Stencil Figurative Prints

Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that seem...

This artwork, "Moses Smiting the Rock of Meribah, Exodus" 1972 is an original color stencil on hand crumpled momigami paper. It is hand signed, dated and numbered 47/70 in White ink by the artist. The artwork size is 27.5 x 24.75 inches, framed size is 39 x 36 inches. It is custom framed in a wooden gold frame, with matting and black color spacer. It is in excellent condition, Please NOTE, the dark area at the lower left corner of the frame is only the shadow, the frame is in perfect condition. About the artist: Sadao Watanabe born and raised in Tokyo, was a Japanese printmaker in the 20th Century. He was famous for his Biblical prints rendered in the mingei (folk art) tradition of Japan. As a student of the master textile dye artist Serizawa Keisuke...

Pablo PICASSO (1881-1973) Diurnes, Birdman, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) REFERENCE ...

SADAO WATANABE (Japanese 1913-1996) JONAH, 1959 Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...

Pablo Picasso (1881-1973) The Minotaur, 1967 Lithograph with stencil after a watercolor (Jacomet technique) Not signed Limited edition of 500 un-numbered copies On vellum 41.5 x 54...

Edouard Benedictus, 'Poppy' from the portfolio 'Relais', plate 14, color pochoir, 1930. Signed in the matrix, in the center bottom margin. A superb, richly-inked impression, with fresh, vibrant colors, including metallic gold and silver inks, on heavy, cream wove paper; the full sheet with margins (1 3/8 inches), in excellent condition. Published by Éditions Vincent, Fréal et Cie, Paris. The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Matted to museum standards, unframed. Image size 14 3/8 x 11 inches (365 x 279 mm); sheet size 17 1/4 x 13 7/8 inches (438 x 352 mm). Impressions of this work are held in the following museum collections: Cooper-Hewitt National Design Museum Library (Smithsonian), Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Toledo Museum of Art, Victoria and Albert Museum (London), Virginia Museum of Fine Arts. ABOUT THIS WORK The Pochoir process is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by virtue of its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Edouard Benedictus (1878 -1930), artist, designer, composer, and chemist, was born and died in Paris. A highly-regarded designer and art critic of the Art Nouveau era, Benedictus gained renown as a colorist and creator of Art Deco-inspired geometric and floral motifs. His work had a significant influence on international fashions in clothing, home furnishings, graphic design, and decorative objects of the period, earning him commissions from leading European design firms. In 1925 he was invited to represent Art Deco textile design...

Jacques Camus The Dove and the Snake, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idées" p...

Pablo PICASSO (1881-1973) Diurnes, Man with Cats, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 30 X 40 cm (c. 11.2 X 15.7 in) REFE...

Pablo PICASSO (1881-1973) Diurnes: Werewolf, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15,7 x 11,8 in) REFERENCE...

Three Hens by Georges Manzana Pissarro (1871-1961) Pochoir 31.8 x 48.3 cm (12 ½ x 19 inches) Signed with Estate stamp and épreuve d'état Provenance Private Collection, London Artis...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...

This artwork, "Three Men Defending a Fort" 1972 is an original color stencil on hand crumpled momigami paper. It is hand signed, dated and numbered 5/20 in black ink by the artist. The artwork size is 26.5 x 22.5 inches, framed size is 36 x 31.75 inches. It is custom framed in a wooden gold frame, with fabric matting and black color spacer. It is in excellent condition. About the artist: Sadao Watanabe born and raised in Tokyo, was a Japanese printmaker in the 20th Century. He was famous for his Biblical prints rendered in the mingei (folk art) tradition of Japan. As a student of the master textile dye artist Serizawa Keisuke...