macaire Commis Voyageur, " Original Lithograph by Honore DaumierBy Honoré DaumierLocated in Milwaukee, WI"Robert Macaire Commis Voyageur" is an original lithograph by Honore Daumier. It depicts two men having a conversation. Artwork Size: 14 1/4" x 9 1/2" Frame Size: 21 3/4" x 18 1/2" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...Category
1830s Victorian Figurative Prints
MaterialsLithograph
You May Also Like
- Cricket Match, Victorian English sporting lithograph, circa 1850Located in Melbourne, Victoria'Cricket Match' Tinted lithograph with hand-colouring after the picture by Rev Tatton Winter. 340mm by 430mm (sheet)Category
1830s Victorian Figurative Prints
MaterialsLithograph
- A Galop with Jem Hills from Bradwell Grove, English hunting lithograph, c1850Located in Melbourne, Victoria'A Galop with Jem Hills from Bradwell Grove' Tinted lithograph with hand-colouring after the picture by Rev Tatton Winter. 340mm by 430mm (sheet)Category
Mid-19th Century Victorian Figurative Prints
MaterialsLithograph
- Vanity Fair Game Hunter Sir Frederick Courtenay Selous. African/safari interestLocated in Melbourne, VictoriaVanity Fair chromolithograph portrait of Sir Frederick Courtenay Selous (1851-1917) who was a British explorer, officer, hunter and conservationist, famous for his exploits in the so...Category
Late 19th Century Victorian Figurative Prints
MaterialsLithograph
- English victorian Gentlemen playing Crown BowlsBy Cecil Charles Windsor Aldin, R.B.A.Located in Woodbury, CTCecil Charles Windsor Aldin, was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Aldin executed village scenes and rura...Category
Early 1900s Victorian Figurative Prints
MaterialsHandmade Paper, Lithograph
$1,000 Sale Price20% OffFree Shipping - English Victorian 19th century people on a stage coachBy Cecil Charles Windsor Aldin, R.B.A.Located in Woodbury, CTCecil Charles Windsor Aldin, was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Aldin executed village scenes and rura...Category
Early 1900s Victorian Figurative Prints
MaterialsLithograph
$1,000 Sale Price20% OffFree Shipping - English Victorian 19th Fisherman, seated by the riversideBy Cecil Charles Windsor Aldin, R.B.A.Located in Woodbury, CTCecil Charles Windsor Aldin, was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Aldin executed village scenes and rura...Category
Early 1900s Victorian Figurative Prints
MaterialsLithograph
Recently Viewed
View AllMore Ways To Browse
Antique Campaign Mirror
Philippine Antique
Antique Philippine
Declaration Glasses
Antique Glass Mirror Sheets
Victorian Tap
Philippine Painting
John S Curry
Russo Japanese
British Naive Paintings
Hand Painted Piano
Model J16
Circus Illustration Vintage
John Calder
Cat Woman Vintage
Circus Vintage Illustration
Stone Fox
No Time To Die Limited Edition