Lucille Fink

Lucille Fink, Seasickness

1930

The Place St. Andre des Arts, on the Left Bank in Paris, would have been a natural environment for Bendiner. It was the Latin Quarter, just south of the Louvre and near everything im...

Lucille Fink creates slightly bizarre, densely drawn spaces. Signed, titled, and numbered '19,' in pencil. Annotated on the reverse, "June, 1932, week of 6-10-32, last wk of school."...

World traveler that he was, Bendiner was clearly at home in Paris. He found everyone fascinating and has made this print a compendium of local characters and types. Nothing escapes h...

The full title really should be ...And So I Give Your The Next President of the United States. The scene is the Republican Convention, in Philadelphia, in 1948. There are so many fas...

Lucille Fink creates densely drawn compositions, often a little off-beat. Signed and titled. Dated on the reverse.

The world was Bendiner's oyster, but here he shows us a all we need in a small corner of Paris. It's charming and safe: the 'Flic et Bonne' (gendarme and nursemaid) are together, goi...

A fine impression with large full margins published by Associated American Artists.

A fine impression with full margins with minor discolouration published by Associated American Artists with their information label attached.

A fine impression with full margins published by Associated American Artists with their information label present - pictured in Art and Popular Religion in Evangelical America, 1815-...

A fine impression of this popular Benton image with good margins.

Orchestra (or Music) Lithograph, 1928 Signed, titled and numbered in pencil Edition: 30 This print numbered 15/30 Printed by Edmond Desjobert, Paris Condition: Excellent Provenance: ...

Man Sounding Horn (Psalm 150) Lithograph, 1969-1970 Estate signed: "Ben Shahn/by B.B. Shahn" in pencil lower center Stamped signature lower right (see photo) Signed by Mourlot Lith. in pencil lower right (see photo) Edition: 125 (67/125) see photo Psalm 150, "A Hallelujah Chorus" Published by Kennedy Graphics, Ltd., New York, NY Printed by Mourlot Graphics, Ltd., New York, NY Reference: Prescott 255 Kennedy Galleries, The Kennedy Graphics, 380, reproduced Condition: Very good Image/sheet size: 20 1/8 x 25 3/8 inches A posthumous print "This was the final project completed by Ben Shahn (1898-1969), leading American realist painter and muralist widely recognized for his socially conscious works. Born in Lithuania to Jewish parents, Shahn emigrated to the United States in 1906 and became a popular and versatile artist who worked in a variety of media and on a range of projects. His credits are as varied as assistant to muralist Diego Rivera, photographer for the Resettlement Administration (alongside the likes of Dorothea Lange and his friend, Walker Evans), maker of posters for the Office of War Information during WWII, and commercial artist for CBS. He is best known, however, for artwork depicting left-leaning political ideals and highlighting social concerns, such as his series of gouache paintings known as "The Passion of Sacco and Vanzetti...