Rus Daniels

Ping Pong Classic II

1920's

Salvador Dali's Aliyah, Convenant: Eternal Circumcision is from the Aliyah, Rebirth of Israel Suite which was created by Salvador Dali for the 20th anniversary of the proclamation...

Rembrandt Portrait Du Peintre Par Lui-Meme is from the Changes in Great Masterpieces suite. In this series of six original lithographs in full color, Master Dali has given us a conce...

This is an original certificate of honorable discharge from the Saratoga New York Fire Department. It is signed by the Village President and dated 1911...

Poseidon ( Neptune ) is a rare Salvador Dali original lithographic poster published by Arte, Paris 1980 for the exhibition of his suite ” The Mythology ” . This series has 16 i...

Under Sail is an original limited edition Artists Proof ( A. P. ) lithograph by Norman Rockwell and signed in pencil by the artist. This delightful image shows a young boy who has used a ladder to climb atop a barn and is sitting on a weather vane with the vanes rooster beside him. He is staring out over the town with his cowboy hat in his right hand and the roosters pole in his left dreamily watching the birds in flight in the distance. This original lithograph is framed in a burnished silver frame , white mat and  silver fillet. It comes with a certificate of authenticity and is in excellent condition. Norman Rockwell ( 18984 - 1978 ) one of Americas most iconic artists who illustrated covers for The Saturday Evening Post for 47 years with a total of 321 covers.  His depiction of everyday American scenes with an emphasis on the warmth of small town life infused with his particular charm and humor made him a beloved figure in American history. He once said " Maybe as I grew up and found the world wasn't the perfect place I thought it to be , I unconsciously decided that if it wasn't an ideal world, it should be, and so painted only the ideal aspects of it".  Rockwell also covered important events of the day such as Charles Lindberg's 1927 crossing of the Atlantic and Neil Armstrong's 1969 moon...

Boy in Red Shirt is an original lithograph by Margaret Keane c. 1980. A young boy in a red shirt is seen in front of a three story building in a city on a blue sky day. An original color lithograph limited edition 72/100 and signed in pencil by the artist. In very good condition with artist's stamp in bottom left corner and a faint line from the figure's hand that goes 2 inches towards bottom margin. Can be seen in detail photo. Could have happened when printed. Margaret Keane born Peggy Doris Hawkins on September 15, 1927 in Nashville, Tennessee. When she was two her eardrum was permanently damaged during a mastoid operation. Unable to hear properly she learned to watch the eyes of the person talking to her to understand them. Keane started drawing as a child and at age 10 she took classes at the Watkins Institute in Nashville. Keane painted her first oil painting of two little girls one crying and one laughing when she was 10 years old and gave the drawing to her grandmother. She was well known at the local church for her sketches of angels...

Offset Lithograph, Limited Edition from an edition of 175. Signed in pencil, lower right and framed in a handmade gold leaf frame. Based on an original Pastel drawn in Fontainebleau, during the summer of 1921. This neoclassical head...

Jean Jansem (1920-2013) Les acadiens, 1993 Lithographie sur papier Arches, justifiée E/A 16/30 Signée en bas à droite 65,5 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°9...

Additional Information: Provenance: Private Collection, Palm Beach, Florida Marking(s); notes: signed; ed. 23/100; 1980 Country of origin; materials: USA; lithograph Dimensions: 3...

This advertising poster from the 1930s melds the meticulous detail of traditional Chinese painting with the craft of color lithography. These advertisements, influenced by the Art De...

This black and white original lithograph by Mexican artist Juan Carlos Breceda depicts a checkerboard of abstracted woman's face from a variety of ...

Barbra Stresiand "Belle of 14th Street" 1973 CBS TV Special 20th Century Litho Signed and numbered 10/150 in pencil, lower margin. Etching, 13.5” x 9.75”. Framed 21.25” x 17.25”. Pulled in 1975. Belle of 14th Street After two successful television shows on CBS, Barbra's manager, Marty Erlichman told the press, “We don't intend to go to the well once too often. The next special will have other performers. However, Barbra will never become just another hostess for just another musical variety show. Whatever we decide to do in the future shows, she will dominate in a unique fashion.” Barbra’s third television special for CBS and her sponsor, Monsanto, was titled The Belle of 14th Street . In February 1966, shortly after finishing up Color Me Barbra , Streisand and husband Elliott Gould took a second honeymoon in Paris. The trip was financed by her television corporate sponsor, Chemstrand. Barbra told the press, “I’m here to purchase the wardrobe for my next TV special. Cost is no object because my sponsor is picking up the tab.” At that point the theme of her third TV show would be fashion, and Paris offered many couture choices. Barbra was seen at a Dior fashion show wearing not the designer’s clothes, but a jaguar suit and hat she had designed herself. In all, it is said Barbra chose nine Dior outfits at a cost of $150,000. However, Barbra Streisand's third television special for CBS was postponed. In March 1966, Barbra flew to London to appear at the Prince of Wales Theatre in Funny Girl . Shortly after beginning her run in London, Barbra announced her pregnancy. Not only did that cause her concert tour to be abbreviated, but Barbra’s television special was postponed as well. Barbra told the BBC in July 1966: “I also can’t do my third television show, which I was supposed to do here [London].” Returning to the States, Barbra performed four concert dates, and then retired to enjoy the rest of her pregnancy and give birth to her son, Jason, in December 1966. CBS and Chemstrand wanted a new special by the end of 1967, therefore production on the show picked up momentum in March 1967. (Barbra was due in Hollywood in May to begin shooting the Funny Girl film.) The format and theme of the television show had changed, too. Instead of centering on fashion, Barbra’s next special would be situated in a 1900’s Vaudeville theater. “We were all determined that the show not be just a variety format,” director Joe Layton said. “We wanted something different. So we hit upon the idea of restaging a vaudeville performance. All the acts, songs, skits and specialties had to be derivative of the period between 1895-1912.” Barbra’s creative collaborators did meticulous research on Vaudeville — “We even called George Burns in Hollywood and Jack Pearl,” said Barbra’s manager, Marty Erlichman. Entitled The Belle of 14th Street , the new special would allow Barbra to play several different characters but not have to shoulder the burden of carrying another one-woman show—this time Streisand would be accompanied by guest stars: Broadway actor Jason Robards; Vaudeville veteran John Bubbles; and Lee Allen...