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Robert CottinghamRobert Cottingham, Cold Beer, iconic photorealist lithograph, Signed/N Framed1980
1980
$1,800
£1,373.36
€1,563.46
CA$2,529.92
A$2,781
CHF 1,460.01
MX$33,068.07
NOK 18,749.86
SEK 17,079.09
DKK 11,681.53
About the Item
Two Color Offset Lithograph on Wove Paper by photo realist star Robert Cottingham
Pencil signed, titled and numbered from the edition of 150 on the front
This hand signed, titled and numbered lithograph was printed in 1977, and published in 1980. Other examples of this now iconic print are in major public, private and institutional collections such as the Smithsonian
Jackie Fine Arts, Inc. and Robert H. Hawk (Publisher)
Atelier Editions and Deli Sacilotto (Printer)
Accompanied by gallery issued Certificate of Guarantee
Frame included: held in wood frame
Measurements:
Sheet: 14 Square inches
Frame: 26-1/2" x 26-1/2"
Not examined outside of vintage frame but appears to be in very good condition; held in original vintage frame (ships framed)
- Creator:Robert Cottingham (1935, American)
- Creation Year:1980
- Dimensions:Height: 14 in (35.56 cm)Width: 14 in (35.56 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Not examined outside of vintage frame but appears to be in very good condition; held in original vintage frame (ships framed).
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745217363882
Robert Cottingham
Robert Cottingham is an American painter best known for his Photorealist depictions of cropped commercial signage. Born on September 26, 1935, in Brooklyn, NY, Cottingham studied at Pratt Institute. He received his BFA in 1963 before starting a five-year career in commercial advertising. Upon moving to Los Angeles, Cottingham seriously committed himself to his painting practice, which eventually subsumed his advertising career by 1968 as the artist rose to prominence along with the Photorealist movement. Notably—though Cottingham is considered among the most prominent Photorealists of the latter half of the 20th century—he disavowed his relationship to the movement. Instead, he views his work as part of the lineage of vernacular Americana painters, including the likes of Stuart Davis and Edward Hopper. His work can be found in The Metropolitan Museum of Art collections in New York and the Smithsonian American Art Museum in Washington, D.C., among others.
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