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Gerard Marti"Mick Jagger Mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti2019
2019
$2,500
£1,891.42
€2,182.99
CA$3,491.80
A$3,882.22
CHF 2,032.11
MX$47,614.14
NOK 25,873.87
SEK 24,428
DKK 16,290.22
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"Mick Jagger Mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti
Digital print on fine art paper.
Ships rolled in a tube.
Signed and numbered by the artist.
After an anonymous tip on February 12, 1967, local police in West Wittering, a small village in the southern UK, raided the home of Rolling Stones' superstar Keith Richards. Richards and a young 24-year-old lead singer - Mick Jagger, were arrested for suspected drug use. Charges that were later dismissed but not before the duo were given uncharacteristically harsh prison sentences: 3 months for Jagger, and a year for Richards.
The Rolling Stones, of course, need no introduction. They're widely considered one of the greatest rock bands of all time and were leaders in the British Invasion of rock n' roll in the United States during the 1960s. Viewed as the harder, more rebellious counterpart to The Beatles, the band members became poster children for parents warning their young kids of what not to be. Nearly 54 years later the Stones continue to tour regularly, with Jagger, now 73, still widely celebrated for lively and energetic performances that make me want to take a nap just watching him.
- Creator:Gerard Marti (1956, French, American)
- Creation Year:2019
- Dimensions:Height: 39 in (99.06 cm)Width: 36 in (91.44 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Culver City, CA
- Reference Number:1stDibs: LU1085114601462
Gerard Marti
Born and raised on the French Riviera, Gerard Marti attended the Ecole des Beaux-Arts in Marseille, where at the age of 18 he studied Fine Art and the History of Arts. A couple of years later, he moved to Paris to pursue a career in the music industry. First as a songwriter, then as a record producer and video director for E.M.I. Records is one of the largest record companies in Europe. In 1991, fed up with the changing music industry, he moved to the United States, making Maui his home.
In Hawaii, Gerard Marti finally went back to where he first started and began painting again. In a typical style of Postmodern Eclecticism, Symbolism, and Pop Art, he creates paintings in a style that collapses into fragmented components, pop music, advertising, technology, and urban street poetry. Marti is engaged in an exercise of free association, where images and icons of contemporary culture collide, in a haphazard juxtaposition of style and traditions that give his work a distinctly European flavor.
“Pop Art should be glamorous, expendable, mass-produced, and popular". "My pieces combine all of these elements, people who look for symbolic meanings fail to grasp the inherent poetry and mystery of the images," I question the idea of authority and the traditional role of the artist. I like to take something from the everyday world and transform it into art. Most of my paintings involve the post-modernist technique of appropriation of anonymous images. My inspiration comes from the imagery of consumer society and popular culture.” Marti’s works combine anonymous images of women from film stills, advertisements, and erotic icons. It is sexy, gimmicky, and glamorous. Some of the pieces might shock the viewer by forcing them to face their mortality. “The role of an artist is to make the invisible, visible. Art is an open window in your mind.”
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