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Michel Delacroix
Chauds Les Marrons, Michel Delacroix

1979

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  • Seurat, Le casseur de pierres, Seurat (after)
    Located in Auburn Hills, MI
    Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...
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    1940s Impressionist Landscape Prints

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  • Seurat, Femme au manchon, Seurat (after)
    Located in Auburn Hills, MI
    Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...
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    1940s Impressionist Landscape Prints

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  • Seurat, Saltimbanques: la danseuse et le caissier, Seurat (after)
    Located in Auburn Hills, MI
    Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...
    Category

    1940s Impressionist Landscape Prints

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    Lithograph

  • Signac, Antibes, Signac Dessins (after)
    By Paul Signac
    Located in Auburn Hills, MI
    Lithograph on vélin du Lana Papiers Spéciaux paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Signac Dessins, 1950. Published by George...
    Category

    1950s Impressionist Landscape Prints

    Materials

    Lithograph

  • Signac, L'Hôtel du Nord, Signac Dessins (after)
    By Paul Signac
    Located in Auburn Hills, MI
    Lithograph on vélin du Lana Papiers Spéciaux paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Signac Dessins, 1950. Published by George...
    Category

    1950s Impressionist Landscape Prints

    Materials

    Lithograph

  • Seurat, Le haut de forme, Seurat (after)
    Located in Auburn Hills, MI
    Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...
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    1940s Impressionist Landscape Prints

    Materials

    Lithograph

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    This artwork titled "Verdes, Loire et Cher, France" is an original lithograph by American artist Teall (La Verne Teall) Messer, 1897-1977. It is hand signed, titled, dated and numbered 36/40 in pencil by the artist. The image size is 10.65 x 13.65 inches, the sheet size is 14 x 21.5 inches. It is in excellent condition, especially considering the age of this piece. About the artist: Born in Dixon Illinois in 1897, Teall Messer dropped the name Lavern as soon as he came "of age". He went to New York to be an artist and intellectual. He hung out with the playwrights of the time and ended up with an award from the Rockefellers to go to Paris and study painting. This was in the 1920's. He stayed for several years in Paris being the stereotypical American painter there. He had contact with at least some of the famous painters and shared a studio with Alexander Calder. One story was that he and Alexander were dating two French sisters. The girls' mother told them to drop the Americans as they would never make much money. That was true for Teall, not so for Calder. He also knew Brancusi well enough to have a signed sketch dedicated "á Teall Messer avec amour". He knew Gertrude Stein well enough to heartily dislike her, considering her a phony. In France Teall married a member of the Byrd...
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  • Maurice de Vlaminck - House in Rueil - Original Lithograph
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    Maurice de Vlaminck Original Lithograph Signed in the plate 1958 Title: House in Beauce Dimensions: 22 x 27 cm Reference: Catalogue raisonné Walterskirchen 275 Condition : Excellent Maurice de Vlaminck (1876 - 1958) Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh exhibition...
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