Norha Beltran

Woman with Fruits

c.1980

This artwork titled "Waterloo Volunteers" from the suite "History of England" is an original color etching by British artist Graham Clarke, b.1941. ...

Artist: Alvar Sunol Munoz-Ramos (Spanish, born 1935) Title: From Barcelona Suite Year: 1979 Medium: Color lithograph with embossing Edition: Numbered 1...

Artist: Alvar Title: From Barcelona Suite Year: 1979 Medium: Color lithograph with embossing Edition: Numberd 145/185 in pencil Paper: Arches Image siz...

This artwork titled "Le Vieux Chalet" is an original serigraph by Russian artist Liudmilia Kondakova, born 1956. It is signed and numbered 90/100 in in white pencil by the artist. Th...

This artwork titled "Notre Dame De Paris in Winter" is an original serigraph by Russian artist Liudmilia Kondakova, born 1956. It is signed and numbered 321/325 in gold felt pen by t...

This artwork titled "Strawberies" c.1985, published 1996 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 656/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 16.5 x 21 inches, sheet size is 22.25 x 26 inches. It is in excellent condition. About the artist: Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.​ At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public. ​In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...

A Cart Race Hand colored etching & aquatint, 1788 Signed in the plate (see photo) Published by William Hollande, London Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.' Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938) British Museum Satires 7607 Grego, 'Rowlandson', i. 260, Grego II.392 Provenance: Chris Beetles Ltd., London (label), 2003 Jeffrey M. Kaplan, Washington, D.C. (label) Condition: Excellent Archival framing by Chris Beetles Ltd., London Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church... Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks. "It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...

Francisco De Goya (Spain, 1746-1828) ¨Si quebró el Cantaro¨ Series Caprichos. Estampa 25, ca.1797-1799 etching, aquatint, dry point on laid paper 11.6 x 8.1 in. (29.3 x 20.5 cm.) 1st...

Francisco De Goya (Spain, 1746-1828) 'Los Chinchillas (Caprichos. Estampa 50)', ca.1797-1799 burnished aquatint, etching on vellum paper 11.6 x 8.4 in....

Francisco De Goya (Spain, 1746-1828) 'Mucho hay que chupar (Caprichos. Estampa 45)', ca.1797-1799 burnished aquatint, etching on vellum paper 12.2 x 8.4 in. (30.8 x 21.1 cm.) 2nd Edi...

Francisco De Goya (Spain, 1746-1828) 'El de la rollona". Serie Caprichos. Estampa 04, ca. 1797-1799 burnished aquatint, etching on laid paper 12.6 x 8.6 in. (32 x 21.8 cm.) 1st Editi...

Francisco De Goya (Spain, 1746-1828) ¨Si quebró el Cantaro¨'Tal para cual¨ Serie Caprichos. Estampa 05, ca.1797-1799 etching, aquatint, dry point on laid paper 12.4 x 8.7 in. (31.3 ...