Piet Parra 1

No Work Today Screenprint Abstract Figurative Signed and Numbered Pop Art

2017

~Parra~ "Sliding Doors" (2017) Screen-print on white Arches paper. Signed and numbered by the artist. Edition 0f 250. 50 × 70 cm / 19 7/10 × 27 3/5 in Dutch illustrator, painter, ...

This print featuring Jersey City Apartment (2019) was produced in 2019, in conjunction with the exhibition Jonas Wood at Gagosian, 555 West 24th Street, New York. The exhibition incl...

Artist: Peter Grippe, American (1912 - 2002) Title: Positive Year: 1960 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 39 x 20 inches Size: 46 x 35 in. (11...

Artist: Dan May (American, 1955-) Title: "Reclining Nude (Black)" *Signed and numbered by May in pencil lower left Year: 1995 Medium: Original Screenprint on unbranded white wove paper Limited edition: 45/50 Printer: the artist May himself, Oakland, CA Publisher: the artist May himself, Oakland, CA Sheet size: 20.25" x 24" Image size: 11.38" x 17.13" Condition: In excellent condition Notes: Titled and dated by May in pencil lower right. Biography: Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges drawing...