1990s Figurative Prints

Haring's background in street art and graffiti also influenced this practice. His spontaneous creations in public spaces were often produced quickly and without formal titles, emphas...

Jean-Michel Basquiat (1960-1988) Welcoming Jeers, 1997 Lithograph Printed signature in the plate On Arches vellum 76 x 56 cm (c. 29.9 x 22 in) Published by Galerie Enrico Navarra ...

Tired Felix by Don Oriolo is a playful portrait of the original Felix the Cat, published by Graphique de France. Known for introducing poster culture to the United States in the earl...

Alvin Carl Hollingsworth, American (1928 - 2000) - Le Jazz Hot, Year: circa 1990, Medium: Hand painted Lithograph on paper, signed lower left in pencil, Size: 14 x 9.75 in. (35.56...

Alejandro Colunga is a renowned Mexican artist born in 1948 in Guadalajara, Jalisco. He is part of the Nueva Mexicanidad movement and is celebrated for his surrealist and fantastical...

The 1999 Roland Garros poster by Antonio Seguí is a vibrant and whimsical work that captures the lively spirit of the French Open through a playful and satirical lens. Seguí’s use of...

This exact work was exhibited at the Art Students League in an important show. (details below) Elizabeth Catlett Homage to the Panthers, 1993 Color Lithograph on wove paper with deck...

signed and numbered lower image edition 7/40 Catalogue raisonné 00269 Internationally recognized painter and printmaker Alex Katz was born in 1927 in Brooklyn, New York. Over a thir...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Tracey Emin Every Bodies Been There (signed twice), 1998 Lithograph on paper Underneath that existing plate signature, Tracey Emin has, exceptionally hand signed and dated the work f...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

JUMPIN & JIVIN' is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the American artist James Denmark printed on archival Somerset pap...

SHARING THE CHORES is a hand drawn, limited edition lithograph by the acclaimed Charleston SC artist JONATHAN GREEN printed using hand lithography techniques on archival Arches paper...

BACKYARD by the artist James Denmark is an original hand drawn, limited edition lithograph printed on archival Somerset paper, 100% acid free using traditional hand lithography techniques. BACKYARD is one of Denmark's colorful collage compositions of everyday African American life - a soulful Southern country folk scene featuring a standing woman wearing a red orange skirt, multicolored floral print top, and dark indigo print head wrap; her male companion dressed in blue denim jeans, dark indigo print shirt and denim hat sitting in the backyard as the patchwork quilts flutter on the clothesline. Vivid coloration and textures captivate the eye with variety - deep violet, reds, fiery orange, touches of yellow, dark black and shades of blue - a very strong impression and fine example of hand lithography! Print size - 36.25 x 25.5 inches, unframed, mint condition, pencil signed and numbered by James Denmark, Certificate of Authenticity provided. Image size - 27.75 x 16.5 in. Edition size - 250, plus proofs Year published - 1996 Printer - J K Fine Art Editions Co., NJ Publisher - Mojo...

Male nude lithograph by Trevor Southey. Lifting is a striking lithograph by the South African-born, Utah-based artist Trevor Southey, celebrated for his masterful draftsmanship and ...

"By the Canal" Limited Edition Lithograph on Archival Paper Vibrant lithograph of a red-headed woman near a canal by Michael Leu (Taiwanese, b. 1950). The woman is holding a bouquet of tulips. Nearby, a bicycle is parked alongside the canal. There is a bridge over the canal, connecting to a small town in the distance. This piece is whimsical, bold, and expressive. Numbered "31/198" in the lower left corner. Signed and dated "Michal Leu 95" in the lower right corner. Presented in a black aluminum frame with a white mat. Frame size: 32.75"H x 27.25"W Image size: 24"H x 19"W Born in Taipei, Taiwan, Michael Leu (b. 1950) studied fine art and design in his home town in the late 1960s and learned printmaking techniques at Otis Parsons...

Date: 1990 Screenprint Poster, signed and dated in plate, numbered in pencil Edition of 1000 Image Size: 28 x 20 inches Size: 32 x 23 in. (81.28 x 58.42 cm) Commissioned by Playboy. ...

Josep Moscardó (1953) - Girona Cathedral Lithograph - Hand signed Lithograph measures 74x52 cm. Frameless. Numbered 121/150 Barcelona, 1953 Painter, s...

SCHOMBURG LIBRARY is a hand drawn, limited edition lithograph printed using traditional hand lithography methods on archival Arches printmaking paper...

Keith Haring’s Untitled, 1984 depicts a heart with legs, animated in his signature vibrant style. This open edition reproduction captures the lively essence of Haring’s work, featuri...

Richard Mock, American (1944 - 2006) - Childhood in America, Year: 1999, Medium: Linocut on BFK Rives, signed, titled, numbered and dated in pencil, Edition: 80, Image Size: 17 x...

FATHER & SON is a hand drawn, limited edition lithograph by the African American artist JONATHAN GREEN printed using hand lithography techniques on archival Arches paper, 100% acid free. FATHER & SON is a beautifully simple composition depicting a refreshing Lowcountry South Carolina landscape...

Tim Engelland (American, 1950-2012) A little freshly ground black pepper?, 1996 Linocut 11 x 7 in. Signed and dated lower right: T. Engelland 996 Signed and numbered lower left: 102/200 Edition of 200 printed by hand on an 1892 Poco Proof Press A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue...

ANGEL WITH HEART is an original hand drawn limited edition lithograph by the pop culture icon - Peter Max, printed using traditional hand lithography techniques on archival Arches printmaking paper 100% acid free. ANGEL WITH HEART is an Inspiring and expressive portrait of a winged Pop Art Guardian Angel with gleaming red heart and glowing halo rendered in rich lavender tones and rainbow colors. Max's bold colors, uplifting images and his unconventional artistic diversity have touched almost every period of American culture. Peter Max is well known for his leading role in the psychedelic art of the hippie generation. Print size - 36 x 27 inches, unframed, excellent condition, fresh vivid colors, full bleed image, pencil signed by Peter Max Edition size - 300 Year published - 1990 Printer - J K Fine Art Editions Co. NY German/American artist: b. 1937, Peter Max spent his childhood in Shanghai. From China, the family went to Tibet for a year, and then on to Israel. Peter Max's family's odyssey continued to Paris, and finally, at the age of 16, Max arrived in the United States. Peter Max began his art studies in New York at the Art Student's League and continued at the Pratt Institute and School of Visual Arts. Peter Max, recognised throughout the world and a well-known name in America, is famous for his new age style, cosmic imagery and multi-colored blends. During the late 1960's and early 70's, Peter Max's colorful award winning art reached millions of people. Peter Max's paintings, drawings, sculpture and limited edition graphics have been exhibited in major museums throughout the world. American icons, especially the Statue of Liberty, appear repeatedly in his art repertoire. Returning to the public art scene in the ‘80s...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

Artist: Peter Max (1937) Title: Sailboat Series II Year: 1998 Edition: 201/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 4.75 x 5.75 inches Condition: Excellent ...

Artist: Peter Max (1937) Title: Heart Series I Year: 1998 Edition: 130/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 5 x 4 inches Condition: Excellent Inscriptio...

From the Moby Dick Domes series. Aquatint, etching, engraving, relief, screen print and stencil with hand-coloring in acrylic on handmade, shaped TGL paper. Hand signed and dated l...

Artist: Peter Max (1937) Title: Umbrella Man (Retro Suite II) Year: 1994 Edition: A.P.; 300, plus proofs Medium: Silkscreen on Arches paper Size: 11 x 10.5 inches Condition: Excellen...

Title: Chanel suite (four artworks) Year: 1997 Medium: Offset lithograph on archival paper mounted on canvas Size: 29 x 22 inches, each Condition: Excellent Inscription: Signed in th...

Artist: Peter Max (1937) Title: Cosmic Runner (Retro Suite I) Year: 1994 Edition: 137/300, plus proofs Medium: Silkscreen on Arches paper Size: 11 x 11 i...

Original Absolut Vodka Absolument vintage exhibition poster. Archival linen backed invery good condition, ready to frame. Like most Warhol artwork, this is very vibrant and colorful. This 1994 poster was used for the exposition of contemporary artists at Galerie Lauvigne in Paris. Andy Warhol...

An original hand-signed lithograph by Native American artist, RC Gorman. Numbered AP 15.

NO PLACE LIKE HOME is a hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the African American artist Louis Delsarte ...

"Conception" - Portrait of a Native American on a Vision Quest Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...

Original poster: BATMAN - Museo Dell'Automobile Torino Artist: after Andy Warhol. Size 27.25" x 37" Printed: 1996 in Milan, Italy. Excellent condition. This pop art Italian poster in perfect condition, ready to frame. This is the original first printing of the Museo Dell'Automobile Torino (Italy) Batman, Andy Warhol. 'Viaggio in Italia'. This poster features the artwork for Warhol’s unauthorised 1964 film “Batman Dracula”. Excellent condition. Certificate of Authenticity. Printed in Italy. The exhibition poster was for Nov. 30, 1996 - March 9, 1997. This BATMAN - Museo Dell'Automobile Torino is an Original Vintage Poster, not a reproduction. This poster is in excellent condition. This is an Original Lithograph Vintage Poster; it is not a reproduction. This is an Original Lithograph Vintage Poster; it is not a reproduction. Free Continental USA shipping included (saves $69 1st Dibs...

Although best known for his portraits, Katz has depicted landscapes both inside the studio and out of doors since the beginning of his career. This print of a boat on the water feat...

M.F. Husain - Horse - 14 x 20 inches (unframed size) Serigraph on Paper, Edition 238/250 ( Unframed & Delivered ) MF Husain , world acclaimed artist has been famous for various of his series ,  however Ganeshas have been a close favorite by him which he has painted over and over again. The set of serigraphs make his works more affordable and helps us have a piece of Husain in our lives. Needless to mention they satiate the much needed space for the very auspicious imaginary of Ganesha in our spaces. This work is from the series of Ashtavinayak , meaning Eight Ganeshas of which the series comprised. A wonderful wonderful work to collect by one of the famous Indian Artist...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

Artist: Robin Shepherd (English-American, Active: Late 20th Century) Title: "St. Tropez" *Signed by Shepherd in pencil lower right Year: 1991 Medium: Original Screenprint on Stonehenge paper Limited edition: 150 (exact number may differ from photos) Printer: possibly the artist Shepherd himself, Jacksonville, FL Publisher: the artist Shepherd himself and The Collector's Exchange, Jacksonville, FL (present day Graves International Art...

Robert Mapplethorpe Rare (Historic) Atlantic House, Provincetown - Entre Nous - Chains poster, 1991 Offset lithograph poster 17 × 11 inches Unframed, unsigned and unnumbered Accompan...

Senghor, Leopold Sedar. POEMS OF LEOPOLD SEDAR SENGHOR with illustrations by Lois Maillou Jones. Limited Editions Club, NY, 1996. Number 88 of the e...

Lucian Freud The Egyptian Book 1994 Etching on T.H.S. Saunders paper 18 1/4 x 16 3/4 inches; 46 x 43 cm Edition of 40 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks...

Julian Schnabel Invierno Primaveral, 1995 Hand-painted, 17-color screenprint with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 signed in pencil and stamped on verso ...

FAMILY IN BLUE is an original hand drawn limited edition lithograph by the Trinidadian-American artist, Geoffrey Holder an actor, dancer, choreographer...

Barbra Streisand Walter Matthau "Hello Dolly" Oscar Academy Award Musical Tony Al Hirschfeld (1903-2003) "Hello Dolly!" with Barbra Streisand and Walter Matthau Limited Edition Etc...

Marie by Isaac Maimon, Israeli/French (1951) Date: circa 1994 Screenprint, signed and numbered in pencil Edition of 201/ 275 Image Size: 28 x 20.5 inches Size: 31.5 in. x 23.5 in. (8...

Robert Indiana New Glory Banner 1997 Silkscreen on heavy woven paper Unsigned as issued Size: 10.4 × 16.8 on 16.6 × 21.7 inches Gallery COA provided Robert Indiana was an American artist associated with the pop art movement. His "LOVE" print, first created for the Museum of Modern Art's Christmas card in 1965, was the basis for his 1970 Love sculpture and the widely distributed 1973 United States Postal...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

Woman Waving - 1991 Abstract Expressionist Lithograph on Paper 1991 black and yellow abstract expressionist lithograph depicting a woman by Sidney Jonas Budnick (1921 - 1994). The w...

Artist: Peter Max (1937) Title: Profile Series II Year: 1998 Edition: 83/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 8.5 x 7 inches Condition: Excellent Inscri...

Artist: Itzchal Tarkey Title: Works on Paper Book containing 3 Original Lithographs Medium: Book with 3 Lithographs Signed: The book is signed Edition: There were 4,400 books in ...

Artist: Raya Sorkine Title: "La Roue Qui Tourne" Title: Wedding in Venice Year: 1999 Print - Lithograph on Arches Archival Paper   39'' x 29.5'' Edition: signed in pencil and number...

Otono Floral, 1995 Hand-painted, 15-color screenprint with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 signed in pencil and stamped on verso "Sexual Spring-like Win...

Visually, the design evokes a king playing card, reinterpreted through a Mesoamerican lens: Mayan‑style figures, swords, clouds, and other symbolic motifs are composed in a richly gr...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

Full Moon Night (from "In the Floating World" series) Fuji Xerox copy print Signed, dated, and numbered 11/50 in pencil. Image: 29.5 x 41.5 cm. Sheet: 29.5 x 41.5 cm. BSS No. : E-199...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CCC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...