Rus Daniels

Ping Pong Classic II by Rus Daniels

1920's

Salvador Dali's Aliyah, Convenant: Eternal Circumcision is from the Aliyah, Rebirth of Israel Suite which was created by Salvador Dali for the 20th anniversary of the proclamation...

Rembrandt Portrait Du Peintre Par Lui-Meme is from the Changes in Great Masterpieces suite. In this series of six original lithographs in full color, Master Dali has given us a conce...

This is an original certificate of honorable discharge from the Saratoga New York Fire Department. It is signed by the Village President and dated 1911...

Poseidon ( Neptune ) is a rare Salvador Dali original lithographic poster published by Arte, Paris 1980 for the exhibition of his suite ” The Mythology ” . This series has 16 i...

Under Sail is an original limited edition Artists Proof ( A. P. ) lithograph by Norman Rockwell and signed in pencil by the artist. This delightful image shows a young boy who has used a ladder to climb atop a barn and is sitting on a weather vane with the vanes rooster beside him. He is staring out over the town with his cowboy hat in his right hand and the roosters pole in his left dreamily watching the birds in flight in the distance. This original lithograph is framed in a burnished silver frame , white mat and  silver fillet. It comes with a certificate of authenticity and is in excellent condition. Norman Rockwell ( 18984 - 1978 ) one of Americas most iconic artists who illustrated covers for The Saturday Evening Post for 47 years with a total of 321 covers.  His depiction of everyday American scenes with an emphasis on the warmth of small town life infused with his particular charm and humor made him a beloved figure in American history. He once said " Maybe as I grew up and found the world wasn't the perfect place I thought it to be , I unconsciously decided that if it wasn't an ideal world, it should be, and so painted only the ideal aspects of it".  Rockwell also covered important events of the day such as Charles Lindberg's 1927 crossing of the Atlantic and Neil Armstrong's 1969 moon...

Boy in Red Shirt is an original lithograph by Margaret Keane c. 1980. A young boy in a red shirt is seen in front of a three story building in a city on a blue sky day. An original color lithograph limited edition 72/100 and signed in pencil by the artist. In very good condition with artist's stamp in bottom left corner and a faint line from the figure's hand that goes 2 inches towards bottom margin. Can be seen in detail photo. Could have happened when printed. Margaret Keane born Peggy Doris Hawkins on September 15, 1927 in Nashville, Tennessee. When she was two her eardrum was permanently damaged during a mastoid operation. Unable to hear properly she learned to watch the eyes of the person talking to her to understand them. Keane started drawing as a child and at age 10 she took classes at the Watkins Institute in Nashville. Keane painted her first oil painting of two little girls one crying and one laughing when she was 10 years old and gave the drawing to her grandmother. She was well known at the local church for her sketches of angels...

Yue Minjun, Backyard Garden Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in Roman numerals In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. The print is mounted on double sheet of paper with a poem on one spread and print on the other. Backyard Garden belongs to the set of twenty lithographs from the “Snatched Ecstasy of Yue Minjun”, which comes as a limited edition of 130 rare books. The work of Yue Minjun is instantly recognizable with its uniform laughing faces, the artist's faces. Minjun creates various realities against which the laughing figures are rendered, thus creating ambiguous images, often with the sinister atmosphere, which comes as his personal cynical reaction to various social and political dimensions of contemporary Chinese realities. Immediately humorous and sympathetic, Yue Minjun’s paintings offer a light-hearted approach to philosophical enquiry and contemplation of existence. Yue’s self-portraits have been describe by theorist Li Xianting as “a self-ironic response to the spiritual vacuum and folly of modern-day China”, thus the acidic tones and commercialized vacuity of his works are used to underscore the insincerity of his figures’ mirth. “Art should be an expression of one's particular feelings and should be direct and deep. So I drew one person, and then added another and another until there were crowds of them. Then I felt my emotions to be fully expressed.„ —Yue Minjun YUE MINJUN Yue Min-Jun (born 1962, Daqing, China) is one of the leading Chinese artists. He is best known for oil paintings depicting formations of his laughing self-portraits in various settings. His iconography is easily recognisable, it challenges social and cultural conventions by depicting objects and political issues in a radical, abstract, ironic and cynical manner. Yue Min-Jun initially started painting as a hobby, subsequently he graduated from the Oil Painting Department of Hebei Normal University, China in 1985. In the 90s he joined an artist community in Yuan Ming...

Yue Minjun, Paean on Grassland Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered...

Yue Minjun, Remarkable People Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 × 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered ...

Yue Minjun, Fighting Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in Roman numerals In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. The print is mounted on double sheet of paper with a poem on one spread and print on the other. In fantastical paintings populated with heightened, hysterical self-portraits, Yue Minjun satirizes contemporary society and art historical tropes. Yue paints himself in fluorescent hues with a gaping grin. He occasionally multiplies his likeness, making his compositions even more menacing; his style has made him a pioneer of China’s Cynical Realism movement. Yue’s influences include Chinese socialist realism, Surrealism, and European classical paintings. He studied oil painting at Hebei Normal University in Shijiazhuang and has exhibited in Hong Kong, Berlin, Shenzhen, Shanghai, London, Basel, and New York. Yue has been the subject of numerous institutional shows at venues such as the Macao Museum, the ARoS Aarhus Art Museum, the National Art Museum of China, the Kunstmuseum Bonn, and the Museum of Fine Arts in Bern. “[...] I choose to paint laughter, to communicate a sense of pleasure and happiness, but actually, it hides a double perspective of drama and suffering.„ —Yue Minjun YUE MINJUN Yue Min-Jun (born 1962, Daqing, China) is one of the leading Chinese artists. He is best known for oil paintings depicting formations of his laughing self-portraits in various settings. His iconography is easily recognisable, it challenges social and cultural conventions by depicting objects and political issues in a radical, abstract, ironic and cynical manner. Yue Min-Jun initially started painting as a hobby, subsequently he graduated from the Oil Painting Department of Hebei Normal University, China in 1985. In the 90s he joined an artist community in Yuan Ming Yuan, a village near Beijing where he began to form his style and iconography. The paintings, sculptures, and installations of Yue Minjun feature uniform laughing pink faces, which appear to be self-portraits. Through various symbols, metaphors, signs, or through depictions of daily life the artist constructs various realities against which the laughing figures are rendered. "In my work, laughter is a representation of a state of helplessness, lack of strength and participation, with the absence of our rights that society has imposed on us." —Yue Minjun Yue became famous after his participation in the 48th Venice Biennale in 1999, which granted him access to international art. One of the best-known paintings by Yue Minjun and an icon for modern Chinese art and the Cynical Realism movement is Execution. It was painted in 1995 and is generally regarded as a reaction to the Tiananmen Square...

Yue Minjun, Birds of Peace Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 × 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in ...

Yue Minjun, Mushroom Cloud Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 120 × 80cm (47 1/5 × 31 1/2 in) Stampe...