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Pierre-Auguste Renoir
LE PETIT GARÇON AU PORTE-PLUME - PORTRAIT DE CLAUDE RENOIR ÉCRIVANT

1902-03

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  • . . . ET IL FAUDRA MOURIR SANS AVOIR TUÉ LE VENT . . .
    By Henri Matisse
    Located in San Francisco, CA
    Original linocut printed in black ink on Rives wove paper. Bearing the artist's estate monogram blindstamp in the paper lower right. A superb impression of the definitive state...
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    20th Century Modern Figurative Prints

    Materials

    Linocut

  • Nude Model, Reclining
    By James Abbott McNeill Whistler
    Located in San Francisco, CA
    Original lithograph printed in black ink on antique laid paper. Signed on the stone with the artist’s butterfly monogram center left. A superb impression of Spink’s third and f...
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    19th Century Aesthetic Movement Figurative Prints

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    Lithograph

  • . . . EMPORTÉS JUSQU' AUX CONSTELLATIONS . . . (Variant VIII)
    By Henri Matisse
    Located in San Francisco, CA
    Original linocut printed in black ink on white Rives wove paper. Bearing the artist's estate monogram blindstamp in the paper lower right. A richly printed impression of the de...
    Category

    20th Century Modern Figurative Prints

    Materials

    Linocut

  • November
    By Eugen Kirchner
    Located in San Francisco, CA
    A superb impression of the definitive state, from the edition of 1,211 (artist's edition of 36, deluxe edition of 75, standard edition of 1,100) published by Julius Meier-Graefe, Ber...
    Category

    Late 19th Century Modern Figurative Prints

  • Devant St. Jeannet (Near St. Jeannet)
    By Marc Chagall
    Located in San Francisco, CA
    A richly printed impression of the definitive state. From the deluxe edition of 50, numbered “30/50” in pencil in the margin lower left (apart from the unsigned and unnumbered editio...
    Category

    21st Century and Contemporary Figurative Prints

  • The Shoemaker
    By James Abbott McNeill Whistler
    Located in San Francisco, CA
    Original lithograph printed in black ink on China paper. Signed on the stone with the artist’s butterfly monogram upper center. A superb, richly printed impression of Spink’s only state From the edition of unknown size printed by Lemercier, Paris (apart from the posthumous edition of 58 printed by Goulding in 1904). Catalog: Spink 169; Levy 129; Way 151 Collections in which impressions from this edition can be found: Art Institute of Chicago (4 impressions); Hunterian Art Gallery, University of Glasgow (1 impression); British Museum, London (1 impression); Freer Art Gallery, Smithsonian Institution, Washington, D.C. (1 impression); National Gallery of Art, Washington, D.C. (1 impression); University of Michigan Museum of Art, Ann Arbor (1 impression); Boston Public Library (1 impression); Museum of Fine Art, Boston (1 impression); Cleveland Museum of Art (1 impression); Metropolitan Museum of Art, New York (2 impressions); Achenbach Foundation for the Graphic Arts, San Francisco (1 impression) . “The Shoemaker” was one of the first lithographs that Whistler made after his acrimonious break with his London printers, the Ways. It was entitled “The Shoemaker, Dieppe” by Rosalind Birnie Philip in her 1903 inventory of the artist’s estate, and indeed it does seem to have been drawn during a period when Whistler was making frequent Channel crossings...
    Category

    19th Century American Impressionist Figurative Prints

    Materials

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