LeRoy Neiman

Aspen Mountain RendezVous - Lithograph by LeRoy Neiman

2002

-- Signed and numbered by LeRoy Neiman -- Comes with Certificate of Authenticity -- Comes with a premium quality frame

-- Hand signed and numbered by LeRoy Neiman -- Comes with Certificate of Authenticity -- Comes with a premium quality frame

Comes with the certificate of authenticity, a high quality frame and signed by the artist.

-- Hunt Rendez Vous by LeRoy Neiman -- Artwork is hand-signed and numbered by the LeRoy Neiman -- Comes with a certificate of authenticity -- Comes with a high quality frame

Artwork is signed and numbered by Peter Max. Comes with a certificate of authenticity. Museum Quality.

-- Artwork is hand signed and numbered by LeRoy Neiman -- Artwork comes with a certificate of authenticity -- Comes with a premium quality frame

View of Semlin is an Original Litograph realized by an unknown artist in 19th Century. The little artwork is in good condition. No signature, title in Yugoslawien.

Richard Long (British, b. 1945) Two Sahara Works, 1988 Medium: Set of 1 grano lithograph and 1 silkscreen, on rag paper Dimensions: each 63 x 93 cm (24¾ x 36½ in) Edition of 75: each...

Preparing for the Sundance by Howard Terpning Limited edition print, signed and numbered Edition: #146/1000 28" x 24" 37" x 32" (framed) Howard Terpni...

Limpia Creek Crossing by Wayne Baize Limited edition print, signed and numbered Edition: #170/1500 18" x 24" 26" x 33" (framed) Born in 1943 in the heart of the Texas ranch, Wayne Baize was the son of a stock farmer, whose main crops included cotton, wheat and livestock. It was from his hard working father, a man who was more comfortable with a horse drawn plow than its mechanized counterpart, that Baize gained not only a strong work ethic but an innate love for animals and the people who cared for them. Baize paints a way of life influenced by not only his own upbringing, but also by gene...

This black and white original lithograph by Mexican artist Juan Carlos Breceda depicts a checkerboard of abstracted woman's face from a variety of ...

Over the course of her prolific and radical career, Nancy Graves became a master of translating the primary data of soft science disciplines such as archaeology and anthropology into empirically informed, expressive works, such as "Canopic Prestidigitation." A large-scale, 23-color lithograph, Canopic Prestidigitation is as technically masterful as it is conceptually layered. Graves combines the Egyptian visual lexicon of the afterlife and allusions to European Renaissance masterworks to catalyze heuristic understandings of cross-cultural communication—Figures rendered in the hybridized profile-portrait style of Egyptian hieroglyphs float through a swirling and subtle maze of neo-classical architectural suggestions, while a disembodied hand reminiscent of Michelangelo’s "The Creation of Adam" reaches out through a frothing red portal. A cast-paper representation of Horus perches in the bottom right corner of the work, a nod to the symbolic language of the print and Graves’ multi-disciplined artistic approach. When read together, the elements of Canopic Prestidigitation become an artistic interpretation of the intangible qualities of social science...